Mexico Noir: Rethinking the Dark in Contemporary Writing and Visual Culture, Erica Segre
Автор: Christina L. Sisk Название: Mexico, Nation in Transit: Contemporary Representations of Mexican Migration to the United States ISBN: 0816529558 ISBN-13(EAN): 9780816529551 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 60990.00 T Наличие на складе: Невозможна поставка. Описание: The primary goal of this new five-volume set is to make Shakespeare`s poems and plays accessible and appealing to students. Written and edited by active Shakespearean scholars and critics who have a love of teaching and explaining Shakespeare, this landmark collection presents Shakespeare`s poems and plays in a whole new light for anyone interested in fully comprehending this great writer`s works.
Winner of the Southwest Book Award from the Border Regional Library Association
As a teenager, Manuel Chavez (1910-1996) left his native New Mexico for over a decade of study at the St. Francis Seraphic Seminary in Cincinnati, Ohio, and other midwestern institutions. Included in his curriculum was an introduction to literature and the arts that piqued an interest that would follow him the remainder of his life. Upon returning to New Mexico, he was ordained Fray Angelico Chavez and would become one of New Mexico's most important twentieth-century writers.
In The Life and Writing of Fray Angelico Chavez, Ellen McCracken provides a literary biography that includes a deep look into the intellectual and cultural contributions of this Renaissance man. McCracken moves chronologically through a substantial body of work that includes fiction, poetry, plays, essays, spiritual tracts, sermons, historical writing, translation, painting, church renovation, and journalism.
From the prolific creativity of the years of his first assignment in Pena Blanca to the decades he spent researching Hispano genealogy in New Mexico, McCracken traces Chavez's complex and changing identity as an ethnic American and religious subject who was also an historian, artist, creative writer, and preservationist. The year 2010 will mark the centenary of Fray Angelico Chavez's birth, and this volume will serve as a fitting tribute.
In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were not simply tools of cultural imperialism. Instead, they offered Mexicans on both sides of the border an imaginative and crucial means of participating in global modernity, even as these films and their producers and distributors frequently displayed anti-Mexican bias. Before the Golden Age of Mexican cinema, Mexican audiences used their encounters with American films to construct a national film culture. Drawing on extensive archival research, Serna explores the popular experience of cinemagoing from the perspective of exhibitors, cinema workers, journalists, censors, and fans, showing how Mexican audiences actively engaged with American films to identify more deeply with Mexico.
In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were not simply tools of cultural imperialism. Instead, they offered Mexicans on both sides of the border an imaginative and crucial means of participating in global modernity, even as these films and their producers and distributors frequently displayed anti-Mexican bias. Before the Golden Age of Mexican cinema, Mexican audiences used their encounters with American films to construct a national film culture. Drawing on extensive archival research, Serna explores the popular experience of cinemagoing from the perspective of exhibitors, cinema workers, journalists, censors, and fans, showing how Mexican audiences actively engaged with American films to identify more deeply with Mexico.
Автор: Sophie Esch Название: Modernity at Gunpoint: Firearms, Politics, and Culture in Mexico and Central America ISBN: 0822965380 ISBN-13(EAN): 9780822965381 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 32340.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Modernity at Gunpoint provides the first study of the political and cultural significance of weaponry in the context of major armed conflicts in Mexico and Central America.
Автор: Wilson Ricardo a. Название: The Nigrescent Beyond: Mexico, the United States, and the Psychic Vanishing of Blackness ISBN: 081014204X ISBN-13(EAN): 9780810142046 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 30090.00 T Наличие на складе: Нет в наличии. Описание: Despite New Spain’s significant participation in the early transatlantic slave trade, the collective imagination of the Mexican nation evolved in the nineteenth and twentieth centuries to understand itself as devoid of a black presence. In The Nigrescent Beyond, Ricardo Wilson proposes a framework for understanding this psychic vanishing of blackness and thinks through how it can be used both to productively unsettle contemporary multicultural and postracial discourses within the United States and to further the interrogations of being and blackness within the larger field of black studies. Wilson models a practice of reading that honors the disruptive possibilities offered by an ever-present awareness of that which lies, irretrievable, beyond the horizon of vanishing itself. In doing so, he engages with historical accounts detailing maroon activities in early New Spain, contemporary coverage of the push to make legible Afro-Mexican identities, the electronic archives of the Obama presidency, and the work of Carlos de Sig?enza y G?ngora, Octavio Paz, Ivan Van Sertima, Miguel Covarrubias, Steven Spielberg, and Colson Whitehead, among others.
Автор: Burgess Название: The New Dramatists Of Mexico 1967-1985 ISBN: 0813151597 ISBN-13(EAN): 9780813151595 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 37620.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In 1976 a dozen hopeful young Mexican dramatists -- most of them studying with Emilio Carballido -- began staging plays, primarily in small, out-of-the-way theater, and publishing them, mostly in university magazines with limited distribution.
