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Sandra Calvo: Architecture Without Architects, , Pacho Jose Luis Paredes


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Цена: 36790.00T
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Автор: , Pacho Jose Luis Paredes
Название:  Sandra Calvo: Architecture Without Architects
ISBN: 9786079489588
Издательство: Arquine
Классификация:
ISBN-10: 6079489589
Обложка/Формат: Hardcover
Страницы: 196
Вес: 0.86 кг.
Дата издания: 23.06.2020
Язык: English
Размер: 249 x 216 x 23
Читательская аудитория: General (us: trade)
Подзаголовок: Architecture without architects
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Поставляется из: США
Описание:

An exquisite silk-screen monograph on Sandra Calvos ephemeral sculpture deconstructing concepts of stability in architecture

This publication documents Mexico City-based artist Sandra Calvos (born 1977) participatory project which culminates in a model of a house, constructed by a community in Colombia using black and red thread--echoed in the books threaded exposed binding.



Americo Paredes: Culture and Critique

Автор: Limon Jose E.
Название: Americo Paredes: Culture and Critique
ISBN: 0292756828 ISBN-13(EAN): 9780292756823
Издательство: Wiley EDC
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Цена: 22870.00 T
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Описание:

Several biographies of Américo Paredes have been published over the last decade, yet they generally overlook the paradoxical nature of his life’s work. Embarking on an in-depth, critical exploration of the significant body of work produced by Paredes, José E. Limón (one of Paredes’s students and now himself one of the world’s leading scholars in Mexican American studies) puts the spotlight on Paredes as a scholar/citizen who bridged multiple arenas of Mexican American cultural life during a time of intense social change and cultural renaissance.

Serving as a counterpoint to hagiographic commentaries, Américo Paredes challenges and corrects prevailing readings by contemporary critics of Paredes’s Asian period and of such works as the novel George Washington Gómez, illuminating new facets in Paredes’s role as a folklorist and public intellectual. Limón also explores how the field of cultural studies has drifted away from folklore, or “the poetics of everyday life,” while he examines the traits of Mexican American expressive culture. He also investigates the scholarly paradigm of ethnography itself, a stimulating inquiry that enhances readings of Paredes’s best-known study, “With His Pistol in His Hand,” and other works. Underscoring Paredes’s place in folklore and Mexican American literary production, the book questions the shifting reception of Paredes throughout his academic career, ultimately providing a deep hermeneutics of widely varied work. Offering new conceptions, interpretations, and perspectives, Américo Paredes gives this pivotal literary figure and his legacy the critical analysis they deserve.



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