Название: Ugo Mulas: Creative Intersections ISBN: 882970217X ISBN-13(EAN): 9788829702176 Издательство: Неизвестно Цена: 63220.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
An insider's photographic history of postwar Italian and American art
Beginning his career in 1940, Italian photographer Ugo Mulas (1928-73) became a central figure in documenting postwar contemporary art. This volume presents Mulas' black-and-white photographs--two decades of the Venice Biennale, New York in the 1960s, and close friends and artists Fontana, Consagra, Melotti and Pisoletto.
The combined experience of authors throughout the ages offers a wealth of valuable information about the practice of creative writing. However, such lore can also be problematic for students and practitioners as it can be inherently additive, making it difficult to abandon processes that do not work. This adherence to lore also tends to be a US-centric endeavor. In order to take a nuanced approach to the uses and limitations of lore, The Place and the Writer offers a global perspective on creative writing pedagogy that has yet to be fully explored. Featuring a diverse array of cultural viewpoints from Brazil to Hong Kong, Finland to South Africa, this book explores the ongoing international debate about the best approaches for teaching and practicing creative writing.
Marshall Moore and Sam Meekings challenge areas of perceived wisdom that persist in the field of creative writing, including aesthetics and politics in institutionalized creative writing; the process of workshopping; tuition and talent; anxiety in the classroom; unifying theory and lore; and teaching creative writing in languages other than English.
Автор: Marshall Moore, Sam Meekings Название: The Place and the Writer: International Intersections of Teacher Lore and Creative Writing Pedagogy ISBN: 1350213918 ISBN-13(EAN): 9781350213913 Издательство: Bloomsbury Academic Рейтинг: Цена: 31670.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The combined experience of authors throughout the ages offers a wealth of valuable information about the practice of creative writing. However, such lore can also be problematic for students and practitioners as it can be inherently additive, making it difficult to abandon processes that do not work. This adherence to lore also tends to be a US-centric endeavor. In order to take a nuanced approach to the uses and limitations of lore, The Place and the Writer offers a global perspective on creative writing pedagogy that has yet to be fully explored. Featuring a diverse array of cultural viewpoints from Brazil to Hong Kong, Finland to South Africa, this book explores the ongoing international debate about the best approaches for teaching and practicing creative writing.
Marshall Moore and Sam Meekings challenge areas of perceived wisdom that persist in the field of creative writing, including aesthetics and politics in institutionalized creative writing; the process of workshopping; tuition and talent; anxiety in the classroom; unifying theory and lore; and teaching creative writing in languages other than English.
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