Название: Native american survivance, memory, and futurity ISBN: 1138211753 ISBN-13(EAN): 9781138211759 Издательство: Taylor&Francis Рейтинг: Цена: 163330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Gerald Vizenor is arguably the most prolific Native American writer and critic of the past four decades. This volume casts new light on central concepts of trickster poetics, survivance, and transmotion, and explores Vizenor`s lasting literary impact from Darkness in St. Louis Bearheart to Blue Ravens and Favor of Crows.
Автор: Amber, Bev, Chantel, Faith, Jazmyne, Jorgina, Robert Henry Название: Indigenous Women and Street Gangs: Survivance Narratives ISBN: 1772125490 ISBN-13(EAN): 9781772125498 Издательство: Gazelle Book Services Рейтинг: Цена: 37170.00 T Наличие на складе: Поставка под заказ. Описание: Six Indigenous women demonstrate survivance through photos and narratives about street gangs and street lifestyle.
Автор: Montgomery Lindsay M., Colwell Chip Название: Objects of Survivance: A Material History of the American Indian School Experience ISBN: 1607329921 ISBN-13(EAN): 9781607329923 Издательство: Sterling Рейтинг: Цена: 23200.00 T Наличие на складе: Невозможна поставка. Описание: Between 1893 and 1903, Jesse H. Bratley worked in Indian schools across five reservations in the American West. As a teacher Bratley was charged with forcibly assimilating Native Americans through education. Although tasked with eradicating their culture, Bratley became entranced by it--collecting artifacts and taking glass plate photographs to document the Native America he encountered. Today, the Denver Museum of Nature & Science's Jesse H. Bratley Collection consists of nearly 500 photographs and 1,000 pottery and basketry pieces, beadwork, weapons, toys, musical instruments, and other objects traced to the S'Klallam, Lakota Sioux, Cheyenne, Arapaho, Havasupai, Hopi, and Seminole peoples.
This visual and material archive serves as a lens through which to view a key moment in US history--when Native Americans were sequestered onto reservation lands, forced into unfamiliar labor economies, and attacked for their religious practices. Education, the government hoped, would be the final tool to permanently transform Indigenous bodies through moral instruction in Western dress, foodways, and living habits. Yet Lindsay Montgomery and Chip Colwell posit that Bratley's collection constitutes "objects of survivance"--things and images that testify not to destruction and loss but to resistance and survival. Interwoven with documents and interviews, Objects of Survivance illuminates how the US government sought to control Native Americans and how Indigenous peoples endured in the face of such oppression.
Rejecting the narrative that such objects preserve dying Native cultures, Objects of Survivance reframes the Bratley Collection, showing how tribal members have reconnected to these items, embracing them as part of their past and reclaiming them as part of their contemporary identities. This unique visual and material record of the early American Indian school experience and story of tribal perseverance will be of value to anyone interested in US history, Native American studies, and social justice.
Co-published with the Denver Museum of Nature & Science
Named the 2013 Caroline Bancroft History Prize Honor Book by the Denver Public Library
The Allotment Plot reexamines the history of allotment on the Nez Perce Reservation from 1889 to 1892 to account for and emphasize the Nez Perce side of the story. By including Nez Perce responses to allotment, Nicole Tonkovich argues that the assimilationist aims of allotment ultimately failed due in large part to the agency of the Nez Perce people themselves throughout the allotment process. The Nez Perce were actively involved in negotiating the terms under which allotment would proceed and were simultaneously engaged in ongoing efforts to protect their stories and other cultural properties from institutional appropriation by the allotment agent, Alice C. Fletcher, a respected anthropologist, and her photographer and assistant, E. Jane Gay. The Nez Perce engagement in this process laid a foundation for the long-term survival of the tribe and its culture.
Making use of previously unexamined archival sources, Fletcher’s letters, Gay’s photographs and journalistic accounts, oral tribal histories, and analyses of performances such as parades and verbal negotiations, Tonkovich assembles a masterful portrait of Nez Perce efforts to control their own future and provides a vital counternarrative of the allotment period, which is often portrayed as disastrous to Native polities.
Автор: Anderson Reynaldo, Fluker Clinton R. Название: The Black Speculative Arts Movement: Black Futurity, Art+Design ISBN: 1498510558 ISBN-13(EAN): 9781498510554 Издательство: Bloomsbury Рейтинг: Цена: 34650.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This collection contributes to Afrofuturism studies by focusing on the Black creative experience. Contributors analyze philosophies of utopia, art, music, and histories of visual resistance, and they critique noted works by authors and artists like Octavia Butler, Ralph Ellison, Kiluanji Kia Henda, Janelle Monae, and Colson Whitehead.
Автор: Luckett Sharrell D. Название: African American Arts: Activism, Aesthetics, and Futurity ISBN: 1684481538 ISBN-13(EAN): 9781684481538 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 125400.00 T Наличие на складе: Невозможна поставка. Описание: Signaling such recent activist and aesthetic concepts in the work of Kara Walker, Childish Gambino, BLM, Janelle Mon?e, and Kendrick Lamar, and marking the exit of the Obama Administration and the opening of the National Museum of African American History and Culture, this anthology explores the role of African American arts in shaping the future, and further informing new directions we might take in honoring and protecting the success of African Americans in the U.S. The essays in African American Arts: Activism, Aesthetics, and Futurity engage readers in critical conversations by activists, scholars, and artists reflecting on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities. Scholars from the fields of communication, theater, queer studies, media studies, performance studies, dance, visual arts, and fashion design, to name a few, collectively ask: What are the connections between African American arts, the work of social justice, and creative processes? If we conceive the arts as critical to the legacy of Black activism in the United States, how can we use that construct to inform our understanding of the complicated intersections of African American activism and aesthetics? How might we as scholars and creative thinkers further employ the arts to envision and shape a verdant society?Contributors: Carrie Mae Weems, Carmen Gillespie, Rikki Byrd, Amber Lauren Johnson, Doria E. Charlson, Florencia V. Cornet, Daniel McNeil, Lucy Caplan, Genevieve Hyacinthe, Sammantha McCalla, Nettrice R. Gaskins, Abby Dobson, J. Michael Kinsey, Shondrika Moss-Bouldin, Julie B. Johnson, Sharrell D. Luckett, Jasmine Eileen Coles, Tawnya Pettiford-Wates, Rickerby Hinds. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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