Автор: Brown, Blain Название: The Basics of Filmmaking ISBN: 0367026066 ISBN-13(EAN): 9780367026066 Издательство: Taylor&Francis Рейтинг: Цена: 38780.00 T Наличие на складе: Есть Описание: This is an introductory textbook tailored to the needs of beginning and intermediate film students and independent filmmakers that expertly guides you through the entirety of the craft, from screenwriting all the way through to editing, with details chapters covering each department involved in the filmmaking process.
Автор: Cohen Joshua L., Johnson J. Lauren, Orr Penny Название: Video and Filmmaking as Psychotherapy: Research and Practice ISBN: 1138286966 ISBN-13(EAN): 9781138286962 Издательство: Taylor&Francis Рейтинг: Цена: 40820.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: While film and video has long been used within psychological practice, researchers and practitioners have only just begun to explore the benefits of film and video production as therapy. This volume describes a burgeoning area of psychotherapy which employs the art of filmmaking and digital storytelling as a means of healing victims of trauma and abuse. It explores the ethical considerations behind this process, as well as its cultural and developmental implications within clinical psychology. Grounded in clinical theory and methodology, this multidisciplinary volume draws on perspectives from anthropology, psychiatry, psychology, and art therapy which support the use and integration of film/video-based therapy in practice.
Автор: Grove Elliot Название: Raindance Producers` Lab Lo-to-No Budget Filmmaking ISBN: 0240522184 ISBN-13(EAN): 9780240522180 Издательство: Taylor&Francis Рейтинг: Цена: 46950.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Discover vital insider tips on producing movies with a micro budget!
Covering both tried and true filmmaking techniques as well as insight on marketing, selling, and distributing your film, Raindance Producers' Lab, Second Edition is the ultimate independent filmmaker's guide to producing movies. This edition has been updated to include:
Fresh features on low-budget, high quality video cameras, including new digital camera options such as DSLR
An extensive selection of new case studies and interviews with industry talents such as Ewan McGregor, Ate de Jong, James Youngs, Joe Pavlo, Martin Myers, Rolin Heap, and more
Essential advice on how to make the web work for you and promote your films through Twitter, Facebook and other social media platforms
All new postproduction workflows
A companion website (www.lotonobudgetfilmmaking.com) providing all the contracts and material you need to run a production company and make successful low budget movies
The verdict is in: if you're looking for a clear-cut, no-nonsense approach to micro-budget filmmaking and producing, Elliot Grove's wealth of teaching and filmmaking experience combined with winning formulas for marketing and promotion make this book a must-have one-stop shop for filmmakers!
Автор: Horton Andrew, Julian Hoxter Название: Screenwriting: Behind the Silver Screen: A Modern History of Filmmaking ISBN: 1784530204 ISBN-13(EAN): 9781784530204 Издательство: Bloomsbury Academic Рейтинг: Цена: 95040.00 T Наличие на складе: Невозможна поставка. Описание: Reveals & redefines the screenwriter`s role in the art, business & history of Hollywood filmmaking
Автор: Greg Takoudes Название: The Collaborative Director: A Department-by-Department Guide to Filmmaking ISBN: 1138618055 ISBN-13(EAN): 9781138618053 Издательство: Taylor&Francis Рейтинг: Цена: 39800.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Collaborative Director: A Department-by-Department Guide to Filmmaking explores the directorial process in a way that allows the director to gather the best ideas from the departments that make up a film crew, while making sure that it`s the director`s vision being shown on screen.
Автор: Tricart Celine Название: 3D Filmmaking ISBN: 1138847895 ISBN-13(EAN): 9781138847897 Издательство: Taylor&Francis Рейтинг: Цена: 51030.00 T Наличие на складе: Нет в наличии. Описание:
A visual book for the visual artist, 3D Filmmaking: Techniques and Best Practices for Stereoscopic Filmmakers provides a comprehensive overview of the theory, language, and methods behind stereoscopic 3D filmmaking, all in one package. Celebrated 3D filmmaker Celine Tricart explores every facet of the art, from the technical to the practical, including:
3D vision
History of 3D cinema
Stereoscopic basics and techniques
How to shoot in 3D
3D VFXs, animation in 3D, and 2D to 3D conversion
Live broadcast in 3D
3D viewing and projection
3D as a storytelling tool
Screenwriting for 3D
Working with a stereographer
3D storyboarding and previz
3D postproduction
Sound design in-depth
A must-read for any 3D filmmaker, producer, writer, or technician interested in the third dimension, 3D Filmmaking covers the history of the form, defines key 3D terms and places them into context, and offers lessons on using the medium as a visual storytelling tool, creating a perfect blend of concepts, practice, and history. Full color throughout, the book also includes a pair of 3D glasses for you to view the 3D images within, and each chapter features detailed color diagrams and examples in anaglyph 3D, as well as interviews with 3D visionaries like Jean Pierre Jeunet (Director, Amelie, Alien 4), Chris Sanders (Director, How to Train Your Dragon, The Croods), Demetri Portelli (Stereographer, Hugo), Phil McNally (Stereoscopic Supervisor, How to Train Your Dragon, Madagascar 4), Tim Webber (VFX supervisor, Gravity), Scott Farrar (VFX supervisor, the Transformers franchise), and Victoria Alonso (Stereoscopic Supervisor, Marvel Studios).
A companion website (www.routledge.com/cw/tricart) features links to useful resources and footage from 3D films.
Автор: Brown, Blain Название: The Basics of Filmmaking ISBN: 0367026058 ISBN-13(EAN): 9780367026059 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is an introductory textbook tailored to the needs of beginning and intermediate film students and independent filmmakers that expertly guides you through the entirety of the craft, from screenwriting all the way through to editing, with details chapters covering each department involved in the filmmaking process.
Автор: Larkin Название: Post-Production and the Invisible Revolution of Filmmaking ISBN: 1138588334 ISBN-13(EAN): 9781138588332 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period.
Автор: Romero-Fresco Название: Accessible Filmmaking ISBN: 1138493007 ISBN-13(EAN): 9781138493001 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Translation, accessibility and the viewing experience of foreign, deaf and blind audiences has long been a neglected area of research within film studies.
Автор: Stark, Tony Название: The Insiders` Guide to Factual Filmmaking ISBN: 0815369786 ISBN-13(EAN): 9780815369783 Издательство: Taylor&Francis Рейтинг: Цена: 39800.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is an accessible and comprehensive `how to` guide about the craft of making documentaries for TV, online or social media. Film-maker Tony Stark distils a long career at the BBC and as an independent producer to explain the conceptual, visual, editorial and organisational skills needed to make impactful and stylish factual films.
Автор: Romero-Fresco Название: Accessible Filmmaking ISBN: 1138493015 ISBN-13(EAN): 9781138493018 Издательство: Taylor&Francis Рейтинг: Цена: 38780.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Translation, accessibility and the viewing experience of foreign, deaf and blind audiences has long been a neglected area of research within film studies.
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