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Coups, rivals, and the modern state, Rabinowitz, Beth S. (rutgers University, New Jersey)


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Автор: Rabinowitz, Beth S. (rutgers University, New Jersey)
Название:  Coups, rivals, and the modern state
ISBN: 9781108411677
Издательство: Cambridge Academ
Классификация:




ISBN-10: 1108411673
Обложка/Формат: Paperback
Страницы: 329
Вес: 0.44 кг.
Дата издания: 13.02.2020
Серия: Political Science
Язык: English
Иллюстрации: Worked examples or exercises; 22 tables, black and white; 11 plates, black and white; 18 line drawings, black and white
Размер: 152 x 229 x 22
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Social theory,History of ideas,Comparative politics,Politics & government,African history, POLITICAL SCIENCE / American Government / General
Подзаголовок: Why rural coalitions matter in sub-saharan africa
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание: In states with weak institutions and strong ethno-regional challengers, consolidating politically by developing a strategic rural coalition is the necessary first step towards state building, economic development, and democratization. Through demonstrating this, Rabinowitz upends the long-held assumption that African leaders must only cater to urban constituents to secure their rule.

Ephemeral bibelots

Автор: Evans, Brad (rutgers - The State University Of New Jersey)
Название: Ephemeral bibelots
ISBN: 1421432692 ISBN-13(EAN): 9781421432694
Издательство: Неизвестно
Рейтинг:
Цена: 40260.00 T
Наличие на складе: Невозможна поставка.
Описание:

Restoring proto-modernist little magazines--known as ephemeral bibelots--to the scholarly canon.

Emanating from the cabarets of modernist Paris, a short-lived vogue spread around the world for avant-garde journals known in English as ephemeral bibelots. For a time, it seemed that all the young bohemians passing through Paris started their own bibelots modeled on Le Chat Noir, the esoteric magazine of the famed Montmartre cabaret. These journals were recognizable for their decadence, campy queerness, astounding art nouveau illustrations, fin-de-siиcle color schemes, innovative typefaces, and practiced bohemianism.

In Ephemeral Bibelots, Brad Evans relays the untold story of this late-nineteenth-century craze for bibelots, dusting off a trove of periodicals largely untouched by digitization. In excavating this forgotten archive, Evans calls into question the prehistory of modernist little magazines as well as the history of American art and literature at the turn of the twentieth century. Considering how artistic movements take shape, move, and disappear, the book is organized around three major themes--vogue, ephemera, and obscurity--with authors and artists to match. A full-color insert reveals a glorious array of bibelot covers.

This revisionary history of print culture incorporates discussions of pragmatist philosophy and relational aesthetics; women writers like Juliet Wilbor Tompkins and Carolyn Wells; the graphic artists Will Bradley, Louis Rhead, and John Sloan; the dancer Loie Fuller; and twentieth-century figures like H. L. Mencken, Amy Lowell, and Anita Loos. Bringing nineteenth-century American literature and culture into conversation with modern art movements from around the world, Ephemeral Bibelots provides new ways of thinking about the centrality of various media cultures to the attribution of aesthetic innovation and its staying power.


Ephemeral bibelots

Автор: Evans, Brad (rutgers - The State University Of New Jersey)
Название: Ephemeral bibelots
ISBN: 1421431556 ISBN-13(EAN): 9781421431550
Издательство: Неизвестно
Рейтинг:
Цена: 106260.00 T
Наличие на складе: Невозможна поставка.
Описание:

Restoring proto-modernist little magazines--known as ephemeral bibelots--to the scholarly canon.

Emanating from the cabarets of modernist Paris, a short-lived vogue spread around the world for avant-garde journals known in English as ephemeral bibelots. For a time, it seemed that all the young bohemians passing through Paris started their own bibelots modeled on Le Chat Noir, the esoteric magazine of the famed Montmartre cabaret. These journals were recognizable for their decadence, campy queerness, astounding art nouveau illustrations, fin-de-siиcle color schemes, innovative typefaces, and practiced bohemianism.

In Ephemeral Bibelots, Brad Evans relays the untold story of this late-nineteenth-century craze for bibelots, dusting off a trove of periodicals largely untouched by digitization. In excavating this forgotten archive, Evans calls into question the prehistory of modernist little magazines as well as the history of American art and literature at the turn of the twentieth century. Considering how artistic movements take shape, move, and disappear, the book is organized around three major themes--vogue, ephemera, and obscurity--with authors and artists to match. A full-color insert reveals a glorious array of bibelot covers.

This revisionary history of print culture incorporates discussions of pragmatist philosophy and relational aesthetics; women writers like Juliet Wilbor Tompkins and Carolyn Wells; the graphic artists Will Bradley, Louis Rhead, and John Sloan; the dancer Loie Fuller; and twentieth-century figures like H. L. Mencken, Amy Lowell, and Anita Loos. Bringing nineteenth-century American literature and culture into conversation with modern art movements from around the world, Ephemeral Bibelots provides new ways of thinking about the centrality of various media cultures to the attribution of aesthetic innovation and its staying power.



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