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Saturation: Race, Art, and the Circulation of Value, Snorton C. Riley, Yapp Hentyle


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Автор: Snorton C. Riley, Yapp Hentyle
Название:  Saturation: Race, Art, and the Circulation of Value
ISBN: 9780262043687
Издательство: MIT Press
Классификация:


ISBN-10: 0262043688
Обложка/Формат: Hardcover
Страницы: 408
Вес: 0.86 кг.
Дата издания: 02.06.2020
Серия: Critical anthologies in art and culture
Язык: English
Иллюстрации: 77 color illus., 22 b 99 illustrations, unspecified
Размер: 241 x 171 x 33
Читательская аудитория: General (us: trade)
Подзаголовок: Race, art, and the circulation of value
Ссылка на Издательство: Link
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Поставляется из: США
Описание: Essays, conversations, and artist portfolios confront questions at the intersection of race, institutional life, and representation.

Controversies involving race and the art world are often discussed in terms of diversity and representation--as if having the right representative from a group or a larger plurality of embodied difference would absolve art institutions from historic forms of exclusion. This book offers another approach, taking into account not only questions of racial representation but also issues of structural change and the redistribution of resources. In essays, conversations, discussions, and artist portfolios, contributors confront in new ways questions at the intersection of art, race, and representation.

The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In science, saturation points describe not only the moment in which race exceeds legibility, but also how diversity operates for institutions. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including aboutness, which interprets artworks by racialized subjects as being about race; modes of unruly, decolonized, and queer visual practices that resist disciplinary boundaries; and a model by which to think with and alongside blackness and indigeneity.

Copublished with the New Museum



Black on both sides

Автор: Snorton, C. Riley
Название: Black on both sides
ISBN: 1517901723 ISBN-13(EAN): 9781517901721
Издательство: Mare Nostrum (Eurospan)
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Цена: 58520.00 T
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Описание: Winner of the John Boswell Prize from the American Historical Association 2018 Winner of the William Sanders Scarborough Prize from the Modern Language Association 2018 Winner of an American Library Association Stonewall Honor 2018 Winner of Lambda Literary Award for Transgender Nonfiction 2018 Winner of the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies The story of Christine Jorgensen, America\u2019s first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the \u201cfather of American gynecology,\u201d to the negation of blackness that makes transnormativity possible.Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of \u201ccross dressing\u201d and canonical black literary works that express black men\u2019s access to the \u201cfemale within,\u201d Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don\u2019t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

Black on Both Sides: A Racial History of Trans Identity

Автор: Snorton C. Riley
Название: Black on Both Sides: A Racial History of Trans Identity
ISBN: 1517901731 ISBN-13(EAN): 9781517901738
Издательство: Mare Nostrum (Eurospan)
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Цена: 20860.00 T
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Описание: Winner of the John Boswell Prize from the American Historical Association 2018 Winner of the William Sanders Scarborough Prize from the Modern Language Association 2018 Winner of an American Library Association Stonewall Honor 2018 Winner of Lambda Literary Award for Transgender Nonfiction 2018 Winner of the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies The story of Christine Jorgensen, America\u2019s first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the \u201cfather of American gynecology,\u201d to the negation of blackness that makes transnormativity possible.Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of \u201ccross dressing\u201d and canonical black literary works that express black men\u2019s access to the \u201cfemale within,\u201d Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don\u2019t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

Nobody Is Supposed to Know: Black Sexuality on the Down Low

Автор: C. Riley Snorton
Название: Nobody Is Supposed to Know: Black Sexuality on the Down Low
ISBN: 0816677964 ISBN-13(EAN): 9780816677962
Издательство: Marston Book Services
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Цена: 88440.00 T
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Описание: Since the early 2000s, the phenomenon of the "down low"-black men who have sex with men as well as women and do not identify as gay, queer, or bisexual-has exploded in media and popular culture. C. Riley Snorton traces the emergence and circulation of the down low, demonstrating how these portrayals reinforce troubling perceptions of black sexuality generally.


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