Responding to Site: The Performance Work of Marilyn Arsem, Klein Jennie, Loveless Natalie

Автор: Natalie Loveless
Название: Knowings and Knots: Methodologies and Ecologies in Research-Creation
ISBN: 1772124850 ISBN-13(EAN): 9781772124859
Издательство: Gazelle Book Services
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Цена: 48610.00 T
Наличие на складе: Невозможна поставка.
Описание: A provocative discussion of knowledge-making, ways of knowing, and what counts as legitimate knowledge transmission.

Автор: Natalie Loveless
Название: How to Make Art at the End of the World: A Manifesto for Research-Creation
ISBN: 1478004029 ISBN-13(EAN): 9781478004028
Издательство: Mare Nostrum (Eurospan)
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Цена: 20860.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In recent years, the rise of research-creation—a scholarly activity that considers art practices as research methods in their own right—has emerged from the organic convergences of the arts and interdisciplinary humanities, and it has been fostered by universities wishing to enhance their public profiles. In How to Make Art at the End of the World Natalie Loveless draws on diverse perspectives—from feminist science studies to psychoanalytic theory, as well as her own experience advising undergraduate and graduate students—to argue for research-creation as both a means to produce innovative scholarship and a way to transform pedagogy and research within the contemporary neoliberal university. Championing experimental, artistically driven methods of teaching, researching, and publication, research-creation works to render daily life in the academy more pedagogically, politically, and affectively sustainable, as well as more responsive to issues of social and ecological justice.

Автор: Natalie Loveless
Название: How to Make Art at the End of the World: A Manifesto for Research-Creation
ISBN: 1478003723 ISBN-13(EAN): 9781478003724
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 79380.00 T
Наличие на складе: Невозможна поставка.
Описание: In recent years, the rise of research-creation—a scholarly activity that considers art practices as research methods in their own right—has emerged from the organic convergences of the arts and interdisciplinary humanities, and it has been fostered by universities wishing to enhance their public profiles. In How to Make Art at the End of the World Natalie Loveless draws on diverse perspectives—from feminist science studies to psychoanalytic theory, as well as her own experience advising undergraduate and graduate students—to argue for research-creation as both a means to produce innovative scholarship and a way to transform pedagogy and research within the contemporary neoliberal university. Championing experimental, artistically driven methods of teaching, researching, and publication, research-creation works to render daily life in the academy more pedagogically, politically, and affectively sustainable, as well as more responsive to issues of social and ecological justice.