Lamp, Tabbaa, Ahmad

Автор: Tabbaa, Ahmad
Название: Camp
ISBN: 178830425X ISBN-13(EAN): 9781788304252
Издательство: Неизвестно
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Цена: 6330.00 T
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Three friends arrived at summer camp, just like they do every year. However, the excited children had a unexpected problem when they arrived at their favourite lake. It was gone But where did it go and why? Find out if the children will still be able to have fun without the cool lake to play in.

Автор: Tabbaa Yasser
Название: The Production of Meaning in Islamic Architecture and Ornament
ISBN: 147448218X ISBN-13(EAN): 9781474482189
Издательство: Bloomsbury Academic
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Цена: 142560.00 T
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Описание: This volume collects Yasser Tabbaa`s investigative and interpretive articles on medieval Islamic architecture, ornament and gardens in Syria and Iraq, with comparisons to Anatolia, Egypt, North Africa and Spain, within the context of the political divisions and theological ruptures of the Islamic world between the 11th and 13th centuries.

Автор: Tabbaa Yasser
Название: The Transformation of Islamic Art During the Sunni Revival
ISBN: 0295996323 ISBN-13(EAN): 9780295996325
Издательство: Mare Nostrum (Eurospan)
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Цена: 91960.00 T
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The transformation of Islamic architecture and ornament during the eleventh and twelfth centuries signaled profound cultural changes in the Islamic world. Yasser Tabbaa explores with exemplary lucidity the geometric techniques that facilitated this transformation, and investigates the cultural processes by which meaning was produced within the new forms. Iran, Iraq, and Syria saw the development of proportional calligraphy, vegetal and geometric arabesque, muqarnas (stalactite) vaulting, and other devices that became defining features of medieval Islamic architecture. Ultimately, the forms and themes described in this book shaped the development of Mamluk architecture in Egypt and Syria, and by extension, the entire course of North African and Andalusian architecture as well.

These innovations developed and were disseminated in a highly charged atmosphere of confrontation between the Seljuk and post-Seljuk proponents of the traditionalist Sunni revival and their main opponents in Fatimid Egypt. These forms stood as visual signs of allegiance to the orthodox Abbasid caliphate and of difference from the heterodox Fatimids. Tabbaa proposes that their rapid spread throughout the Islamic world operated within a system of reciprocating, ceremonial gestures, which conveyed a new and formal language that helped negotiate the gap between the myth of a unified Sunni Islam and its actual political fragmentation.

In subject matter and approach, The Transformation of Islamic Art during the Sunni Revival makes original contributions to the study of art, revealing that this relatively neglected sector of medieval art and architecture is of critical importance for reevaluating the entire field of Islamic studies. It challenges the essentialist and positivist approaches that still permeate the study of Islamic art, and offers a historical and semiotic alternative for exploring meaning within ruptures of change.