Автор: Durso Joe Название: The Jesus You Need to Know: A Character Study of the Christ ISBN: 1512765082 ISBN-13(EAN): 9781512765083 Издательство: Неизвестно Рейтинг: Цена: 40320.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Giancarlo Alfano, Teresa D`Urso, Alessandra Perriccioli Saggese Название: Boccaccio angioino: Materiali per la storia di Napoli nel Trecento ISBN: 9052018251 ISBN-13(EAN): 9789052018256 Издательство: Peter Lang Рейтинг: Цена: 64220.00 T Наличие на складе: Невозможна поставка. Описание: Questo libro e il primo frutto di un programma di ricerca triennale (2011-2013) su Boccaccio angioino. Con questo titolo, i curatori del presente volume intendono sottolineare la necessita di inserire l’attivita letteraria di Giovanni Boccaccio dentro il piu ampio contesto culturale, storico, politico e artistico del Trecento. Agli autori dei saggi qui raccolti e stata pertanto proposta una riflessione sulla dimensione «angioina» piuttosto che genericamente «napoletana» dell’esperienza boccacciana. L’obiettivo e stato di far convergere i risultati maturati nei diversi ambiti disciplinari – dalla storia dell’arte alla musicologia, dalla filologia romanza alla storia della lingua e della letteratura – in una comune prospettiva di tipo tipologico-culturale, a partire dalla convinzione che le opere d’arte, nella loro determinazione storica, descrivano un certo assetto politico-sociale e determinino una certa proiezione culturale e simbolica collettiva. L’immagine della citta nel Trecento, i suoi monumenti, le dinamiche culturali e le tensioni politiche che l’attraversarono sono l’oggetto dei singoli contributi che il lettore potra qui trovare, insieme a degli studi dedicati alla cultura letteraria di Boccaccio, ai suoi testi giovanili, al suo rapporto con le opere e con la lingua della dinastia dominante angioina.
Автор: Varney Denise, D`Urso Sandra Название: Australian Theatre, Modernism and Patrick White: Governing Culture ISBN: 1783088354 ISBN-13(EAN): 9781783088355 Издательство: Неизвестно Рейтинг: Цена: 73520.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
'Australian Theatre, Modernism and Patrick White' details the rejection of two Patrick White plays by the Adelaide Festival of Arts in Australia in the early 1960s. In 1961 the board of governors rejected a proposal to include the world premiere of White's first major play 'The Ham Funeral' for the 1962 festival. In 1963 it rejected a proposal to premiere a subsequent play 'Night on Bald Mountain' for the 1964 festival. These two rejections were taken up in the press where the former was referred to as the 'affaire "Ham Funeral"' and the latter was greeted as 'here we go again'. 'Australian Theatre, Modernism and Patrick White' documents the scandal that followed the board's rejections of White's plays, especially as it acted against the advice of its own drama committee and artistic director on both occasions.
Denise Varney and Sandra D'Urso analyze the two events by drawing on the performative behaviour of the board of governors to focus on the question of governance. They shed new light on the cultural politics that surrounded the rejections, arguing that it represents an instance of executive governance of cultural production, in this case theatre and performance. The governing body was a self-appointed private board comprising wealthy men, who were representative of an Adelaide establishment made up of business, farming, newspaper and military interests.
The central argument of 'Australian Theatre, Modernism and Patrick White' is that aesthetic modernism in theatre and drama struggled to achieve visibility and acceptability, and was perceived as a threat to the norms and values of early to mid-twentieth-century Australia. The authors argue that when modern drama entered the stage, its preference for aesthetic experimentation over commercial considerations challenged regimes of value based on the popular appeal of musicals, touring productions and overseas imports. The resistance to that prevailing theatre culture and the provocation of Patrick White's plays provide a prime example of Australia in transition between its colonial heritage and modern future. The 1960s set the scene for the confrontation between modernist experimentation and arts governance, and between aesthetic and commercial values.
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