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Never Going Back: This Is My Story, Robinson Dylan


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Цена: 13790.00T
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в Мои желания

Автор: Robinson Dylan
Название:  Never Going Back: This Is My Story
ISBN: 9781543990379
Издательство: Bookbaby
Классификация: ISBN-10: 1543990371
Обложка/Формат: Paperback
Страницы: 122
Вес: 0.20 кг.
Дата издания: 16.12.2019
Язык: English
Размер: 226 x 152 x 15
Поставляется из: США
Описание: Coming from a life of brokenness and abuse, Dylan came to a crossroads in his life and had to choose between going down the path set before him or to accept the hope and love of Jesus Christ. Once he experienced Jesus for the first time, he knew it was what he had always been looking for. Life didnt get easier after accepting Christ, but the purpose and fulfillment that came with living in Christ was a life he never thought was possible. This book is about how God took a broken kid, born on the wrong side of the tracks, and redeemed him in a way he never thought possible. Dylan now travels all over the country preaching about the Good News that can save their lives as well and also inspire others in their own faith. Dylan chose and continues to choose to keep moving forward and to never go back to his old life, and he believes that God desires everyone to continue to grow in their faith rather than becoming stagnant. What will you choose?

Hungry Listening: Resonant Theory for Indigenous Sound Studies

Автор: Robinson Dylan
Название: Hungry Listening: Resonant Theory for Indigenous Sound Studies
ISBN: 1517907691 ISBN-13(EAN): 9781517907693
Издательство: Mare Nostrum (Eurospan)
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Цена: 23410.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

WInner of the Best First Book from the Native American and Indigenous Studies Association
Winner of the Labriola Center American Indian National Book Award
Winner of the Ann Saddlemyer Award from the Canadian Association for Theatre Research

Reimagining how we understand and write about the Indigenous listening experience​

Hungry Listening is the first book to consider listening from both Indigenous and settler colonial perspectives. A critical response to what has been called the "whiteness of sound studies," Dylan Robinson evaluates how decolonial practices of listening emerge from increasing awareness of our listening positionality. This, he argues, involves identifying habits of settler colonial perception and contending with settler colonialism's "tin ear" that renders silent the epistemic foundations of Indigenous song as history, law, and medicine.

With case studies on Indigenous participation in classical music, musicals, and popular music, Hungry Listening examines structures of inclusion that reinforce Western musical values. Alongside this inquiry on the unmarked terms of inclusion in performing arts organizations and compositional practice, Hungry Listening offers examples of "doing sovereignty" in Indigenous performance art, museum exhibition, and gatherings that support an Indigenous listening resurgence.

Throughout the book, Robinson shows how decolonial and resurgent forms of listening might be affirmed by writing otherwise about musical experience. Through event scores, dialogic improvisation, and forms of poetic response and refusal, he demands a reorientation toward the act of reading as a way of listening. Indigenous relationships to the life of song are here sustained in writing that finds resonance in the intersubjective experience between listener, sound, and space.


Hungry Listening: Resonant Theory for Indigenous Sound Studies

Автор: Dylan Robinson
Название: Hungry Listening: Resonant Theory for Indigenous Sound Studies
ISBN: 1517907683 ISBN-13(EAN): 9781517907686
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 93630.00 T
Наличие на складе: Нет в наличии.
Описание:

WInner of the Best First Book from the Native American and Indigenous Studies Association
Winner of the Labriola Center American Indian National Book Award
Winner of the Ann Saddlemyer Award from the Canadian Association for Theatre Research

Reimagining how we understand and write about the Indigenous listening experience​

Hungry Listening is the first book to consider listening from both Indigenous and settler colonial perspectives. A critical response to what has been called the "whiteness of sound studies," Dylan Robinson evaluates how decolonial practices of listening emerge from increasing awareness of our listening positionality. This, he argues, involves identifying habits of settler colonial perception and contending with settler colonialism's "tin ear" that renders silent the epistemic foundations of Indigenous song as history, law, and medicine.

With case studies on Indigenous participation in classical music, musicals, and popular music, Hungry Listening examines structures of inclusion that reinforce Western musical values. Alongside this inquiry on the unmarked terms of inclusion in performing arts organizations and compositional practice, Hungry Listening offers examples of "doing sovereignty" in Indigenous performance art, museum exhibition, and gatherings that support an Indigenous listening resurgence.

Throughout the book, Robinson shows how decolonial and resurgent forms of listening might be affirmed by writing otherwise about musical experience. Through event scores, dialogic improvisation, and forms of poetic response and refusal, he demands a reorientation toward the act of reading as a way of listening. Indigenous relationships to the life of song are here sustained in writing that finds resonance in the intersubjective experience between listener, sound, and space.


Arts of Engagement: Taking Aesthetic Action in and Beyond Canada’s Truth and Reconciliation Commission

Автор: Robinson Dylan, Martin Keavy
Название: Arts of Engagement: Taking Aesthetic Action in and Beyond Canada’s Truth and Reconciliation Commission
ISBN: 1771121696 ISBN-13(EAN): 9781771121699
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 35110.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Arts of Engagement focuses on the role that music, film, visual art, and Indigenous cultural practices play in and beyond Canada's Truth and Reconciliation Commission on Indian Residential Schools. Contributors here examine the impact of aesthetic and sensory experience in residential school history, at TRC national and community events, and in artwork and exhibitions not affiliated with the TRC. Using the framework of ""aesthetic action,"" the essays expand the frame of aesthetics to include visual, aural, and kinetic sensory experience, and question the ways in which key components of reconciliation such as apology and witnessing have social and political effects for residential school survivors, intergenerational survivors, and settler publics.This volume makes an important contribution to the discourse on reconciliation in Canada by examining how aesthetic and sensory interventions offer alternative forms of political action and healing. These forms of aesthetic action encompass both sensory appeals to empathize and invitations to join together in alliance and new relationships as well as refusals to follow the normative scripts of reconciliation. Such refusals are important in their assertion of new terms for conciliation, terms that resist the imperatives of reconciliation as a form of resolution.This collection charts new ground by detailing the aesthetic grammars of reconciliation and conciliation. The authors document the efficacies of the TRC for the various Indigenous and settler publics it has addressed, and consider the future aesthetic actions that must be taken in order to move beyond what many have identified as the TRC's political limitations.


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