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Making Samba: A New History of Race and Music in Brazil, Marc A Hertzman


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Автор: Marc A Hertzman
Название:  Making Samba: A New History of Race and Music in Brazil
ISBN: 9780822354154
Издательство: Wiley EDC
Классификация:


ISBN-10: 0822354152
Обложка/Формат: Hardcover
Страницы: 392
Вес: 0.69 кг.
Дата издания: 16.04.2013
Язык: English
Иллюстрации: 1 map, 16 figures
Размер: 239 x 163 x 23
Читательская аудитория: Professional & vocational
Ключевые слова: Music reviews & criticism,History of the Americas, HISTORY / Latin America / South America,MUSIC / History & Criticism
Подзаголовок: A new history of race and music in brazil
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Поставляется из: Англии
Описание:
In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act—claiming ownership of a musical composition—set in motion a series of events that would shake Brazils cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music.

The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rios pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.


Дополнительное описание: A Note about Brazilian Terminology, Currency, and Orthography ix
Abbreviations xi
Acknowledgments xiii
Introduction 1
1. Between Fascination and Fear: Musicians' Worlds in Nineteenth-Century Rio de Janeiro 17
2. Beyond the Punishm



Gilberto Gil`s Refazenda

Автор: Marc A. Hertzman
Название: Gilberto Gil`s Refazenda
ISBN: 1501330411 ISBN-13(EAN): 9781501330414
Издательство: Bloomsbury Academic
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Цена: 67590.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Refazenda connects a remarkable album by one of the 20th and 21st centuries' great musicians to a dazzling, often unexpected, array of people and places spread across the globe from Brazil to England to Chile to Japan. Critics and fans often project (or impose) desires and interpretations onto Gil that don't seem to fit. This book explores why familiar political and musical categories so often fall flat and explains why serendipity may instead be the best way to approach this mercurial album and the unrepeatable artist who created it.

Based on years of listening to, studying, and teaching about Gil, and the author's own encounters with the album around the world, this book argues that Refazenda does, in fact, contain radical messages, though they rarely appear in the form, shape, or places that we might expect. The book also includes the first English-language translations of the album's lyrics, never-discussed-before 1970s Japanese liner notes, and a recounting of a forgotten moment when censors detained Gil during the album's debut tour.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.


Gilberto Gil`s Refazenda

Автор: Marc A. Hertzman
Название: Gilberto Gil`s Refazenda
ISBN: 1501330403 ISBN-13(EAN): 9781501330407
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 14790.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Refazenda connects a remarkable album by one of the 20th and 21st centuries' great musicians to a dazzling, often unexpected, array of people and places spread across the globe from Brazil to England to Chile to Japan. Critics and fans often project (or impose) desires and interpretations onto Gil that don't seem to fit. This book explores why familiar political and musical categories so often fall flat and explains why serendipity may instead be the best way to approach this mercurial album and the unrepeatable artist who created it.

Based on years of listening to, studying, and teaching about Gil, and the author's own encounters with the album around the world, this book argues that Refazenda does, in fact, contain radical messages, though they rarely appear in the form, shape, or places that we might expect. The book also includes the first English-language translations of the album's lyrics, never-discussed-before 1970s Japanese liner notes, and a recounting of a forgotten moment when censors detained Gil during the album's debut tour.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.



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