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Ezra Pound as Literary Critic, Emeritus Professor K K Ruthven, K. K. Ruthven


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Автор: Emeritus Professor K K Ruthven, K. K. Ruthven
Название:  Ezra Pound as Literary Critic
ISBN: 9780415861946
Издательство: Taylor&Francis
Классификация:


ISBN-10: 0415861942
Обложка/Формат: Paperback
Страницы: 208
Вес: 0.25 кг.
Дата издания: 12.12.2013
Серия: Critics of the twentieth century
Язык: English
Размер: 210 x 140 x 11
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Literature: history & criticism, PHILOSOPHY / General
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: Bringing some of the insights of modern critical theory to bear on Pound`s activities as a literary critics, K.K. Ruthven provides a provocative re-reading of a major modernist writer who dominated the discourse of modernism.

A Thousand Plateaus

Автор: Gilles Deleuze, Felix Guattari
Название: A Thousand Plateaus
ISBN: 1780935374 ISBN-13(EAN): 9781780935379
Издательство: Bloomsbury Academic
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Цена: 29730.00 T
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Описание: A Thousand Plateaus is the second part of Deleuze and Guattari's landmark philosophical project, Capitalism and Schizophrenia - a project that still sets the terms of contemporary philosophical debate. Written over a seven year period, A Thousand Plateaus provides a compelling analysis of social phenomena and offers fresh alternatives for thinking about philosophy and culture. Its radical perspective provides a toolbox for ‘nomadic thought' and has had a galvanizing influence on today's anti-capitalist movement.

Between Levinas and Lacan: Self, Other, Ethics

Автор: Mari Ruti
Название: Between Levinas and Lacan: Self, Other, Ethics
ISBN: 1628926392 ISBN-13(EAN): 9781628926392
Издательство: Bloomsbury Academic
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Цена: 30610.00 T
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Описание: Levinas and Lacan, two giants of contemporary theory, represent schools of thought that seem poles apart. In this major new work, Mari Ruti charts the ethical terrain between them.

At first glance, Levinansian and Lacanian approaches may seem more or less incompatible, and in many ways they are, particularly in their understanding of the self-other relationship. For both Levinas and Lacan, the subject's relationship to the other is primary in the sense that the subject, literally, does not exist without the other, but they see the challenge of ethics quite differently: while Levinas laments our failure to adequately meet the ethical demand arising from the other, Lacan laments the consequences of our failure to adequately escape the forms this demand frequently takes.

Although this book outlines the major differences between Levinas and Judith Butler on the one hand and Lacan, Slavoj Zizek, and Alain Badiou on the other, Ruti proposes that underneath these differences one can discern a shared concern with the thorny relationship between the singularity of experience and the universality of ethics.

Between Levinas and Lacan is an important new book for anyone interested in contemporary theory, ethics, psychoanalysis, and feminist and queer theory.

The creative critic :

Название: The creative critic :
ISBN: 1138674834 ISBN-13(EAN): 9781138674837
Издательство: Taylor&Francis
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Цена: 39800.00 T
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Описание:

As practitioner-researchers, how do we discuss and analyse our work without losing the creative drive that inspired us in the first place?

Built around a diverse selection of writings from leading researcher-practitioners and emerging artists in a variety of fields, The Creative Critic: Writing as/about Practice celebrates the extraordinary range of possibilities available when writing about one's own work and the work one is inspired by. It re-thinks the conventions of the scholarly output to propose that critical writing be understood as an integral part of the artistic process, and even as artwork in its own right.

Finding ways to make the intangible nature of much of our work 'count' under assessment has become increasingly important in the Academy and beyond. The Creative Critic offers an inspiring and useful sourcebook for students and practitioner-researchers navigating this area.

Please see the companion site to the book, http: //www.creativecritic.co.uk, where some of the chapters have become unfixed from the page.


