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The Young Visiters: Or, Mr. Salteena`s Plan, , Ashford Daisy


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Автор: , Ashford Daisy
Название:  The Young Visiters: Or, Mr. Salteena`s Plan
ISBN: 9781079426137
Издательство: Independently Published
Классификация: ISBN-10: 1079426132
Обложка/Формат: Paperback
Страницы: 106
Вес: 0.15 кг.
Дата издания: 09.07.2019
Язык: English
Размер: 22.91 x 15.19 x 0.56 cm
Поставляется из: США
Описание: Who wrote The Young Visiters? Sir James Barrie, who contributed the preface, or Daisy Ashford, to whom the publishers assign the credit? The writer of these lines is inclined to give the credit to Miss Ashford. Not so a correspondent of the Saturday Review. He writes: The Young Visiters is a case in point. It has been accepted as exactly the kind of book a child of nine would write. We have known many children as intimately as it is ever possible to know them at all, and some of them have been horrid. But we have never known a child horrid enough to write The Young Visiters. As the playful fantasy of an elder, it is charming. As the work of a child, it would be repulsive and contrary to all we have learned to like and admire in our young friends. Children are never facetious; they do not understand snobbery; and rarely, whether by accident or design, do they afford us any opportunity for the laugh in which mankind forfeited the happy simplicity of Eden. The Young Visiters is often facetious, as when Mr. Salteena eats the egg which Ethel laid for him; it is one long satire upon social snobbery by an expert who understands it better than Thackeray, and almost as well as Jane Austen; and there intrudes continually the smile of the serpent, as he watched our progenitors under the fatal tree. We are introduced to a sinister son of Queen Victoria; Mr. Salteena is described by his sponsor Clincham (earl of) as an old friend of mine not quite the right side of the blanket, as they say; and both at Rickamere Hall and at the Gaierty Hotel, smiles are invited in respect of bedroom matters. These are blemishes, because they impair the illusion our author desires to create and spoil his principal joke for the sake of a side issue. The principal joke is often so adroitly sustained that at times we are almost prepared to believe that a spoiled child of nine, in the habit of playing up to its elders and with that uncanny instinct which some children have for precociously divining things which they are not yet able fully to grasp, might have made even some of the weaker jokes which please the more adult side of Sir Jamess facile sense of the absurd. It is the more pity that the author has not been able to avoid his grosser slips; in particular, his implicit satire upon the popular novelette, which inspires the chapter upon Bernard Clarks proposal of marriage to the heroine.Now for the other side of the story. The following letter is addressed to the editor of the Observer: Sir: It is very freely alleged that Sir James Barrie is obviously part-author of Miss Daisy Ashfords delightful masterpiece; in fact, some few suspect that he is sole author. I would draw the attention of the doubting Thomases to some considerations which, to my mind, show that Miss Ashford wrote the story without aid from anyone.Miss Ashfords family is Catholic, and there are many indications of that in the book: a decad (sic) of the rosary is recited at the household prayers at Bernard Clarks; Ignatius Bernard and Domonic (sic) are names particularly familiar to Catholics; clean altar boys (not choir boys) await the bridal pair; Minnie Pilato, one of the ancesters, is obviously a recollection of an often-heard passage in the Creed -passus sub Pontio Pilato; and certainly only a Catholic would have thought of that touch of Catholic asceticism - he... decided to offer it up as a mortification.So far I can claim only to have shown that Sir James Barrie did not write the whole book, but I venture to say also that the allegation that Sir James and Miss Ashford have conspired to foist a fake on the public is really a reflection on the good taste and good faith of Sir James and also of a lady.... -The Living Age, Vol. 3

Young Visiters

Автор: Ashford Daisy
Название: Young Visiters
ISBN: 1784743216 ISBN-13(EAN): 9781784743215
Издательство: Random House - Penguin
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Цена: 9670.00 T
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Описание: A romantic and comic gem from a precocious Victorian nine-year-old that has charmed readers for a centuryThe Young Visiters is a comic masterpiece that has delighted generations of readers since it was first published in 1919.

The Young Visitors: Or Mr. Salteenas Plan

Автор: Ashford Daisy
Название: The Young Visitors: Or Mr. Salteenas Plan
ISBN: 1498180736 ISBN-13(EAN): 9781498180733
Издательство: Неизвестно
Цена: 30590.00 T
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Автор: Ashford Daisy
Название: The Young Visiters, or Mr. Salteena`s Plan
ISBN: 1481274791 ISBN-13(EAN): 9781481274791
Издательство: Неизвестно
Цена: 11490.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: 'The Young Visiters' is the book that started the schoolchild genre subsequently defined by '1066 and All That' and Molesworth's various manuals such as 'Down with Skool' and 'Whizz for Atoms'. As with 'The Young Visiters', the grammar, the language and the authorial viewpoint of those classics contribute much to our enjoyment. Unlike its descendants, 'The Young Visiters' probably wasn't written by an adult. Purportedly written by a 9-year-old girl in Victorian England, her inadvertent send-up of Victorian social mores, "status-climbing", and middle class ideas of gentility are absolutely delightful. She also disposes of her characters in an abrupt and very satisfying way. If you like the book, you will also enjoy the movie, which is fully as delightful.

Autarchies: The Invention of Selfishness

Автор: David Ashford
Название: Autarchies: The Invention of Selfishness
ISBN: 1474297692 ISBN-13(EAN): 9781474297691
Издательство: Bloomsbury Academic
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Цена: 79200.00 T
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Описание: The philosophy of Ayn Rand has had a role equal or greater than that of Milton Friedman or F.A. Hayek in shaping the contemporary neo-liberal consensus. Its impact was powerful on architects of Reaganomics such as Alan Greenspan, former Director of the World Bank, and the new breed of American industrialists who developed revolutionary information technologies in Silicon Valley. But what do we really know of Rand’s philosophy? Is her gospel of selfishness really nothing more than a reiteration of a quintessentially American “rugged individualism”? This book argues that Rand’s philosophy can in fact be traced back to a moment, before World War I, when the work of a now-forgotten German philosopher called Max Stirner possessed an extraordinary appeal for writers and artists across Europe. The influence of Stirnerian Egoism upon that phase of intense creative innovation we now call Modernism was seminal. The implications for our understanding of Modernism are profound – so too for our grasp of the “cultural logic of late capitalism”. This book presents the reader with a fresh perspective on the Modernist classics, as well as introducing less familiar art and writing that is only now beginning to attract interest in the West. It arrives at a fresh and compelling re-evaluation of Modernism: revealing its selfish streak.


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