Автор: Limon, John. Название: Stand-up comedy in theory, or, Abjection in America / ISBN: 0822325462 ISBN-13(EAN): 9780822325468 Издательство: Wiley EDC Рейтинг: Цена: 22870.00 T Наличие на складе: Нет в наличии. Описание:
Stand-Up Comedy in Theory, or, Abjection in America is the first study of stand-up comedy as a form of art. John Limon appreciates and analyzes the specific practice of stand-up itself, moving beyond theories of the joke, of the comic, and of comedy in general to read stand-up through the lens of literary and cultural theory. Limon argues that stand-up is an artform best defined by its fascination with the abject, Julia Kristeva’s term for those aspects of oneself that are obnoxious to one’s sense of identity but that are nevertheless—like blood, feces, or urine—impossible to jettison once and for all. All of a comedian’s life, Limon asserts, is abject in this sense. Limon begins with stand-up comics in the 1950s and 1960s—Lenny Bruce, Carl Reiner, Mel Brooks, Mike Nichols, Elaine May—when the norm of the profession was the Jewish, male, heterosexual comedian. He then moves toward the present with analyses of David Letterman, Richard Pryor, Ellen DeGeneres, and Paula Poundstone. Limon incorporates feminist, race, and queer theories to argue that the “comedification” of America—stand-up comedy’s escape from its narrow origins—involves the repossession by black, female, queer, and Protestant comedians of what was black, female, queer, yet suburbanizing in Jewish, male, heterosexual comedy. Limon’s formal definition of stand-up as abject art thus hinges on his claim that the great American comedians of the 1950s and 1960s located their comedy at the place (which would have been conceived in 1960 as a location between New York City or Chicago and their suburbs) where body is thrown off for the mind and materiality is thrown off for abstraction—at the place, that is, where American abjection has always found its home. As the first study of its kind, Stand-Up Comedy in Theory, or, Abjection in America will appeal to a wide audience including those interested in cultural studies, Jewish studies, gender and queer theory.
Автор: Limon Martin Название: GI Confidential ISBN: 1641290382 ISBN-13(EAN): 9781641290388 Издательство: Random House (USA) Рейтинг: Цена: 16520.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: US Army CID Agents George Sue o and Ernie Bascom become entangled with a pushy tabloid reporter as they investigate a series of violent bank robberies throughout South Korea. South Korea, 1970s: A rash of armed robberies at local Korean banks doesn't concern the American military--until a fatality occurs, and proof surfaces that US soldiers are behind the crimes. The case has been assigned to CID Agents Jake Burrows and Felix Slabem, but they certainly won't do anything that might make 8th United States Army look bad. So Sergeants George Sue o and Ernie Bascom have decided to step in and investigate the robberies--and murder--themselves. George and Ernie have their own problems to worry about, namely Katie Byrd Worthington, a pesky reporter for the Overseas Observer--an unsanctioned English-language tabloid that has found strong roots in South Korea. Katie has published a story that implicates Army higher-ups in both sex trafficking and treason, and the pressure is on for the CID to disprove her claims. But what if they aren't false? As George and Ernie dig deeper into the case, they find themselves the targets of a very unflattering publicity campaign, but perhaps also something much more dangerous.
Автор: Limon Martin Название: The Line ISBN: 1641290897 ISBN-13(EAN): 9781641290890 Издательство: Random House (USA) Рейтинг: Цена: 10390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: George Sue o and Ernie Bascom return for their thirteenth outing, which takes them from Seoul to the DMZ in their most politically charged murder case yet. The Korean Demilitarized Zone, 1970s: A battered corpse is found a few feet north of the line dividing North and South Korea. When 8th Army CID Agents George Sue o and Ernie Bascom pull the body to the South Korean side on orders from their superiors, they have no idea of the international conflict their action will spark. Before war breaks out, they must discover who killed Corporal Noh Jong-bei, a young Korean soldier working with the US Army. The murderer could be on either side of the DMZ. But without cooperation between the governments involved, how can two US military agents interrogate North Korean witnesses? What George and Ernie discover gets them pulled off the case, but fearing they've put the wrong man behind bars, they disobey orders in an attempt to discover the truth.
Автор: Limon John Название: Death`s Following: Mediocrity, Dirtiness, Adulthood, Literature ISBN: 082324279X ISBN-13(EAN): 9780823242795 Издательство: Wiley EDC Рейтинг: Цена: 70930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Almost all twentieth-century philosophy stresses the immanence of death in human life—as drive (Freud), as the context of Being (Heidegger), as the essence of our defining ethics (Levinas), or as language (de Man, Blanchot). In Death’s Following, John Limon makes use of literary analysis (of Sebald, Bernhard, and Stoppard), cultural analysis, and autobiography to argue that death is best conceived as always transcendentally beyond ourselves, neither immanent nor imminent. Adapting Kierkegaard’s variations on the theme of Abraham’s near-sacrifice of Isaac while refocusing the emphasis onto Isaac, Limon argues that death should be imagined as if hiding at the end of an inexplicable journey to Moriah. The point is not to evade or ignore death but to conceive it more truly, repulsively, and pervasively in its camouflage: for example, in jokes, in logical puzzles, in bowdlerized folk songs. The first of Limon’s two key concepts is adulthood: the prolonged anti-ritual for experiencing the full distance on the look of death. His second is dirtiness, as theorized in a Jewish joke, a logical exemplum, and T. S. Eliot’s “Ash Wednesday”: In each case, unseen dirt on foreheads suggests the invisibility of inferred death. Not recognizing death immediately or admitting its immanence and imminence is for Heidegger the defining characteristic of the “they,” humanity in its inauthentic social escapism. But Limon vouches throughout for the mediocrity of the “they” in its dirty and ludicrous adulthood. Mediocrity is the privileged position for previewing death, in Limon’s opinion: practice for being forgotten. In refusing the call of twentieth-century philosophy to face death courageously, Limon urges the ethical and aesthetic value of mediocre anti-heroism.
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