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Fitzcarraldo, Koepnick Lutz


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Цена: 21110.00T
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в Мои желания

Автор: Koepnick Lutz
Название:  Fitzcarraldo
ISBN: 9781640140363
Издательство: Boydell & Brewer
Классификация:
ISBN-10: 1640140360
Обложка/Формат: Paperback
Страницы: 92
Вес: 0.07 кг.
Дата издания: 10.09.2019
Серия: Camden house german film classics
Язык: English
Иллюстрации: 49 illustrations, color
Размер: 133 x 191 x 2
Читательская аудитория: Professional and scholarly
Ключевые слова: Ceramic arts, pottery, glass, PERFORMING ARTS / Film & Video / History & Criticism
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Поставляется из: Англии
Описание: Revisits Herzog`s classic film from a decisively contemporary standpoint, bringing into play the development of his filmmaking career.

The Long Take: Art Cinema and the Wondrous

Автор: Koepnick Lutz
Название: The Long Take: Art Cinema and the Wondrous
ISBN: 0816695881 ISBN-13(EAN): 9780816695881
Издательство: Mare Nostrum (Eurospan)
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Цена: 22570.00 T
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Описание:

In The Long Take, Lutz Koepnick posits extended shot durations as a powerful medium for exploring different modes of perception and attention in our fast-paced world of mediated stimulations. Grounding his inquiry in the long takes of international filmmakers such as B la Tarr, Tsai Ming-liang, Abbas Kiarostami, Apichatpong Weerasethakul, and Michael Haneke, Koepnick reveals how their films evoke wondrous experiences of surprise, disruption, enchantment, and reorientation. He proceeds to show how the long take has come to thrive in diverse artistic practices across different media platforms: from the work of photographer Hiroshi Sugimoto to the screen-based installations of Sophie Calle and Tacita Dean, from experimental work by Francis Alÿs and Janet Cardiff to durational images in contemporary video games.

Deeply informed by film and media theory, yet written in a fluid and often poetic style, The Long Take goes far beyond recent writing about slow cinema. In Koepnick's account, the long take serves as a critical hallmark of international art cinema in the twenty-first century. It invites viewers to probe the aesthetics of moving images and to recalibrate their sense of time. Long takes unlock windows toward the new and unexpected amid the ever-mounting pressures of 24/7 self-management.



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