Chinatown Film Culture: The Appearance of Cinema in San Francisco`s Chinese Neighborhood, Kim Khavar Fahlstedt

Автор: Fahlstedt Kim K.
Название: Chinatown Film Culture: The Appearance of Cinema in San Francisco`s Chinese Neighborhood
ISBN: 1978804407 ISBN-13(EAN): 9781978804401
Издательство: Mare Nostrum (Eurospan)
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Цена: 35070.00 T
Наличие на складе: Нет в наличии.
Описание: Chinatown Film Culture provides the first comprehensive account of the emergence of film and moviegoing in the transpacific hub of San Francisco in the early twentieth century. Working with materials previously left in the margins of grand narratives of history, Kim K. Fahlstedt uncovers the complexity of a local entertainment culture that offered spaces where marginalized Chinese Americans experienced and participated in local iterations of modernity. At the same time, this space also fostered a powerful Orientalist aesthetic that would eventually be exported to Hollywood by San Francisco showmen such as Sid Grauman. Instead of primarily focusing on the screen-spectator relationship, Fahlstedt suggests that immigrant audiences' role in the proliferation of cinema as public entertainment in the United States saturated the whole moviegoing experience, from outside on the street to inside the movie theater. By highlighting San Francisco and Chinatown as featured participants rather than bit players, Chinatown Film Culture provides an historical account from the margins, alternative to the more dominant narratives of U.S. film history.

Автор: Lynne Horiuchi, Tanu Sankalia
Название: Urban Reinventions: San Francisco`s Treasure Island
ISBN: 0824866029 ISBN-13(EAN): 9780824866020
Издательство: Mare Nostrum (Eurospan)
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Цена: 43470.00 T
Наличие на складе: Невозможна поставка.
Описание: When it was built in 1937, Treasure Island was considered to be one of the largest man-made islands in the world. Located in the middle of San Francisco Bay, the 400-acre island was constructed out of dredged bay mud in a remarkable feat of Depression-era civil engineering by the U.S. Army Corps of Engineers. Its alluring name is an allusion to the fabled remnants of the California Gold Rush found at the bottom of the ocean floor that makes the island.This collection of essays tells the story of San Francisco’s Treasure Island—an artificial, disconnected island that has paradoxically been central to the city’s urban ambitions. Conceived as a site for San Francisco’s first airport in an age of automobile and air transport, Treasure Island hosted the Golden Gate International Exposition (GGIE) in 1939 celebrating the completion of the Golden Gate and the San Francisco-Oakland Bay Bridges. With particular focus on Asia and Latin America, the GGIE promoted peace, harmony, and commerce in the Pacific. Treasure Island’s planned use as an airport was scuttled when World War II abruptly reversed the exposition’s message of Pacific unity, and the U.S. government developed Treasure Island and the adjacent Yerba Buena Island into a major Pacific theater naval base.Today, in the midst of a high-tech boom and in one of the most expensive real-estate markets in the world, the city of San Francisco and its developers are proposing an ambitious vision for a new eco-city of about 19,000 residents on Treasure Island and Yerba Buena Island. The project is considered a model of green urbanism synonymous with a growing global trend toward large-scale, capital-intensive land developments envisioned around ideas of sustainability and spectacular place making. Seen against the successive history of development, future visions for Treasure Island are part of a process of building and erasure that Horiuchi and Sankalia call urban reinventions. This is a process of radical change in which artificial, detached and delimited sites such as Treasure Island provide an ideal plane for tabula rasa planning driven by property, capital, and state control.With contributions by authors well known for their interdisciplinary work, this collection demonstrates how a single site may be interpreted in multiple ways: as a world’s fair site, military installation, a semi-derelict relic of past lives, a toxic site of nuclear waste, and a future eco-city and major real estate development. The volume offers a wide spectrum of critiques of race, imperialism, gendered Orientalism, military land use, property capital exchange, new-eco cities, sustainability, and waste as a byproduct of development.The book will be of interest to general readers as well as teachers, scholars and practitioners in the fields of geography, architecture, planning, urban design, history, environmental studies, American Studies, Asian Studies and military history, among others.

Автор: Philippa Gates
Название: Criminalization/Assimilation: Chinese/Americans and Chinatowns in Classical Hollywood Film
ISBN: 0813589428 ISBN-13(EAN): 9780813589428
Издательство: Mare Nostrum (Eurospan)
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Цена: 125400.00 T
Наличие на складе: Невозможна поставка.
Описание: Criminalization/Assimilation traces how Classical Hollywood films constructed America's image of Chinese Americans from their criminalization as unwanted immigrants to their eventual acceptance when assimilated citizens, exploiting both America's yellow peril fears about Chinese immigration and its fascination with Chinatowns. Philippa Gates examines Hollywood's responses to social issues in Chinatown communities, primarily immigration, racism, drug trafficking, and prostitution, as well as the impact of industry factors including the Production Code and star system on the treatment of those subjects. Looking at over 200 films, Gates reveals the variety of racial representations within American film in the first half of the twentieth century and brings to light not only lost and forgotten films but also the contributions of Asian American actors whose presence onscreen offered important alternatives to Hollywood's yellowface fabrications of Chinese identity and a resistance to Hollywood's Orientalist narratives.