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Toronto Trailblazers: Women in Canadian Publishing, Panofsky Ruth


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Цена: 31730.00T
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Автор: Panofsky Ruth
Название:  Toronto Trailblazers: Women in Canadian Publishing
ISBN: 9781487523862
Издательство: Mare Nostrum (Eurospan)
Классификация:





ISBN-10: 1487523866
Обложка/Формат: Paperback
Страницы: 224
Вес: 0.42 кг.
Дата издания: 09.10.2019
Серия: Studies in book and print culture
Язык: English
Иллюстрации: 7 b&w illustrations
Размер: 271 x 407 x 15
Подзаголовок: Women in canadian publishing
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Informed by the works of international publishing historians, Toronto Trailblazers artfully captures the lasting influence of women on Canadian publishing.

Panofsky and the Foundations of Art History

Автор: Holly Michael A.
Название: Panofsky and the Foundations of Art History
ISBN: 0801498961 ISBN-13(EAN): 9780801498961
Издательство: Wiley EDC
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Цена: 28590.00 T
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Описание:

No one has been more influential in the contemporary practice of art history than Erwin Panofsky, yet many of his early seminal papers remain virtually unknown to art historians. As a result, Michael Ann Holly maintains, art historians today do not have access to the full range of methodological considerations and possibilities that Panofsky's thought offers, and they often remain unaware of the significant role art history played in the development of modern humanistic thought. Placing Panofsky's theoretical work first in the context of the major historical paradigms generated by Hegel, Burckhardt, and Dilthey, Holly shows how these paradigms themselves became the grounds for creative controversy among Panofsky's predecessors—Riegl, W?lfflin, Warburg, and Dvor?k, among others. She also discusses how Panofsky's struggle with the terms and concepts of neo-Kantianism produced in his work remarkable parallels with the philosophy of Ernst Cassirer. Finally, she evaluates Panofsky's better known and later "iconological" studies by reading them against the earlier essays and by comparing his earlier ideas with the vision that has inspired recent work in the philosophy of history, semiotics, and the philosophy of science.


Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art

Автор: Klibansky Raymond, Panofsky Erwin, Saxl Fritz
Название: Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art
ISBN: 0773559493 ISBN-13(EAN): 9780773559493
Издательство: Mare Nostrum (Eurospan)
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Цена: 71060.00 T
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Описание: Saturn and Melancholy remains an iconic text in art history, intellectual history, and the study of culture, despite being long out of print in English. Rooted in the tradition established by Aby Warburg and the Warburg Library, this book has deeply influenced understandings of the interrelations between the humanities disciplines since its first publication in English in 1964. This new edition makes the original English text available for the first time in decades. Saturn and Melancholy offers an unparalleled inquiry into the origin and development of the philosophical and medical theories on which the ancient conception of the temperaments was based and discusses their connections to astrological and religious ideas. It also traces representations of melancholy in literature and the arts up to the sixteenth century, culminating in a landmark analysis of D?rer's most famous engraving, Melencolia I. This edition features Raymond Klibansky's additional introduction and bibliographical amendments for the German edition, as well as translations of source material and 155 original illustrations. An essay on the complex publication history of this pathbreaking project - which almost did not see the light of day - covers more than eighty years, including its more recent heritage. Making new a classic book that has been out of print for over four decades, this expanded edition presents fresh insights about Saturn and Melancholy and its legacy as a precursor to modern interdisciplinary studies.

Figural Philology: Panofsky and the Science of Things

Автор: Adi Efal
Название: Figural Philology: Panofsky and the Science of Things
ISBN: 1474254012 ISBN-13(EAN): 9781474254014
Издательство: Bloomsbury Academic
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Цена: 137280.00 T
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Описание: Though inspired by a Panofskyan legacy, this book diverges at certain points from Erwin Panofsky's declared objectives, and calls attention to several of aspects that were until now less accentuated in his intellectual reception. Insisting on the importance of iconology as a method for art history and the humanities in general, it shows how examining this promotes a cooperation between the history of art and the history of philosophy. It discusses whether Panofsky’s method could be of use for general questions in the epistemology of the historical sciences that examine human works. Figural Philology also shows that Panofsky shares affinities with twentieth-century romance philology. A reading of Panofsky's work alongside the philological enterprise of Erich Auerbach and several other authors demonstrates that a proper appropriation of the philological impulse can provide a way out of the methodological antimony still hanging between hyper-formalist and hyper-theoretical approaches to the history of art.

Perspective as Symbolic Form

Автор: Panofsky
Название: Perspective as Symbolic Form
ISBN: 0942299531 ISBN-13(EAN): 9780942299533
Издательство: MIT Press
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Erwin Panofsky's Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art-historical and philosophical discussions on the topic of perspective in this century. Finally available in English, this unrivaled example of Panofsky's early method places him within broader developments in theories of knowledge and cultural change.

Here, drawing on a massive body of learning that ranges over ancient philosophy, theology, science, and optics as well as the history of art, Panofsky produces a type of "archaeology" of Western representation that far surpasses the usual scope of art historical studies.

Perspective in Panofsky's hands becomes a central component of a Western "will to form," the expression of a schema linking the social, cognitive, psychological, and especially technical practices of a given culture into harmonious and integrated wholes. He demonstrates how the perceptual schema of each historical culture or epoch is unique and how each gives rise to a different but equally full vision of the world.

Panofsky articulates these distinct spatial systems, explicating their particular coherence and compatibility with the modes of knowledge, belief, and exchange that characterized the cultures in which they arose. Our own modernity, Panofsky shows, is inseparable from its peculiarly mathematical expression of the concept of the infinite, within a space that is both continuous and homogenous.

-- "Artforum"

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