During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this phenomenon in the historical and political contexts of Japan after the Second World War and the international activism of the 1960s. The Japanese government renewed its Cold War partnership with the United States in 1960, defeating protests against a new security treaty through parliamentary action and the use of riot police. Afterward, the government promoted a depoliticized everyday world of high growth and consumption, creating a sanitized national image to present in the Tokyo Olympics of 1964. Artists were first to challenge this new political mythology. Marotti examines their political art, and the state's aggressive response to it. He reveals the challenge mounted in projects such as Akasegawa Genpei's 1,000-yen prints, a group performance on the busy Yamanote train line, and a plan for a giant guillotine in the Imperial Plaza. Focusing on the annual Yomiuri Indépendant exhibition, he demonstrates how artists came together in a playful but powerful critical art, triggering judicial and police response. Money, Trains, and Guillotines expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan.
Автор: Marotti Arthur F. Название: The Circulation of Poetry in Manuscript in Early Modern England ISBN: 0367715406 ISBN-13(EAN): 9780367715403 Издательство: Taylor&Francis Рейтинг: Цена: 158230.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This study examines the transmission and compilation of poetic texts through manuscripts from the late-Elizabethan era through the mid-seventeenth century, paying attention to the distinctive material, social, and literary features of these documents.
In Ink, Stink Bait, Revenge, and Queen Elizabeth, Steven W. May and Arthur F. Marotti present a recently discovered "household book" from sixteenth-century England. Its main scribe, John Hanson, was a yeoman who worked as a legal agent in rural Yorkshire. His book, a miscellaneous collection of documents that he found useful or interesting, is a rare example of a middle-class provincial anthology that contains, in addition to works from the country’s cultural center, items of local interest seldom or never disseminated nationally.
Among the literary highlights of the household book are unique copies of two ballads, whose original print versions have been lost, describing Queen Elizabeth’s procession through London after the victory over the Spanish Armada; two poems attributed to Elizabeth herself; and other verse by courtly writers copied from manuscript and print sources. Of local interest is the earliest-known copy of a 126-stanza ballad about a mid-fourteenth-century West Yorkshire feud between the Eland and Beaumont families. The manuscript’s utilitarian items include a verse calendar and poetic Decalogue, model legal documents, real estate records, recipes for inks and fish baits, and instructions for catching rabbits and birds. Hanson combined both professional and recreational interests in his manuscript, including material related to his legal work with wills and real estate transactions.
As May and Marotti argue in their cultural and historical interpretation of the text, Hanson’s household book is especially valuable not only for the unusual texts it preserves but also for the ways in which it demonstrates the intersection of the local and national and of popular and elite cultures in early modern England.
In Ink, Stink Bait, Revenge, and Queen Elizabeth, Steven W. May and Arthur F. Marotti present a recently discovered "household book" from sixteenth-century England. Its main scribe, John Hanson, was a yeoman who worked as a legal agent in rural Yorkshire. His book, a miscellaneous collection of documents that he found useful or interesting, is a rare example of a middle-class provincial anthology that contains, in addition to works from the country’s cultural center, items of local interest seldom or never disseminated nationally.
Among the literary highlights of the household book are unique copies of two ballads, whose original print versions have been lost, describing Queen Elizabeth’s procession through London after the victory over the Spanish Armada; two poems attributed to Elizabeth herself; and other verse by courtly writers copied from manuscript and print sources. Of local interest is the earliest-known copy of a 126-stanza ballad about a mid-fourteenth-century West Yorkshire feud between the Eland and Beaumont families. The manuscript’s utilitarian items include a verse calendar and poetic Decalogue, model legal documents, real estate records, recipes for inks and fish baits, and instructions for catching rabbits and birds. Hanson combined both professional and recreational interests in his manuscript, including material related to his legal work with wills and real estate transactions.
As May and Marotti argue in their cultural and historical interpretation of the text, Hanson’s household book is especially valuable not only for the unusual texts it preserves but also for the ways in which it demonstrates the intersection of the local and national and of popular and elite cultures in early modern England.
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