Wedding spectacle across contemporary media and culture,
Автор: Friedman Lawrence M. Название: The Big Trial: Law as Public Spectacle ISBN: 070062077X ISBN-13(EAN): 9780700620777 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 38810.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The trial of O.J. Simpson was a sensation, avidly followed by millions of people, but it was also, in a sense, nothing new. One hundred years earlier the Lizzie Borden trial had held the nation in thrall. The names (and the crimes) may change, but the appeal is enduring - and why this is, how it works, and what it means are what Lawrence Friedman investigates in The Big Trial.
Автор: Devin Penner Название: Rethinking the Spectacle: Guy Debord, Radical Democracy, and the Digital Age ISBN: 0774860502 ISBN-13(EAN): 9780774860505 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 75200.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Spectacle is usually considered a superficial form of politics, which tries to distract and deceive a passive audience. It is difficult to see how this type of politics could be reconciled with the democratic requirement of active and informed agency. Rethinking the Spectacle re-examines the tension between spectacle and political agency using the ideas and practices of Guy Debord and the Situationist International as a point of departure. Drawing on radical democratic theory and examining case studies such as the 2011 Occupy movement, Devin Penner concludes that spectacle can and should be used to mobilize the public for egalitarian purposes.
Автор: Joseph Clark Название: News Parade: The American Newsreel and the World as Spectacle ISBN: 151790367X ISBN-13(EAN): 9781517903671 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 90290.00 T Наличие на складе: Поставка под заказ. Описание: A fascinating look at the United States’ conflicted relationship with news and the media, through the lens of the newsreel When weekly newsreels launched in the early twentieth century, they offered the U.S. public the first weekly record of events that symbolized “indisputable evidence” of the news. In News Parade, Joseph Clark examines the history of the newsreel and how it changed the way Americans saw the world. He combines an examination of the newsreel’s methods of production, distribution, and reception with an analysis of its representational strategies to understand the newsreel’s place in the history of twentieth-century American culture and film history.Clark focuses on the sound newsreel of the 1930s and 1940s, arguing that it represents a crucial moment in the development of a spectacular society where media representations of reality became more fully integrated into commodity culture. Using several case studies, including the newsreel’s coverage of Charles Lindbergh’s transatlantic flight and the Sino–Japanese War, News Parade shows how news film transformed the relationship between its audience and current events, as well as the social and political consequences of these changes. It pays particular attention to how discourses of race and gender worked together with the rhetoric of speed, mobility, and authority to establish the power and privilege of newsreel spectatorship.In the age of fake news and the profound changes to journalism brought on by the internet, News Parade demonstrates how new technologies and media reshaped the American public’s relationship with the news in the 1930s-a history that can help us to better understand the transformations happening today.
Автор: Brown Название: Spectacle in Classical Cinemas ISBN: 1138548715 ISBN-13(EAN): 9781138548718 Издательство: Taylor&Francis Рейтинг: Цена: 51030.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Spectacle is not often considered to be a significant part of the style of ‘classical’ cinema. Indeed, some of the most influential accounts of cinematic classicism define it virtually by the supposed absence of spectacle. Spectacle in ‘Classical’ Cinemas: Musicality and Historicity in the 1930s brings a fresh perspective on the role of the spectacular in classical sound cinema by focusing on one decade of cinema (the 1930s), in two ‘modes’ of filmmaking (musical and historical films), and in two national cinemas (the US and France). This not only brings to light the special rhetorical and affective possibilities offered by spectacular images but refines our understanding of what ‘classical’ cinema is and was.
Автор: Brown Tom Название: Spectacle in Classical Cinemas: Musicality and Historicity in the 1930s ISBN: 1138852945 ISBN-13(EAN): 9781138852945 Издательство: Taylor&Francis Рейтинг: Цена: 163330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Spectacle is not often considered to be a significant part of the style of ‘classical’ cinema. Indeed, some of the most influential accounts of cinematic classicism define it virtually by the supposed absence of spectacle. Spectacle in ‘Classical’ Cinemas: Musicality and Historicity in the 1930s brings a fresh perspective on the role of the spectacular in classical sound cinema by focusing on one decade of cinema (the 1930s), in two ‘modes’ of filmmaking (musical and historical films), and in two national cinemas (the US and France). This not only brings to light the special rhetorical and affective possibilities offered by spectacular images but refines our understanding of what ‘classical’ cinema is and was.
Автор: Penner, Devin Название: Rethinking the spectacle ISBN: 0774860510 ISBN-13(EAN): 9780774860512 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 30050.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Spectacle is usually considered a superficial form of politics, which tries to distract and deceive a passive audience. It is difficult to see how this type of politics could be reconciled with the democratic requirement of active and informed agency. Rethinking the Spectacle re-examines the tension between spectacle and political agency using the ideas and practices of Guy Debord and the Situationist International as a point of departure. Drawing on radical democratic theory and examining case studies such as the 2011 Occupy movement, Devin Penner concludes that spectacle can and should be used to mobilize the public for egalitarian purposes.
