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Kaddish: Pages on Tadeusz Kantor, Kott Jan


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Автор: Kott Jan
Название:  Kaddish: Pages on Tadeusz Kantor
ISBN: 9780857427489
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 0857427482
Обложка/Формат: Paperback
Страницы: 64
Вес: 0.02 кг.
Дата издания: 15.05.2020
Серия: Enactments
Язык: English
Размер: 250 x 150 x 15
Читательская аудитория: General (us: trade)
Подзаголовок: Pages on tadeusz kantor
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Поставляется из: Англии
Описание: Tadeusz Kantor (1915-90) was renowned for his revolutionary theater performances in both his native Poland and abroad. Despite nominally being a Catholic, Kantor had a unique relationship with Jewish culture and incorporated many elements of Jewish theater into his works. In Kaddish, Jan Kott, an equally important figure in twentieth-century theater criticism, presents one of the most poignant descriptions of what might be called the experience of Kantor. At the core of the book is a fundamental philosophical question: What can save the memory of Kantors Theatre of Death--the Image, or the Word/Logos? Kotts biblical answer in Kaddish is that Kantors theatre can be saved in its essence only by the Word, the Logos. This slim volume, Kotts final work, is a distilled meditation that casts light on how two of the most prominent figures in Western theater reflected on the philosophy of the stage.


Tadeusz Kantor`s Memory: Other Pasts, Other Futures

Автор: Kobialka Michal, Zarzecka Natalia
Название: Tadeusz Kantor`s Memory: Other Pasts, Other Futures
ISBN: 1910203068 ISBN-13(EAN): 9781910203064
Издательство: Неизвестно
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Цена: 80080.00 T
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Theatermachine: Tadeusz Kantor in Context

Автор: Romanska Magda, Cioffi Kathleen
Название: Theatermachine: Tadeusz Kantor in Context
ISBN: 0810140241 ISBN-13(EAN): 9780810140240
Издательство: Mare Nostrum (Eurospan)
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Цена: 33440.00 T
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Описание: Theatermachine: Tadeusz Kantor in Context is an in-depth, multidisciplinary compendium of essays about one of the most influential theater artists of the twentieth century. Hans-Thies Lehmann’s theory of postdramatic theater and developments in critical theory—particularly Bill Brown’s thing theory, Bruno Latour’s actor-network theory, and posthumanism—serve to provide a previously unavailable vocabulary for discussion of Kantor’s theater.Drawing on diverse approaches, the contributors write about Kantor from both global and local perspectives: as an exemplar of “postdramatic tragedy”; in relationship to Jewish culture and Yiddish theater; through the prism of postmemory and trauma theory; and in relation to Japanese, German, French, Polish, and American avant-garde theater. This comprehensive anthology arrives at a time when we grapple with the materiality of our modern lives—AI, technobjects, and algorithms—and might thus also be better poised to understand the materiality that permeates Kantor’s theater.Theatermachine argues that while confronting the twentieth century’s most pressing, but least comfortable, questions—those of a human’s worth, dignity, essence, and purpose—Kantor might also have been, unwittingly, a harbinger of the twenty-first century’s political, ethical, aesthetic, and critical discourse.


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