Roland Barthes and Film 9781788310659

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Автор: ffrench Patrick
Название: Roland Barthes and Film
ISBN: 9781788310659
Издательство: Bloomsbury Academic
Классификация:

Фотография и фотографы

Теория и критика кино

Философия: Логика

Социальная и политическая философия

ISBN-10: 1788310659
Обложка/Формат: Hardback
Страницы: 328
Вес: 0.49 кг.
Дата издания: 17.10.2019
Серия: Film thinks
Язык: English
Иллюстрации: 15 b&w illus
Размер: 236 x 158 x 18
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Philosophy: aesthetics,Social & political philosophy,Photography & photographs,Film theory & criticism, LITERARY CRITICISM / Semiotics & Theory,PERFORMING ARTS / Film & Video / History & Criticism,PHOTOGRAPHY / Criticism,PHILOSOPHY / Aesthetics
Подзаголовок: Myth, eroticism and poetics
Рейтинг:
Поставляется из: Англии
Описание:

Suspicious of what he called the spectators sticky adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and myth. In this book, Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes thought was, Ffrench argues, punctuated by the experience of watching films - and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory.

Focusing particularly on the essays The Third Meaning and On Leaving the Cinema and the acclaimed book Camera Lucida, Ffrench examines Barthes writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in leaving the cinema - disconnecting from its dangerous allure by a literal exit or by forcefully breaking the trance - he found value in returning to the screen anew. Barthes delved beneath the pull of progressing narrative and the moving image by becoming attentive to space and material aesthetics. This book presents an invaluable reassessment of one of the most original and subtle thinkers of the twentieth-century: a figure indebted to the movies.

Roland Barthes and Film, ffrench Patrick