The Critic in the Modern World: Public Criticism from Samuel Johnson to James Wood

Автор: James Ley
Название: The Critic in the Modern World: Public Criticism from Samuel Johnson to James Wood
ISBN: 1623563739 ISBN-13(EAN): 9781623563738
Издательство: Bloomsbury Academic
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Цена: 116160.00 T
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Описание: The Critic in the Modern World explores the work of six influential literary critics—Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood—each of whom occupies a distinct historical moment. It considers how these representative critics have constructed their public personae, the kinds of arguments they have used, and their core principles and philosophies. Spanning three hundred years of cultural history, The Critic in the Modern World considers the various ways in which literary critics have positioned themselves in relation to the modern tradition of descriptive criticism. In providing a lucid account of each critic's central principles and philosophies, it considers the role of the literary critic as a public figure, interpreting him as someone who is compelled to address the wider issues of individualism and the social implications of the democratising, secularising, liberalising forces of modernity.

The Critic in the Modern World: Public Criticism from Samuel Johnson to James Wood

Автор: James Ley
Название: The Critic in the Modern World: Public Criticism from Samuel Johnson to James Wood
ISBN: 1623569311 ISBN-13(EAN): 9781623569310
Издательство: Bloomsbury Academic
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Цена: 24280.00 T
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Описание: The Critic in the Modern World explores the work of six influential literary critics—Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood—each of whom occupies a distinct historical moment. It considers how these representative critics have constructed their public personae, the kinds of arguments they have used, and their core principles and philosophies. Spanning three hundred years of cultural history, The Critic in the Modern World considers the various ways in which literary critics have positioned themselves in relation to the modern tradition of descriptive criticism. In providing a lucid account of each critic's central principles and philosophies, it considers the role of the literary critic as a public figure, interpreting him as someone who is compelled to address the wider issues of individualism and the social implications of the democratising, secularising, liberalising forces of modernity.

Planning to cope with tropical and subtropical climate change

Автор: Maurizio Tiepolo
Название: Planning to cope with tropical and subtropical climate change
ISBN: 3110480786 ISBN-13(EAN): 9783110480788
Издательство: Walter de Gruyter
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Цена: 148700.00 T
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Описание: This book provides examples of climate change characterization and decision-making tools for subtropical and tropical adaptation planning. It is intended for local operators, physical planners, besides researchers and students of these subjects. The first chapter describes the status of climate planning in large subtropical and tropical cities. The following six chapters discuss hazards (drought, intense precipitations, sea level rise, sea water intrusion) and early warning systems. Nine chapters enlarge on flood risk analysis and preliminary mapping, climate change vulnerability, comparing contingency plans in various scales and presenting experiences centred on adaptation planning. The last three chapters introduce some best practices of weather and climate change monitoring and flood risk mapping and assessment.

