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Since 1986, Castets Simon, Marta Karen


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Цена: 57420.00T
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Автор: Castets Simon, Marta Karen
Название:  Since 1986
ISBN: 9783960987109
Издательство: Walther Konig Verlag
Классификация:
ISBN-10: 3960987102
Обложка/Формат: Hardcover
Страницы: 456
Вес: 1.70 кг.
Дата издания: 21.04.2020
Язык: English
Иллюстрации: 668 colour
Размер: 277 x 208 x 38
Читательская аудитория: General (us: trade)
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Поставляется из: США
Описание:

Key exhibitions and histories from Swiss Institute, one of New Yorks most innovative art spaces

This volume chronicles New Yorks Swiss Institute, providing a chronology of exhibitions on art, graphic design, performance art, dance and architecture in its various locations--including its current East Village home on St. Marks Place--as well as oral histories from key figures.



Автор: Castets Simon
Название: Fade in
ISBN: 0999505920 ISBN-13(EAN): 9780999505922
Издательство: Неизвестно
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Цена: 28740.00 T
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Описание:

Where does the fake art in movies and on TV come from? Stemming from this question, Fade In explores the intersection of art and on-screen entertainment through works by such artists as Darja Bajagic, GALA Committee, Amie Siegel, William Leavitt, Christian Marclay, Rasa Todosijevic and Cindy Sherman, alongside stills from films by Jacques Tati, Dusan Makavejev, Alfred Hitchcock, Pier Paolo Pasolini, Martin Scorsese and more.


Allyson Vieira: The Plural Present

Автор: Marta Karen, Castets Simon
Название: Allyson Vieira: The Plural Present
ISBN: 194260713X ISBN-13(EAN): 9781942607137
Издательство: Неизвестно
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Цена: 22990.00 T
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Описание: This first-ever in-depth look at New York artist Allyson Vieira (born 1979) investigates the contextual variations that occurred when her exhibition The Plural Present moved from Kunsthalle Basel to Swiss Institute in New York. Focusing on material, process and structure, Vieira surveys the continuity between the art of antiquity and the art of today--evoking Polykleitos and Robert Smithson in equal measure--and possesses a conscious understanding of the importance of time as it relates to place. In this eponymous publication, artist Joe Fyfe maps Vieira's relationship to antiquity; William Hanley uses the language of materials as he parses through the works; Amelia Groom, drawing on George Kubler's radical approach to history in The Shape of Time (1962), considers Vieira's "four-dimensional" approach to sculpture; and the curators of both exhibitions discuss the site specificity of their iterations with the artist.
Embracing the conceptual framework of an exhibition at Swiss Institute and its related public programs, each book in the SI Series adds retrospective context through seminal essays, archival materials, event transcripts, artist portfolios and exhibition documentation, as well as reprints and new translations of important texts. Each book in the series assumes a unique format to delve into the work of an artist, an artistic movement or a philosophical conundrum.


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