Bergson and the Art of Immanence: Painting, Photography, Film, John O Maoilearca, Charlotte de Mille
Автор: Mullarkey John Название: Bergson and the Art of Immanence ISBN: 1474404731 ISBN-13(EAN): 9781474404730 Издательство: Bloomsbury Academic Рейтинг: Цена: 31670.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Immanence is a theory of divine presence, in which the divine is found in the material world, not outside of it. This collection brings the major 20th century French philosopher Henri Bergson`s work on immanence together with fresh ideas in art theory and the practice of immanent art as found in painting, photography and film.
Автор: Lawrence Marilynn, Oh Jea Sophia Название: Nature`s Transcendence and Immanence: A Comparative Interdisciplinary Ecstatic Naturalism ISBN: 1498562752 ISBN-13(EAN): 9781498562751 Издательство: Bloomsbury Рейтинг: Цена: 84150.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The authors in this collection engage with ecstatic naturalism in a variety of ways, comparing it to or integrating it with other philosophies and disciplines to express and fully explore the transcendence and immanence of nature.
Immersion is the new orthodoxy. Within the production, curation and critique of sound art, as well as within the broader fields of sound studies and auditory culture, the immersive is routinely celebrated as an experiential quality of sound, the value of which is inherent yet strengthened through dubious metaphysical oppositions to the visual. Yet even within the visual arts an acoustic condition grounded in Marshall McLuhan's metaphorical notion of acoustic space underwrites predispositions towards immersion. This broad conception of an acoustic condition in contemporary art identifies the envelopment of audiences and spectators who no longer perceive from a distance but immanently experience immersive artworks and environments.
Immanence and Immersion takes a critical approach to the figures of immersion and interiority describing an acoustic condition in contemporary art. It is argued that a price paid for this predisposition towards immersion is often the conceptual potency and efficacy of the work undertaken, resulting in arguments that compound the marginalisation and disempowerment of practices and discourses concerned with the sonic. The variously phenomenological, correlational and mystical positions that support the predominance of the immersive are subject to critique before suggesting that a stronger distinction between the often confused concepts of immersion and the immanence might serve as a means of breaking with the figure of immersion and the circle of interiority towards attaining greater conceptual potency and epistemological efficacy within the sonic arts.
Immersion is the new orthodoxy. Within the production, curation and critique of sound art, as well as within the broader fields of sound studies and auditory culture, the immersive is routinely celebrated as an experiential quality of sound, the value of which is inherent yet strengthened through dubious metaphysical oppositions to the visual. Yet even within the visual arts an acoustic condition grounded in Marshall McLuhan's metaphorical notion of acoustic space underwrites predispositions towards immersion. This broad conception of an acoustic condition in contemporary art identifies the envelopment of audiences and spectators who no longer perceive from a distance but immanently experience immersive artworks and environments.
Immanence and Immersion takes a critical approach to the figures of immersion and interiority describing an acoustic condition in contemporary art. It is argued that a price paid for this predisposition towards immersion is often the conceptual potency and efficacy of the work undertaken, resulting in arguments that compound the marginalisation and disempowerment of practices and discourses concerned with the sonic. The variously phenomenological, correlational and mystical positions that support the predominance of the immersive are subject to critique before suggesting that a stronger distinction between the often confused concepts of immersion and the immanence might serve as a means of breaking with the figure of immersion and the circle of interiority towards attaining greater conceptual potency and epistemological efficacy within the sonic arts.
Автор: Lefebvre Alexandre Название: Interpreting Bergson ISBN: 1108421156 ISBN-13(EAN): 9781108421157 Издательство: Cambridge Academ Рейтинг: Цена: 88690.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book is the first collection in twenty years in English to address the whole of Bergson`s philosophy, including his metaphysics, epistemology, philosophy of science, aesthetics, ethics, political thought, and religion.
Автор: Lundy Craig Название: Deleuze`S Bergsonism ISBN: 1474414311 ISBN-13(EAN): 9781474414319 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This critical introduction and guide to Gilles Deleuze`s 1988 book `Bergsonism` gives readers of both Deleuze and Bergson an opportunity to discover and fully connect with the philosophical encounter between these two great thinkers.
Автор: Craig Lundy Название: Deleuze`s Bergsonism ISBN: 1474414303 ISBN-13(EAN): 9781474414302 Издательство: Bloomsbury Academic Рейтинг: Цена: 116160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This critical introduction and guide to Gilles Deleuze`s 1988 book`Bergsonism `gives readers of both Deleuze and Bergson an opportunity to discover and fully connect with the philosophical encounter between these two great thinkers.
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