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Intellectual world of the italian renaissance, Celenza, Christopher S. (georgetown University, Washington Dc)


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Автор: Celenza, Christopher S. (georgetown University, Washington Dc)
Название:  Intellectual world of the italian renaissance
ISBN: 9780521177122
Издательство: Cambridge Academ
Классификация:


ISBN-10: 052117712X
Обложка/Формат: Paperback
Страницы: 454
Вес: 0.66 кг.
Дата издания: 13.02.2020
Серия: Language/Linguistics
Язык: English
Размер: 153 x 230 x 33
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Western philosophy: Medieval & Renaissance, c 500 to c 1600,History of Western philosophy,Philosophy of language, POLITICAL SCIENCE / History & Theory
Подзаголовок: Language, philosophy, and the search for meaning
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: This book serves as a key resource for students and scholars seeking an introduction to Italian Renaissance intellectual life. Focusing on philosophy and literature, and Latin and Italian sources, it brings together recent scholarship, makes an original contribution to the field, and works beyond traditional disciplinary boundaries.

Italian Renaissance Courts

Автор: Cole, Alison
Название: Italian Renaissance Courts
ISBN: 1780677405 ISBN-13(EAN): 9781780677408
Издательство: Laurence King
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Цена: 21070.00 T
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Описание: This fascinating study of Renaissance courtly art and culture in fifteenth and early sixteenth-century Italy encompasses the most recent scholarship on the courts, court art and noble values. Alison Cole not only considers the role of artists, but explores the distinctive uses to which art was put at the courts, from the smaller duchies and princely courts of Ferrara, Mantua and Urbino to the larger courts of Naples and Milan. The social, intellectual and artistic milieu of each court is brought vividly to life, along with the complex personalities of the rulers, their relationships with the civic and ecclesiastical authorities, and the role of court women as patrons of the arts. Drawing on a wide range of contemporary texts and visual material, Cole paints a rich picture of the these extraordinary courts in the moment of their greatest brilliance.

Renaissance Art in Venice

Автор: Nichols, Tom
Название: Renaissance Art in Venice
ISBN: 1780678517 ISBN-13(EAN): 9781780678511
Издательство: Laurence King
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Цена: 20190.00 T
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Описание: By adopting a chronological approach, with each chapter covering a successive twenty-five year period, and focusing attention on the artists, Tom Nichols presents a vivid, richly illustrated and easily navigable study of Venetian Renaissance art.

Classical Myths in Italian Renaissance Painting

Автор: Freedman
Название: Classical Myths in Italian Renaissance Painting
ISBN: 1107512956 ISBN-13(EAN): 9781107512955
Издательство: Cambridge Academ
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Цена: 39060.00 T
Наличие на складе: Невозможна поставка.
Описание: This book retraces the development of classical imagery in the visual arts of the Italian Renaissance. The extant artifacts of Roman antiquity, in addition to the study of Greek and Latin texts which brought to light descriptions of ancient paintings, were used as models for re-creating the visual culture of antiquity.

The Medici: Power, Money, and Ambition in the Italian Renaissance

Автор: Strathern Paul
Название: The Medici: Power, Money, and Ambition in the Italian Renaissance
ISBN: 1681774089 ISBN-13(EAN): 9781681774084
Издательство: Mare Nostrum (Eurospan)
Цена: 14170.00 T
Наличие на складе: Нет в наличии.
Описание: Strathern also follows the lives of many of the great Renaissance artists with whom the Medici had dealings, including Leonardo, Michelangelo and Donatello; as well as scientists like Galileo and Pico della Mirandola; and the fortunes of those members of the Medici family who achieved success away from Florence, including the two Medici popes and Catherine de' M dicis, who became Queen of France and played a major role in that country through three turbulent reigns.

Intellectual Culture in Medieval Paris

Автор: Wei
Название: Intellectual Culture in Medieval Paris
ISBN: 1107460360 ISBN-13(EAN): 9781107460362
Издательство: Cambridge Academ
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Цена: 33790.00 T
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Описание: This book explores the ideas of theologians at the medieval University of Paris and their attempts to shape society. Investigating their views on money, marriage and sex, Ian Wei reveals the complexity of what theologians had to say about the world around them, and the increasing challenges to their authority.

Art of Renaissance Rome: Artists and Patrons in the Eternal City

Автор: John Marciari
Название: Art of Renaissance Rome: Artists and Patrons in the Eternal City
ISBN: 1786270552 ISBN-13(EAN): 9781786270559
Издательство: Laurence King
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Цена: 20230.00 T
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Описание: The story of Rome`s art and artists, as well as an exploration of Roman patronage as it differed from papacy to papacy, c.1300-1600. Packed with stunning illustrations.

Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art

Автор: Christina Neilson
Название: Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art
ISBN: 1107172853 ISBN-13(EAN): 9781107172852
Издательство: Cambridge Academ
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Цена: 111930.00 T
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Описание: This book is geared towards an intelligent readership interested in the history and art of Renaissance Italy. The analysis of art practices make it appealing to studio artists and students, while the cultural framework in which those practices are discussed will appeal to undergraduate and graduate students and scholars in art history.

