Cahiers d`Art: Arthur Jafa: 43rd Year

Название: Cahiers d`Art: AI Weiwei: Limited Edition
ISBN: 285117312X ISBN-13(EAN): 9782851173126
Издательство: Неизвестно
Цена: 2046110.00 T
Наличие на складе: Невозможна поставка.
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A special limited edition featuring a signed and numbered print by Ai Weiwei

This limited edition of the issue of Cahiers d'Art Revue devoted to Ai Weiwei, and published to accompany his 2019 exhibition at Galerie Cahiers d'Art, is housed in a blue cloth presentation box containing a print of Brain Inflation (2009), numbered and signed by the artist. Limited edition of 175 copies.

Название: Cahiers d`Art: AI Weiwei
ISBN: 2851173073 ISBN-13(EAN): 9782851173072
Издательство: Thames & Hudson
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Цена: 84700.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
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New and previously unseen works by Ai Weiwei: a special issue of Cahiers d'Art

This new edition of the Cahiers d'Art Revue was published to accompany Ai Weiwei's (born 1957) 2019 exhibition at the Galerie Cahiers d'Art on rue du Dragon in Saint-Germain-des-Pr s. The issue features a series of unpublished works on paper made from rust, documentation of Ai Weiwei's gigantic Amazon rain-forest project, a long interview with the artist by Hans Ulrich Obrist, an essay by art historian Ingrid D. Rowland on Ai Weiwei and archaeology, a tribute to the artist's father, the famous writer Ai Qing, and a text by the collector Uli Sigg. The issue sheds light on the concerns that lie at the heart of Ai Weiwei's work: antiquity and contemporaneity, East and West, traditional arts and conceptual art, conservation and destruction. As the artist says, "We can replace everything except the past." Also featured are recent works and projects by Andrea Eriksson, Jonya Ishigami and Monir Shahroudy Farmanfarmaian.

Название: Cahiers d`Art: Mirу: 42nd Year
ISBN: 2851173014 ISBN-13(EAN): 9782851173010
Издательство: Thames & Hudson
Рейтинг:
Цена: 84700.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
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The 2018 Cahiers d'Art revue revisits Mir 's works and relationship between Mir and Cahiers d'Art through an anthology of the most beautiful texts published in the revue. It also introduces unpublished objects and pieces from the artist's collection. The stencil Mir made for the No. 1-4 of the 1936 revue is silkscreened as this revue's cover. The issue also includes an interview with Staffan Ahrenberg and Miquel Barcel , and works by Helen Marten, Koo Jong A and Karel Malich.

Anchored in the beauty of the Catalan land and in the primitive power of objects, Mir 's works unfold their magical dimension alongside movements and theories. The art critic and founder of Cahiers d'Art, Christian Zervos never stopped following and defending the work of this unclassifiable artist, "the most lyrical painter of his time" and "the most important post cubist artist". Mir is indeed present in Cahiers d'Art from the first year of its existence, 1926, utill the last, 1960. He drew many covers and his famous stencil "Help Spain " (Aidez l'Espagne ) was published in the No. 4-5 of the 1937 issue of the Cahiers d'Art revue.

This issue of the new revue, under the direction of R mi Labrusse, revisits the relationship between Mir and Cahiers d'Art through an anthology of the most beautiful texts published in the revue. It also provides insight into the great originality of Mir 's primitivism and a discovery of two collections of the artist: the objects that filled his studio, and the unpublished paintings that he added into certain books in his library. An essay by lisa Sclaunick is dedicated to Mir 's unpublished correspondence with writer Jacques Dupin. A text by Jean-Louis Cohen pays tribute to the architect Jos -Luis Sert who created the buildings of the Palma studio and the Barcelona Foundation, while Rosa Maria Mallet returns to the history of the Mir Foundation.

Lastly, four artists complete the revue with a contemporary counterpoint: the Spanish Miquel Barcel , the English Helen Marten, the South Korean Koo Jong A and the Czech Karel Malich.