The Supernatural Sublime explores the long-neglected element of the supernatural in films from Spain and Mexico by focusing on the social and cultural contexts of their production and reception, their adaptations of codes and conventions for characters and plot, and their use of cinematic techniques to create the experience of emotion without explanation. Deploying the overarching concepts of the supernatural and the sublime, Raúl Rodríguez-Hernández and Claudia Schaefer detail the dovetailing of the unnatural and the experience of limitlessness associated with the sublime.
The Supernatural Sublime embeds the films in the social histories of twentieth- and twenty-first-century Mexico and Spain, both of which made a forced leap into modernity after historical periods founded on official ideologies and circumscribed visions of the nation. Evoking Kant’s definition of the experience of the sublime, Rodríguez-Hernández and Schaefer concentrate on the unrepresentable and the contradictory that oppose purported universal truths and instead offer up illusion, deception, and imagination through cinema, itself a type of illusion: writing with light.
Автор: Rashkin, Elissa J. Название: The stridentist movement in Mexico ISBN: 0739131575 ISBN-13(EAN): 9780739131572 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 63360.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Stridentism (estridentismo) was a literary, artistic, and cultural movement founded in Mexico in the 1920s by poets Manuel Maples Arce, GermOn List Arzubide, and Salbador Gallardo, prose writer Arqueles Vela, painters Fermin Revueltas, Ram-n Alva de la Canal, Leopoldo MZndez, and Jean Charlot, and sculptor GermOn Cueto. This book is a wide-ranging
Автор: Sam Lopez Название: Post-Revolutionary Chicana Literature: Memoir, Folklore and Fiction of the Border, 1900–1950 ISBN: 0415653932 ISBN-13(EAN): 9780415653930 Издательство: Taylor&Francis Рейтинг: Цена: 32650.00 T Наличие на складе: Невозможна поставка. Описание: This book examines how Chicana literature in three genres—memoir, folklore, and fiction—arose at the turn of the twentieth century in the borderlands of the United States and Mexico. Lopez examines three women writersand highlights their contributions to Chicana writing in its earliest years as well astheir contributions to the genres in which they wrote. The women -- Leonor Villegas de Magnon, Jovita Idar, and Josefina Niggli—represent three powerful voices from which to gain a clearer understanding of women’s lives and struggles during and after the Mexican Revolution and also, offer surprising insights into women’s active roles in border life and the revolution itself. Readers are encouraged to rethink Chicana lives, and expand their ideas of "Chicana" from a subset of the Chicano Movement of the 1960s to a vibrant and vigorous reality stretching back into the past.
Автор: Ricardo A. Wilson Название: The Nigrescent Beyond: Mexico, the United States, and the Psychic Vanishing of Blackness ISBN: 0810142058 ISBN-13(EAN): 9780810142053 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 100320.00 T Наличие на складе: Нет в наличии. Описание: Despite New Spain’s significant participation in the early transatlantic slave trade, the collective imagination of the Mexican nation evolved in the nineteenth and twentieth centuries to understand itself as devoid of a black presence. In The Nigrescent Beyond, Ricardo Wilson proposes a framework for understanding this psychic vanishing of blackness and thinks through how it can be used both to productively unsettle contemporary multicultural and postracial discourses within the United States and to further the interrogations of being and blackness within the larger field of black studies. Wilson models a practice of reading that honors the disruptive possibilities offered by an ever-present awareness of that which lies, irretrievable, beyond the horizon of vanishing itself. In doing so, he engages with historical accounts detailing maroon activities in early New Spain, contemporary coverage of the push to make legible Afro-Mexican identities, the electronic archives of the Obama presidency, and the work of Carlos de Sig?enza y G?ngora, Octavio Paz, Ivan Van Sertima, Miguel Covarrubias, Steven Spielberg, and Colson Whitehead, among others.
Folio 46r from Codex Telleriano-Remensis was created in the sixteenth century under the supervision of Spanish missionaries in central Mexico. As an artifact of seismic cultural and political shifts, the manuscript painting is a singular document of indigenous response to Spanish conquest. Examining the ways in which the folio's tlacuilo (indigenous painter/writer) creates a pictorial vocabulary, this book embraces the place "outside" history from which this rich document emerged.
Applying contemporary intellectual perspectives, including aspects of gender, modernity, nation, and visual representation itself, José Rabasa reveals new perspectives on colonial order. Folio 46r becomes a metaphor for reading the totality of the codex and for reflecting on the postcolonial theoretical issues now brought to bear on the past. Ambitious and innovative (such as the invention of the concepts of elsewheres and ethnosuicide, and the emphasis on intuition), Tell Me the Story of How I Conquered You embraces the performative force of the native scribe while acknowledging the ineffable traits of 46r—traits that remain untenably foreign to the modern excavator/scholar. Posing provocative questions about the unspoken dialogues between evangelizing friars and their spiritual conquests, this book offers a theoretic-political experiment on the possibility of learning from the tlacuilo ways of seeing the world that dislocate the predominance of the West.
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