Tintoretto: Artist of Renaissance Venice

Автор: Echols Robert, Ilchman Frederick
Название: Tintoretto: Artist of Renaissance Venice
ISBN: 0300230400 ISBN-13(EAN): 9780300230406
Издательство: Wiley yUP
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Цена: 59770.00 T
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Описание: Jacopo Tintoretto (1518 or 1519-1594) was known for the remarkable energy of his work. His contemporary Giorgio Vasari described him as the "most extraordinary brain that painting has ever produced." Considered to be one of the three great painters of 16th-century Venice, along with Titian and Paolo Veronese, Tintoretto is admired for his dramatic treatments of sacred and secular narrative subjects and his insightful portraits of the Venetian aristocracy. His bold and expressive brushwork, which made his paintings seem unfinished to his contemporaries, is now recognized as a key step in the development of oil-on-canvas painting.

This lavishly illustrated study, published to coincide with the 500th anniversary of the artist's birth, features more than forty of Tintoretto's paintings, including many large-scale pieces that convey the breadth and power of his narrative works, along with a sample of his finest drawings. An international group of scholars led by Robert Echols and Frederick Ilchman explores Tintoretto's artistic activity and situates his life and work in the context of his contemporaries' work and of the Renaissance in Italy, providing a fundamental point of reference for modern scholarship and an essential introduction to the artist's career and oeuvre.

Intellectual world of the italian renaissance

Автор: Celenza, Christopher S. (georgetown University, Washington Dc)
Название: Intellectual world of the italian renaissance
ISBN: 1107003628 ISBN-13(EAN): 9781107003620
Издательство: Cambridge Academ
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Цена: 117210.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book serves as a key resource for students and scholars seeking an introduction to Italian Renaissance intellectual life. Focusing on philosophy and literature, and Latin and Italian sources, it brings together recent scholarship, makes an original contribution to the field, and works beyond traditional disciplinary boundaries.

The Grace of the Italian Renaissance

Автор: Mac Carthy Ita
Название: The Grace of the Italian Renaissance
ISBN: 0691175489 ISBN-13(EAN): 9780691175485
Издательство: Wiley
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Цена: 36960.00 T
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Описание:

How grace shaped the Renaissance in Italy

"Grace" emerges as a keyword in the culture and society of sixteenth-century Italy. The Grace of the Italian Renaissance explores how it conveys and connects the most pressing ethical, social and aesthetic concerns of an age concerned with the reactivation of ancient ideas in a changing world. The book reassesses artists such as Francesco del Cossa, Raphael and Michelangelo and explores anew writers like Castiglione, Ariosto, Tullia d'Aragona and Vittoria Colonna. It shows how these artists and writers put grace at the heart of their work.

Grace, Ita Mac Carthy argues, came to be as contested as it was prized across a range of Renaissance Italian contexts. It characterised emerging styles in literature and the visual arts, shaped ideas about how best to behave at court and sparked controversy about social harmony and human salvation. For all these reasons, grace abounded in the Italian Renaissance, yet it remained hard to define. Mac Carthy explores what grace meant to theologians, artists, writers and philosophers, showing how it influenced their thinking about themselves, each other and the world.

Ambitiously conceived and elegantly written, this book portrays grace not as a stable formula of expression but as a web of interventions in culture and society.


Only Connect: Art and the Spectator in the Italian Renaissance

Автор: Shearman John K. G.
Название: Only Connect: Art and the Spectator in the Italian Renaissance
ISBN: 0691656835 ISBN-13(EAN): 9780691656830
Издательство: Wiley
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Цена: 129890.00 T
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Описание:

John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. He takes the lead from texts and artists of the period, for these artists reveal themselves as spectators. Among modern historiographical techniques, Reception Theory is closest to the author's method, but Shearman's concern is mostly with anterior relationships with the viewer--that is, relationships conceived and constructed as part of the work's design, making, and positioning.
Shearman proposes unconventional ways in which works of art may be distinguished one from another, and in which spectators may be distinguished, too, and enlarges the accepted field of artistic invention. Furthermore, His argument reflects on the Renaissance itself. What is created in this period tends to be regarded as conventional, or inherent in the nature of painting and sculpture: he maintains that this is a careless, disengaged view that has overlooked the process of discovery by immensely inventive and visually intelllectual artists.
John Shearman is William Door Boardman Professor of Fine Arts at Harvard University. Among his works are Mannerism (Hardmondsworth/Penguin), Raphael's Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel (Phaidon), The Early Italian Paintings in teh Collection of Her Majesty the Queen (Cambridge). and Funzione e Illusione (il Saggiatore).
The A.W. Mellon Lectures in the Fine Arts, 1988
Bollingen Series XXXV: 37

Originally Publsihed in 1992

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Virgil`s Fourth Eclogue in the Italian Renaissance

Автор: Houghton LBT
Название: Virgil`s Fourth Eclogue in the Italian Renaissance
ISBN: 1108499929 ISBN-13(EAN): 9781108499927
Издательство: Cambridge Academ
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Цена: 111930.00 T
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Описание: The first book-length study of any aspect of the reception of one of the most prominent and influential poems in European culture. It will appeal to students and scholars of Latin literature and classical reception, of political, religious and cultural history, and of early modern literature and art.


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