Resonant Alterities: Sound, Desire and Anxiety in Non-Realist Fiction, Sylvia Mieszkowski

Автор: Ward Megan
Название: Seeming Human: Artificial Intelligence and Victorian Realist Character
ISBN: 0814213758 ISBN-13(EAN): 9780814213759
Издательство: Неизвестно
Цена: 94570.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Seeming Human: Artificial Intelligence and Victorian Realist Character offers a new theory of realist character through character's unexpected afterlife: the intelligent machine. The book contends that mid-twentieth-century versions of artificial intelligence (AI) offer a theory of verisimilitude omitted by traditional histories of character, which often focus on the development of interiority and the shift from "flat" to "round" characters in the Victorian era. Instead, by reading character through AI, Megan Ward's Seeming Human argues that routinization, predictability, automation, and even flatness are all features of realist characters.

Early artificial intelligence movements such as cybernetics, information theory, and the Turing test define ways of seeming--rather than being--human. Using these theories of verisimilitude to read Victorian novelists such as Elizabeth Gaskell, Margaret Oliphant, Anthony Trollope, Thomas Hardy, and Henry James, Seeming Human argues that mechanicity has been perceived as anti-realist because it is the element that we least want to identify as human. Because AI produces human-like intelligence, it makes clear that we must actually turn to machines in order to understand what makes realist characters seem so human.

Автор: Hugh Ridley
Название: Wagner and the Novel: Wagner`s Operas and the European Realist Novel: An exploration of genre
ISBN: 9042035218 ISBN-13(EAN): 9789042035218
Издательство: Brill
Рейтинг:
Цена: 90320.00 T
Наличие на складе: Нет в наличии.
Описание: This study bridges literature and music at an exciting and controversial point, offering the lover of music and literature and the specialist reader an insight into the relationship between Wagner’s operas and the nineteenth century novel, including comparisons with Rigoletto and Der Rosenkavalier in their evolution from other forms. It discusses matters of genre and national tradition, placing Wagner’s works in the heritage of the European Enlightenment.Comparisons of Wagner’s works with the novel have been fleeting, denoting only their length and complexity. Examining in principle and in detail the proximity of Wagner’s themes and techniques to the practices of the Realist novel, this study sheds original light on major issues of Wagner’s works and on opera as genre.The book trawls extensively in two research fields. It looks to the established Wagner literature for understandings of the musical procedures which map his works onto the prose fiction, while reading Wagner’s operas against the backdrop of the European novel, rather than against German Romantic fiction. It revisits Adorno’s music sociology and his seminal study of Wagner, but repositions many elements of his argument. Unusually, this book adopts a critical stance to Nietzsche’s view of Wagner. In marked contrast to Nietzsche, the study regards parallels between Wagner and Flaubert as an enrichment of our understanding of Wagner’s achievement.The book concludes with a major question of European cultural history: why it is that – in common with Italy, but in marked contrast to France or England – Germany’s most representative works in the nineteenth century are operas rather than novels.