Автор: Clark Joseph Название: News Parade: The American Newsreel and the World as Spectacle ISBN: 1517903688 ISBN-13(EAN): 9781517903688 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 22570.00 T Наличие на складе: Поставка под заказ. Описание: A fascinating look at the United States’ conflicted relationship with news and the media, through the lens of the newsreel When weekly newsreels launched in the early twentieth century, they offered the U.S. public the first weekly record of events that symbolized “indisputable evidence” of the news. In News Parade, Joseph Clark examines the history of the newsreel and how it changed the way Americans saw the world. He combines an examination of the newsreel’s methods of production, distribution, and reception with an analysis of its representational strategies to understand the newsreel’s place in the history of twentieth-century American culture and film history.Clark focuses on the sound newsreel of the 1930s and 1940s, arguing that it represents a crucial moment in the development of a spectacular society where media representations of reality became more fully integrated into commodity culture. Using several case studies, including the newsreel’s coverage of Charles Lindbergh’s transatlantic flight and the Sino–Japanese War, News Parade shows how news film transformed the relationship between its audience and current events, as well as the social and political consequences of these changes. It pays particular attention to how discourses of race and gender worked together with the rhetoric of speed, mobility, and authority to establish the power and privilege of newsreel spectatorship.In the age of fake news and the profound changes to journalism brought on by the internet, News Parade demonstrates how new technologies and media reshaped the American public’s relationship with the news in the 1930s-a history that can help us to better understand the transformations happening today.
In an age of information and new media the relationships between remembering and forgetting have changed. This volume addresses the tension between loud and often spectacular histories and those forgotten pasts we strain to hear. Employing social and cultural analysis, the essays within examine mnemonic technologies both new and old, and cover subjects as diverse as U.S. internment camps for Japanese Americans in WWII, the Canadian Indian Residential School system, Israeli memorial videos, and the desaparecidos in Argentina. Through these cases, the contributors argue for a re-interpretation of Guy Debord’s notion of the spectacle as a conceptual apparatus through which to examine the contemporary landscape of social memory, arguing that the concept of spectacle might be developed in an age seen as dissatisfied with the present, nervous about the future, and obsessed with the past. Perhaps now “spectacle” can be thought of not as a tool of distraction employed solely by hegemonic powers, but instead as a device used to answer Walter Benjamin’s plea to “explode the continuum of history” and bring our attention to now-time.
In an age of information and new media the relationships between remembering and forgetting have changed. This volume addresses the tension between loud and often spectacular histories and those forgotten pasts we strain to hear. Employing social and cultural analysis, the essays within examine mnemonic technologies both new and old, and cover subjects as diverse as U.S. internment camps for Japanese Americans in WWII, the Canadian Indian Residential School system, Israeli memorial videos, and the desaparecidos in Argentina. Through these cases, the contributors argue for a re-interpretation of Guy Debord’s notion of the spectacle as a conceptual apparatus through which to examine the contemporary landscape of social memory, arguing that the concept of spectacle might be developed in an age seen as dissatisfied with the present, nervous about the future, and obsessed with the past. Perhaps now “spectacle” can be thought of not as a tool of distraction employed solely by hegemonic powers, but instead as a device used to answer Walter Benjamin’s plea to “explode the continuum of history” and bring our attention to now-time.
Название: The Wedding Spectacle Across Contemporary Media and Culture ISBN: 1138586218 ISBN-13(EAN): 9781138586215 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Невозможна поставка. Описание: Written by leading and emerging feminist scholars, the essays here range across different media forms, genres and cultural practices, to explore how the visibility of weddings changes and adapts across a new cultural and social landscape.
Автор: Darley Название: Visual Digital Culture: Surface Play and Spectacle in New Media Genres ISBN: 0415165555 ISBN-13(EAN): 9780415165556 Издательство: Taylor&Francis Рейтинг: Цена: 42870.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Visual Digital Culture considers the effect of new image technologies on the forms and experiences of mass visual culture.
Автор: Michele Fadda, Sara Pesce Название: That`s Entertainment: Spectacle, Amusement, and Leisure Culture ISBN: 8869771792 ISBN-13(EAN): 9788869771798 Издательство: Marston Book Services Рейтинг: Цена: 30360.00 T Наличие на складе: Невозможна поставка. Описание: The 20th century witnessed the collapse of the traditional separation between the realm of 'official' culture and that of 'popular' entertainment. This event produced dramatic consequences at all levels of social life in the West, especially in the English-speaking context. Yet, due to its gigantic breadth and scope, the turn towards entertainment still begs for a detailed exploration. This book aims to deepen the analysis of this momentous transformation, engaging in particular with questions such as: what effects have been produced by performative and recreational practices (theatre, music, radio, serious and popular literature, comic strips) in the systemic evolution of cinema and television? What role has technology played in the development of recreational forms in the 20th century? Can entertainment and its exploitation still be operative in the era of new media and the internet? By focusing on the English-speaking context, this volume offers new historical perspectives on the forms of entertainment and amusement that have become hegemonic worldwide over the past century.
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