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Provenance and Early Cinema, Bernardi Joanne, Usai Paolo Cherchi, Williams Tami


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Автор: Bernardi Joanne, Usai Paolo Cherchi, Williams Tami
Название:  Provenance and Early Cinema
ISBN: 9780253052995
Издательство: Mare Nostrum (Eurospan)
Классификация:
ISBN-10: 0253052998
Обложка/Формат: Paperback
Страницы: 430
Вес: 0.63 кг.
Дата издания: 01.02.2021
Язык: English
Иллюстрации: 60 b&w illus., 2 b&w tables - 60 illustrations, black and white - 2 tables, black and white
Размер: 229 x 152 x 17
Ключевые слова: Film theory & criticism,Films, cinema, PERFORMING ARTS / Film & Video / General,PERFORMING ARTS / Film & Video / History & Criticism
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Поставляется из: Англии
Описание:

Remnants of early films often have a story to tell.

As material artifacts, these film fragments are central to cinema history, perhaps more than ever in our digital age of easy copying and sharing. If a digital copy is previewed before preservation or is shared with a researcher outside the purview of a film archive, knowledge about how the artifact was collected, circulated, and repurposed threatens to become obscured. When the question of origin is overlooked, the story can be lost. Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, How did these moving images get here for me to see them?

This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.


Дополнительное описание: Domitor Series - Pr?cis
Introduction: Provenance and Early Cinema: From Preservation and Collection to Circulation and Repurposing
Part I: Studying Provenance: From Analog to Digital
1. Film Provenance: A Framework for Analysis



Silent Cinema

Автор: Usai Paolo Cherchi
Название: Silent Cinema
ISBN: 1844575284 ISBN-13(EAN): 9781844575282
Издательство: Bloomsbury Academic
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Цена: 34840.00 T
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Описание: Paolo Cherchi Usai provides a comprehensive introduction to the study, research and preservation of silent cinema from its heyday in the early 20th century to its present day flourishing. He traces the history of the moving image in its formative years, from Edison’s and Lumiere’s first experiments to the dawn of ‘talkies’; provides a clear guide to the basics of silent film technology; introduces the technical and creative roles involved in its production, and presents silent cinema as a performance event, rather than a passive viewing experience. This new, greatly expanded edition takes the reader on a new journey, exploring silent cinema in the broader context of technology, culture, and society, from the invention of celluloid film and its related machinery to film studios, laboratories, theatres and audiences. Among the people involved in the creation of a new art form were filmmakers, actors and writers, but also engineers, entrepreneurs, and projectionists. Their collective efforts, and the struggle to preserve their creative work by archives and museums, are interwoven in a compelling story covering three centuries of media history, from the magic lantern to the reinvention of silent cinema in digital form. The new edition also includes comprehensive resource information for the study, research, preservation and exhibition of silent cinema.


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