Автор: , Pedrosa Adriano, Moura Rodrigo Название: Melvin Edwards: Lynch Fragments ISBN: 8531000513 ISBN-13(EAN): 9788531000515 Издательство: Неизвестно Рейтинг: Цена: 42240.00 T Наличие на складе: Невозможна поставка. Описание:
Ominous and angular, the acclaimed steel sculptures of Melvin Edwards convey racial violence with edgy ingenuity
This volume brings together a significant selection of works from the titular series by the New York-based sculptor Melvin Edwards (born 1937), created between 1963 and 2016, comprising more than 50 years of what is considered the artist's central body of work. Edwards started to produce the Fragments series when he lived in Los Angeles, at a crucial time of the civil rights movement in the United States. The works directly reference the practice of lynching after the abolition of slavery. Denouncing violence against African Americans, Edwards created these steel sculptures as forms between bodies and machines that can also be interpreted as weapons, given the sense of violence and danger suggested by their blunt, angular and protruding shapes. The selection of works in this book reflects the multiplicity of thematic interests and the formal variations across the series.
Автор: , Pedrosa Adriano, Oliva Fernando Название: Tarsila Do Amaral: Cannibalizing Modernism ISBN: 853100070X ISBN-13(EAN): 9788531000706 Издательство: Неизвестно Рейтинг: Цена: 59770.00 T Наличие на складе: Невозможна поставка. Описание:
The luminous, revelatory landscapes of the pioneering Latin American modernist, in a deluxe production
A New York Times critics' pick Best Art Books 2019
Featuring a tip-on cover images and paper changes throughout, Cannibalizing Modernism is the first comprehensive English-language catalog on the Brazilian painter Tarsila do Amaral (1886-1973), a key figure in Latin American modernism. After studying with Fernand Lйger and Andrй Lhote in Paris, Tarsila--as she is widely known in Brazil--cannibalized modern European references to create a unique style, with the use of caipira (rural Brazilian) colors and representations of local characters and scenes. Much of her work was made in dialogue with two leading modernist thinkers of her time, Mбrio de Andrade and Oswald de Andrade. Her work also parallels the development of Oswald de Andrade's antropofagia, a key concept in 20th-century Latin American thought, through which intellectuals of the tropics would cannibalize European cultural references, while also bringing indigenous, Afro-Atlantic and local elements into their work. Cannibalizing Modernism reproduces 233 paintings alongside documents and photographs.
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