The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange

Автор: Sarah Posman, Anne Reverseau, David Ayers, Sascha
Название: The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange
ISBN: 3110317370 ISBN-13(EAN): 9783110317374
Издательство: Walter de Gruyter
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Цена: 148700.00 T
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Описание: Forschungsinitiativen zum Thema Avantgarde und Moderne nehmen in der europaischen Forschungslandschaft weiterhin zu. Die experimentellen Literaturen und die Kunste in Europa zwischen ca. 1850 und 1950 und ihre Nachwirkungen sind als Lehr- und Forschungsbereiche an den europaischen Forschungsinstitutionen und in den Lehrplanen heutzutage nicht mehr wegzudenken. Avantgarde und Moderne haben sich in den letzten Jahrzehnten zu unterschiedlichen, aber mehrfach miteinander verzahnten Forschungsgebieten entwickelt. Innerhalb der franzosischen und deutschen akademischen Welt bleibt der Sammelbegriff „modernism" weniger gelaufig – „die (klassische) Moderne" und „modernite" fungieren hier als nahe liegende Aquivalente zu demjenigen, was im internationalen Kontext als eine zeitliche und raumliche Ko-Okkurenz kunstlerischer Ausdrucksformen und asthetischer Theorien namhaft gemacht werden kann, die ungefahr zwischen 1850 und 1950 angesiedelt werden kann. Auf ahnliche Weise entfaltet die Bezeichnung „Avantgarde" eine Reihe haufig widerspruchlicher Konnotationen. Fur manche bedeutet die Avantgarde den radikalsten experimentellen Bruch der Kunste und Literaturen mit den Darstellungs- und Erzahlkonventionen des 19. Jahrhundert: Im fruhen zwanzigsten Jahrhundert zeugen davon Avantgardebewegungen wie Futurismus, Expressionismus, Dada und Surrealismus, d.h. Stromungen, die als die „heroische" Phase der Avantgarde bezeichnet werden konnen. Fur andere gehort die Avantgarde zu einer kulturellen und konzeptuellen Ordnung, die sich weitgehend von der 'modernistischen' unterscheidet oder sogar abhebt: Die avantgardistischen Experimente ab den funfziger Jahren des zwanzigsten Jahrhunderts kommen in dieser Hinsicht weitgehend ohne modernistische Begleiterscheinung aus. Die Buchreihe Studien zur Europaischen Avantgarde und Moderne mochte der Kompliziertheit der unterschiedlichen europaischen Forschungstraditionen gerecht werden und strebt danach, die breite linguistische, terminologische und methodologische Vielfalt abzudecken. Anhand einer zweijahrlichen Sammlung von Beitragen in englischer, franzosischer und deutscher Sprache mochte die Reihe nicht nur die franzosisch-, deutsch- und englischsprachigen, sondern auch die nord-, sud-, zentral- und osteuropaischen Ergebnisse der Avantgarde- und Moderne-Forschung einbeziehen. Die Reihe sammelt die neuesten und ertragreichsten Beitrage zur Forschung und widmet sich der Erforschung der gesamten europaischen Avantgarde und Moderne, ihrer Vorlaufer und ihrem Nachklang im Laufe des 19. und 20. Jahrhunderts. Die Studien zur Europaischen Avantgarde und Moderne fordern die interdisziplinare und intermediale Erforschung experimenteller Asthetiken und Poetiken und setzen es sich zum Ziel, das Interesse an den kulturellen Zusammenhangen und Kontexten der Avantgarde und der Moderne in Europa anzuregen. Beitrage werden internationalen Experten zur anonymen Begutachtung vorgelegt. Chefredakteure: Sascha Bru (Leuven University) und Peter Nicholls (New York University). Redaktionsausschuss: Jan Baetens (Universitat Leuven), Hubert van den Berg (Universitat Groningen), Benedikt Hjartarson (University of Iceland) undTania Orum (Universitat Kopenhagen). Beratungsausschuss: Dawn Ades (University of Essex), Wolfgang Asholt (Universitat Osnabruck), Karlheinz Barck (Zentrum fur Literatur- und Kulturforschung Berlin), Henri Behar (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), Gunter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Universita luav di Venezia), Endre Bojtar (Central European University, Budapest), Christina von Braun (Humboldt Universitat zu Berlin), Peter Burger (Universitat Bremen), Matei Calinescu (University of Indiana), Claus Cluver (University of Indiana), Antoine Compagnon (College de France), Maria Delaperriere (INALCO, Paris), Pascal Dethurens (Universite de Strasbourg), Eva Forgacs (College of Design, Pasadena), Hans Gunther (Universitat Bielefeld), Cornelia Klinger (Eberhard-Karls Universitat Tubingen), Rudolf Kuenzli (University of Iowa), Bruno Latour (Institut d'Etudes Politiques de Paris), Paul Michael Lutzeler (Washington University of St. Louis), Laura Marcus (University of Edinburgh), Richard Murphy (University of Sussex), Francois Noudelmann (Universite de Paris VIII), Krisztina Passuth (University of Budapest), Marjorie Perloff (Stanford University/University of Southern California), Michel Poivert (Paris I, Pantheon-Sorbonne), Susan Rubin-Suleiman (Harvard University), Rainer Rumold (Northwestern University), Jean-Yves Tadie (Paris IV, Sorbonne), Brandon Taylor (University of Southhampton), Andrew Webber (Churchill College, Cambridge).

Emergency noises

Автор: Noy, Irene
Название: Emergency noises
ISBN: 3034319878 ISBN-13(EAN): 9783034319874
Издательство: Peter Lang
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Цена: 95000.00 T
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Art history traditionally concentrates on the visual. Sound has either been ignored or has been appreciated in a highly selective manner within a different discipline: music. This book is about recent attempts by artists trained in (West) Germany to provoke listening experiences to awaken the senses. Their work is revolutionary in artistic terms and in what it reveals about human relations, especially concerning issues of gender.

