Revisiting Style in Literary and Cultural Studies: Interdisciplinary Articulations, Jasmin Herrmann, Moritz Ingwersen, Bjorn Sonnenberg-Schrank, Olga Ludmila Tarapata

Автор: Micali, Simona
Название: Towards a posthuman imagination in literature and media
ISBN: 1788745825 ISBN-13(EAN): 9781788745826
Издательство: Peter Lang
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Цена: 63930.00 T
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What if the human species were to get in touch with another intelligent species, thus far unknown?

This question is the impetus for a vast, exciting catalogue of science fiction and fantasy stories. They serve as hypothetical answers in narrative form but can also be regarded as cognitive exercises by which we investigate the nature and destiny of humanity. In other words, any creature and any story produced in response to this question requires an assessment of our notion of the human and a redefinition of our position and role in the world.

This volume aims at mapping and analysing the very rich catalogue of non-human figures which inhabit our contemporary imagery, with particular regard to science fiction literature and film. It is suggested that monsters, clones, zombies, aliens, artificial beings, cyborgs and mutants can function as ideological tools intended to confirm the role of humankind (and Western civilization) as the only possible standard of intelligent and ethical life. But they can also become cognitive instruments devised to question or criticize our vision of and behaviour toward the world, other species and ourselves. This privileged critical perspective – and the point of arrival of the book – is the category of the posthuman, which is regarded as the symbol of a possibly revolutionary vision of humanity, a wish and an invitation to embrace a new, more humble way of being and living.

Название: Music, Narrative and the Moving Image: Varieties of Plurimedial Interrelations
ISBN: 9004399046 ISBN-13(EAN): 9789004399044
Издательство: Brill
Цена: 154080.00 T
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Описание: In extending the traditional field of Word and Music Studies to include research on film and other forms of moving visualizations, this volume focuses on innovative discussions of artistic works showing relationships between three individual communicative media.
This trifocal, interdisciplinary perspective is reflected in seventeen essays that cover the historical space from the 19th to the 21st centuries and discuss a wide variety of individual genres in the represented media. These range from Parisian cabaret to 'revolutionary' Peking opera, from silent film to Holocaust narration, from documentary propaganda movies to opera film interludes, and more. The investigation of historical cases is broadened by reflections on theoretical and functional issues, primarily in film music, which show a remarkable breadth of technical and perceptual varieties.
The essays here collected are of relevance to scholars and students of film studies, musicology, and literature, as well as readers generally interested in Intermediality Studies.