Good Vibes Only: Pineapple Journal, Diary, Notebook, Motivational Notebook, Gratitude Journal for Women and Girls with Cute Quote, 6x9,, Creations Sr.
Автор: Hetfield James Название: Reclaimed Rust: The Four-Wheeled Creations of James Hetfield ISBN: 168383805X ISBN-13(EAN): 9781683838050 Издательство: Simon & Schuster Рейтинг: Цена: 38320.00 T Наличие на складе: Невозможна поставка. Описание: James Hetfield, Metallica's front man, opens up his garage for an exclusive tour of the highlights of his incredible collection of restored and customized classic cars. Millions know James Hetfield as the front man of Metallica, but the acclaimed singer-songwriter has enjoyed another lifelong passion: restoring and customizing classic cars into magnificent pieces of automotive art. From cars such as the Skyscraper to the Aquarius and the Black Pearl, James Hetfield's collection of beautifully reimagined classic automobiles is truly stunning. For the first time, Hetfield is opening up his garage and inviting readers to dive under the hood of some of these internationally lauded classics. Featuring dynamic, specially commissioned photography of the cars and insight from Hetfield into their creation, this book is a unique opportunity to learn about the Metallica front man's passion for creating bespoke classic cars. James Hetfield's unique cars will be on display at the Petersen Automotive Museum in Los Angeles starting from February 2020.
Frozen in time, we are transported to the 1950's, a simpler time, when imagination was unobscured by reality to explore dreams and visions. The extraordinary Easter Egg Museum of Schoharie, NY is presented photographically by award-winning photographer and NASA retired rocket scientist, Dr. Joseph Heyman. This is a unique study of the creative folk-art legacy of Mildred Vrooman. In addition, her remarkable life is captured in historical research and preserved documents. Her talent is similar to Grandma Moses - simple depictions of themes - wonderfully brought to the faces of eggs. The eggs are sometimes part of a tableau, dressed elegantly as fashion stars, or as clowns in a circus, or disciples at the Last Supper. This is a unique world treasure
The Easter Egg Museum was the life-long work and passion of Miss Mildred Vrooman who died in 2012 at age 103. She along with her friend Elizabeth Warner, were inspired to create an Easter Egg tree by the 1951 Caldecott Award children's book, The Egg Tree, by Katherine Milhouse. The exhibit began with painted and dyed eggs displayed on a few trees outdoors and it continued to expand until it moved indoors to the Mary Beatrice Cushing Memorial Library in 1964.
By 2001, Mildred Vrooman, already a nonagenarian, decided to build a museum on her property for the egg exhibit. She spent a lifetime creating this unique and wondrous collection. While the display began with a few painted eggs it evolved into a wonderland of fanciful vignettes made of eggs. She depicts the Old Stone Fort along with Revolutionary War hero Timothy Murphy. The U.S. presidents up to George W. Bush are each displayed - with heads made of eggs but characteristics that enable easy identification. There is a whole circus with painted eggs including clowns, ticket takers, elephants, and seals. The old lady in the shoe is depicted, along with quite a handful of her children. The scenes include fairy tales, holidays from Easter to Christmas, religious themes including an amazing display of the Last Supper.
Miss Vrooman used small eggs and large eggs, from peahens to ostriches. Each egg was painted and then decorated or clothed. She used lace, beads, shells, fur, yarn, and sequins, anything to embellish her creations. Miss Vrooman was, indeed, a folk artist of egg artery.
The Museum has over 3,000 unique eggs. The eggs are worthy of very careful attention. Each face is distinctive and has wonderful details. No two eggs look exactly alike. In 1995 Miss Vrooman said, "You can't make 'em alike. That wouldn't be right. Each one has to be a separate character."
Miss Vrooman was creative and she had an artistic eye. Some of the eggs look like Faberge jewel boxes. Others have figures illustrating whole stories within carved eggshells. She also made egg paintings created from colored, crushed eggshells. They are mosaics made entirely of eggshells. A large tree created from wooden dowels holds 600 decorated eggs. Some are painted with Indian heads, others with birds, many have Pennsylvania Dutch decorations, and still others look like pysanka.
Since its inception, thousands of people from all over have visited the Schoharie Easter Egg Exhibit. It is a unique treasure and this legacy book provides an opportunity to share the collection with the world community and new generations.
Автор: Abigail Pelham Название: Contested Creations in the Book of Job: The-World-as-It-Ought- and-Ought-Not-to-Be ISBN: 9004218203 ISBN-13(EAN): 9789004218208 Издательство: Brill Цена: 167360.00 T Наличие на складе: Невозможна поставка. Описание: In Contested Creations in the Book of Job: the-world-as-it-ought- and -ought-not-to-be Abigail Pelham reads the Book of Job both ‘forwards’—examining the perspectives on creation presented by Job and his friends and corrected by God’s authoritative voice from the whirlwind—and ‘backwards,’ demonstrating how the epilogue explodes readers’ certainties, forcing a reappraisal of the characters’ claims. The epilogue, Pelham argues, changes the book from one containing answers about creation to one which poses questions: What does it mean to make the world? Who has the power to create? If humans have creative power, is it divinely sanctioned, or has Job, acting creatively, set himself up as God’s rival? Engaging more thoroughly with Job’s ambiguity than previous scholars have done, Contested Creations explores the possibilities raised by these questions and considers their implications both within the book and beyond.
What interpretation(s) do today’s historians make of electrification? Electrification is a process which began almost a hundred and fifty years ago but which more than one billion men and women still do not have access to. This book displays the social diversity of the electric worlds and of the approaches to their history. It updates the historical knowledge and shows the renewal of the historiography in both its themes and its approaches. Four questions about the passage to the electrical age are raised: which innovations or combination of innovations made this passage a reality? According to which networks and appropriation? Evolving thanks to which tensions and alliances? And resulting in which transition and accumulation?
Quel(s) regard(s) les historiens d’aujourd’hui portent-ils sur l’?lectrification, processus engag? il y a pr?s de cent cinquante ans mais auquel plus d’un milliard d’hommes et de femmes restent encore ?trangers ? Le pr?sent volume rend compte de la diversit? des mondes sociaux ?lectriques et des mani?res d’enqu?ter sur leur histoire. Il actualise les connaissances et t?moigne du renouvellement de l’historiographie, dans ses objets et ses approches. Quatre points d’interrogation sur le basculement des soci?t?s dans l’?ge ?lectrique jalonnent le volume : moyennant quelles cr?ations ou combinaisons cr?atrices ? En vertu de quelles circulations et appropriations ? Selon quelles tensions et alliances ? Et produisant quelles transitions et accumulations ?
