Hollywood`s Artists: The Directors Guild of America and the Construction of Authorship, Wexman Virginia Wright
Автор: Todd Tony Название: Authorship and the Films of David Lynch ISBN: 1848855796 ISBN-13(EAN): 9781848855793 Издательство: I B Tauris Рейтинг: Цена: 88000.00 T Наличие на складе: Поставка под заказ. Описание: This important new contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essence have shaped receptions of Lynch`s films. It is also the first book to approach David Lynch as a figure composed through language, history and text.
How do we determine authorship in film, and what happens when we look in-depth at the creative activity of living filmmakers rather than approach their work through the abstract prism of auteur theory? Mark Gallagher uses Steven Soderbergh’s career as a lens through which to re-view screen authorship and offer a new model that acknowledges the fundamentally collaborative nature of authorial work and its circulation. Working in film, television, and digital video, Soderbergh is the most prolific and protean filmmaker in contemporary American cinema. At the same time, his activity typifies contemporary screen industry practice, in which production entities, distribution platforms, and creative labor increasingly cross-pollinate.
Gallagher investigates Soderbergh’s work on such films as The Limey, Erin Brockovich, Ocean’s Eleven and its sequels, Solaris, The Good German, Che, and The Informant!, as well as on the K Street television series. Dispensing with classical auteurist models, he positions Soderbergh and authorship in terms of collaborative production, location filming activity, dealmaking and distribution, textual representation, genre and adaptation work, critical reception, and other industrial and cultural phenomena. Gallagher also addresses Soderbergh’s role as standard-bearer for U.S. independent cinema following 1989’s sex, lies and videotape, as well as his cinephilic dialogues with different forms of U.S. and international cinema from the 1920s through the 1970s. Including an extensive new interview with the filmmaker, Another Steven Soderbergh Experience demonstrates how industries and institutions cultivate, recognize, and challenge creative screen artists.
Автор: Boel Ulfsdotter, Anna Backman Rogers Название: Female Authorship and the Documentary Image: Theory, Practice and Aesthetics ISBN: 1474419445 ISBN-13(EAN): 9781474419444 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Addressing the politics of representation and authorship both behind and in front of the camera, a range of international scholars explore the pressing issues in relation to female authorship in contemporary documentary practices.
Автор: Hudson, Dale (nyu Abu Dhabi) Название: Vampires, race, and transnational hollywoods ISBN: 1474441017 ISBN-13(EAN): 9781474441018 Издательство: Bloomsbury Academic Рейтинг: Цена: 31670.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Vampires, Race, and Transnational Hollywoods` explores the movement of transnational Hollywood`s vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa.
Автор: Katarzyna Paszkiewicz Название: Genre, Authorship and Contemporary Women Filmmakers ISBN: 1474425291 ISBN-13(EAN): 9781474425292 Издательство: Bloomsbury Academic Рейтинг: Цена: 31670.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Examining the significance of women`s work in popular film genres, Genre, Authorship and Contemporary Women Filmmakers sheds light on women`s contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola and Kelly Reichard.
Автор: Morari Codru Название: The Bressonians: French Cinema and the Culture of Authorship ISBN: 1785335715 ISBN-13(EAN): 9781785335716 Издательство: Berghahn Рейтинг: Цена: 113250.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
How should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.
Автор: Boel Ulfsdotter, Anna Backman Rogers Название: Female Authorship and the Documentary Image: Theory, Practice and Aesthetics ISBN: 1474431755 ISBN-13(EAN): 9781474431750 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Addressing the politics of representation and authorship both behind and in front of the camera, a range of international scholars explore the pressing issues in relation to female authorship in contemporary documentary practices.
Автор: Sarah Ann Wells Название: Media Laboratories: Late Modernist Authorship in South America ISBN: 0810134551 ISBN-13(EAN): 9780810134553 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 100320.00 T Наличие на складе: Невозможна поставка. Описание: Media Laboratories explores a pivotal time for South American literature of the 1930s and ’40s. Cinema, radio, and the typewriter, once seen as promising catalysts for new kinds of writing, began to be challenged by authors, workers, and the public. What happens when media no longer seem novel and potentially democratic but rather consolidated and dominant? Moving among the authors from Brazil, Argentina, and Uruguay, and among the genres of fiction, the essay, popular journalism, and experimental little magazines, Sarah Ann Wells shows how writers on the periphery of global modernity were fashioning alternative approaches to these media. Analyzing authors such as Clarice Lispector, Jorge Luis Borges, and Felisberto Hern?ndez, along with their lesser-known contemporaries, Media Laboratories casts a wide net: from spectators of Hollywood and Soviet montage films, to inventors of imaginary media, to proletarian typists who embodied the machine-human encounters of the period. The text navigates contemporary scholarly and popular debates about the relationship of literature to technological innovation, media archaeology, sound studies, populism, and global modernisms. Ultimately, Wells underscores a question that remains relevant: what possibilities emerge when the enthusiasm for new media has been replaced by anxiety over their potentially pernicious effects in a globalizing, yet vastly unequal, world?
Автор: Becnel Kim Название: The Rise of Corporate Publishing and Its Effects on Authorship in Early Twentieth Century America ISBN: 0415762472 ISBN-13(EAN): 9780415762472 Издательство: Taylor&Francis Рейтинг: Цена: 57150.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The book sets out to disprove the assumption that when the world of publishing went corporate in the early decades of the twentieth century, it caused the ruin or at the very least, the dilution, of true literary works of art.
Автор: Justin Bozung Название: The Cinema of Norman Mailer: Film Is Like Death ISBN: 1501325515 ISBN-13(EAN): 9781501325519 Издательство: Bloomsbury Academic Рейтинг: Цена: 137280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Cinema of Norman Mailer: Film is Like Death not only examines the enfant terrible writer's thoughts on cinema, but also features interviews with Norman Mailer himself. The Cinema of Norman Mailer also explores Mailer's cinema through previously published and newly commissioned essays written by an array of film and literary scholars, enthusiasts, and those with a personal, philosophical connection to Mailer. This volume discusses the National Book Award and Pulitzer Prize-winning author and filmmaker's six films created during the years of 1947 and 1987, and contends to show how Mailer's films can be best read as cinematic delineations that visually represent many of the writer's metaphysical and ontological concerns and ideas that appear in his texts from the 1950s until his passing in 2007. By re-examining Mailer's cinema through these new perspectives, one may be awarded not just a deeper understanding of Mailer's desire to make films, but also find a new, alternative vision of Mailer himself. Norman Mailer was not just a writer, but more: he was one of the most influential Postmodern artists of the twentieth century with deep roots in the cinema. He allowed the cinema to not only influence his aesthetic approach, but sanctioned it as his easiest-crafted analogy for exploring sociological imagination in his writing. Mailer once suggested, "Film is legitimately more interesting than books..." and with that in mind, readers of Norman Mailer might begin to rethink his oeuvre through the viewfinder of the film medium, as he was equally as passionate about working within cinema as he was about literature itself.
Автор: Hudson, Dale Название: Vampires, race and transnational hollywoods ISBN: 1474423086 ISBN-13(EAN): 9781474423083 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In Vampires, Race, and Transnational Hollywoods, Dale Hudson explores the movement of transnational Hollywood`s vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa.
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