Название: Chinese Propaganda Posters (Bibliotheca Universalis) ISBN: 3836557479 ISBN-13(EAN): 9783836557474 Издательство: Taschen Рейтинг: Цена: 14170.00 T Наличие на складе: Невозможна поставка. Описание: With his smooth, warm, red face which radiated light in all directions, Chairman Mao Zedong was a fixture in Chinese propaganda posters produced between the birth of the People s Republic in 1949 and the early 1980s.
Chairman Mao, portrayed as a stoic superhero (a.k.a. the Great Teacher, the Great Leader, the Great Helmsman, the Supreme Commander), appeared in all kinds of situations (inspecting factories, smoking a cigarette with peasant workers, standing by the Yangzi River in a bathrobe, presiding over the bow of a ship, or floating over a sea of red flags), flanked by strong, healthy, ageless men and masculinized women and children wearing baggy, sexless, drab clothing. The goal of each poster was to show the Chinese people what sort of behavior was considered morally correct and how great the future of Communist China would be if everyone followed the same path toward utopia by uniting together.
This book brings together a selection of colorful propaganda artworks and cultural artifacts from Max Gottschalk s vast collection of Chinese propaganda posters, many of which are now extremely rare.
Автор: Giesen Название: Chinese Animation ISBN: 0786459778 ISBN-13(EAN): 9780786459773 Издательство: Turpin Рейтинг: Цена: 49220.00 T Наличие на складе: Невозможна поставка. Описание: With an output of 250,000 minutes annually, and with 8,000 producers and production units around, the Chinese are leading the field of animated films. It is almost impossible to completely cover ninety years of filmmaking, this guide provides a comprehensible introduction to the industry's infancy, its Golden Age (Shanghai Animation Film Studio) and today's Chinese animation (in feature films, television series, and students films). There are classics such as Princess Iron Fan (made at the time of the Japanese occupation) and the colour Havoc in Heaven, both starring the Monkey King Sun Wukong, as well as the TV stars (Blue Cat, Pleasant Goat and Big Big Wolf) and many almost unknown works by young filmmakers who are not focusing on a target audience of children (like so much of the industry output).
Автор: Wang Zhuoyi Название: Revolutionary Cycles in Chinese Cinema, 1951-1979 ISBN: 1137378735 ISBN-13(EAN): 9781137378736 Издательство: Springer Рейтинг: Цена: 83850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and diversified the meanings of films, this book offers a discursive study of the development of early PRC cinema.
Автор: Shi Liang Название: Chinese Lesbian Cinema: Mirror Rubbing, Lala, and Les ISBN: 073918847X ISBN-13(EAN): 9780739188477 Издательство: Bloomsbury Рейтинг: Цена: 97020.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book is the first extensive study of lesbian cinema in mainland China. It also provides an account of the history of Chinese homosexuality, especially its female same-sex erotic tradition, from antiquity to the present day.
Автор: Teo Stephen Название: Chinese Martial Arts Cinema ISBN: 1474400086 ISBN-13(EAN): 9781474400084 Издательство: Bloomsbury Academic Рейтинг: Цена: 31670.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is the fully-researched account of the historical and contemporary development of the traditional martial arts genre in the Chinese cinema known as wuxia. The book unveils rich layers of the wuxia tradition as it developed in early Shanghai cinema in the late 1920s, and from the 1950s onwards, in the Hong Kong and Taiwan film industries.
Автор: Teo, Professor Stephen (nanyang Technological University) Название: Chinese martial arts cinema ISBN: 1474403867 ISBN-13(EAN): 9781474403863 Издательство: Bloomsbury Academic Рейтинг: Цена: 95040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
This is the first comprehensive, fully-researched account of the historical and contemporary development of the traditional martial arts genre in the Chinese cinema known as wuxia (literal translation: martial chivalry) - a genre which audiences around the world became familiar with through the phenomenal 'crossover' hit Crouching Tiger, Hidden Dragon (2000). The book unveils rich layers of the wuxia tradition as it developed in the early Shanghai cinema in the late 1920s, and from the 1950s onwards, in the Hong Kong and Taiwan film industries.
Key attractions of the book are analyses of:
The history of the tradition as it began in the Shanghai cinema, its rise and popularity as a serialized form in the silent cinema of the late 1920s, and its eventual prohibition by the government in 1931.
The fantastic characteristics of the genre, their relationship with folklore, myth and religion, and their similarities and differences with the kung fu sub-genre of martial arts cinema.
The protagonists and heroes of the genre, in particular the figure of the female knight-errant.
The chief personalities and masterpieces of the genre - directors such as King Hu, Chu Yuan, Zhang Che, Ang Lee, Zhang Yimou, and films such as Come Drink With Me (1966), The One-Armed Swordsman (1967), A Touch of Zen (1970-71), Hero (2002), House of Flying Daggers (2004), and Curse of the Golden Flower (2006).
The trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia’s cinematic landscape. The author introduces the “Cinema of Transitions” to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which “transitions” are negotiated.
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