The main focus of the book is to explore a gendered reading of the unity between the visual and the aural, a strand most prominently expressed within sound art in the period from the beginning of the 1960s to the 1980s. The book juxtaposes sources that have not been considered in conjunction with each other before and questions sound art’s premise: is it a separate field or a novel way of understanding art? The study also opens up sound art to gender considerations, asking if the genre possesses the capacity to disrupt conventional, gendered role models and facilitate alternative possibilities of self-definition and agency across genders. Emergency Noises brings to light the work of underrepresented female artists and explores new intersections of sound, art and gender.


George du maurier: illustrator, author, critic

Автор: Cooke, Dr. Simon Goldman, Professor Paul
Название: George du maurier: illustrator, author, critic
ISBN: 1472431596 ISBN-13(EAN): 9781472431592
Издательство: Taylor&Francis
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Цена: 158230.00 T
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Описание: Though well-known as the author of Trilby and the creator of Svengali, the writer-artist George Du Maurier had many other accomplishments that are less familiar to modern audiences. This collection traces Du Maurier’s role as a participant in the wider cultural life of his time, restoring him to his proper status as a major Victorian figure. Divided into sections, the volume considers Du Maurier as an artist, illustrator and novelist who helped to form some of the key ideas of his time. The contributors place his life and work in the context of his treatment of Judaism and Jewishness; his fascination with urbanization, Victorian science, technology and clairvoyance; his friendships and influences; and his impact on notions of consumerism and taste. As an illustrator, Du Maurier collaborated with Thomas Hardy, Elizabeth Gaskell and sensational writers such as M. E. Braddon and the author of The Notting Hill Mystery. These partnerships, along with his reflections on the art of illustration, are considered in detail. Impossible to categorize, Du Maurier was an Anglo-Frenchman with cultural linkages in France, England, and America; a social commentator with an interest in The New Woman; a Punch humourist; and a friend of Henry James, with whom he shared a particular interest in the writing of domesticity and domestic settings. Closing with a consideration of Du Maurier’s after-life, notably the treatment of his work in film, this collection highlights his diverse achievements and makes a case for his enduring significance.

Ruskin as Literary Critic

Автор: Ruskin
Название: Ruskin as Literary Critic
ISBN: 1107661951 ISBN-13(EAN): 9781107661950
Издательство: Cambridge Academ
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Цена: 29570.00 T
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Описание: First published in 1928, this book gathers together a selection of John Ruskin`s relatively neglected writings on literature and aesthetics. As noted in the textual preface, `Interesting themes, original treatment, suggestive ideas which warm and stimulate the mind, are set out in a more easily readable form than is usual in Ruskin`s works.`

Freud and the Critic: The Early Use of Depth Psychology in Literary Criticism

Автор: Morrison Claudia C.
Название: Freud and the Critic: The Early Use of Depth Psychology in Literary Criticism
ISBN: 0807836257 ISBN-13(EAN): 9780807836255
Издательство: Mare Nostrum (Eurospan)
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Цена: 52670.00 T
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Описание: Morrison's investigation of American literature is thorough, and the extensiveness as well as the quality of the criticism influenced by early impressions of depth psychology is admirably documented. In the first half of the book, the author presents a history of the acceptance of Freudian ideas in America and of the theory and practice of early psychoanalytic criticism. In the second half, she centers attention on the first literary critics to utilize the psychoanalytic approach.Originally published in 1968.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

E. M. Forster as Critic

Автор: Advani
Название: E. M. Forster as Critic
ISBN: 1138683957 ISBN-13(EAN): 9781138683952
Издательство: Taylor&Francis
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Цена: 91860.00 T
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This title, first published in 1984, is a study of E. M. Forster as a liberal-humanist thinker and socio-literary critic. Advani discusses Forster's ideas on man, society, politics, religion, art, aesthetics, fiction and literary criticism. The author examines why Forster was impelled from fiction towards socio-literary criticism and propaganda for art within the political and cultural context of post-Great War Britain. The book argues for Forster's continuing importance as much more than a skilful novelist. It will be of interest to students of English cultural history, literary theory and criticism, and the work of E. M. Forster.



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