A Decade of Dark Humor: How Comedy, Irony, and Satire Shaped Post-9/11 America, Ted Gournelos, Viveca Greene
Автор: Callaghan Gavin Название: H. P. Lovecraft`s Dark Arcadia: The Satire, Symbology and Contradiction ISBN: 0786470798 ISBN-13(EAN): 9780786470792 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33270.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Provides an objective reassessment of the controversial works and life of American horror writer H. P. Lovecraft. Gavin Callaghan goes back to the texts themselves, and follows where Lovecraft leads him: into an arcane world of parental giganticism and inverted classicism, in which Lovecraft`s parental obsessions were twisted into the all-powerful cosmic monsters of his imaginary cosmology.
Автор: Gillingham Paul Название: Journalism, Satire, and Censorship in Mexico ISBN: 0826360076 ISBN-13(EAN): 9780826360076 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 44350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Since the 2000 elections toppled the PRI, over 150 Mexican journalists have been murdered. Failed assassinations and threats have silenced thousands more. In this collection historians, media experts, political scientists, cartoonists, and journalists reconsider censorship, state-press relations, news coverage, and readership to retell the history of Mexico`s press.
Автор: Lindvall Terry Название: God Mocks: A History of Religious Satire from the Hebrew Prophets to Stephen Colbert ISBN: 1479886734 ISBN-13(EAN): 9781479886739 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 30930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Winner of the 2016 Religious Communication Association Book of the Year Award
In God Mocks, Terry Lindvall ventures into the muddy and dangerous realm of religious satire, chronicling its evolution from the biblical wit and humor of the Hebrew prophets through the Roman Era and the Middle Ages all the way up to the present. He takes the reader on a journey through the work of Chaucer and his Canterbury Tales, Cervantes, Jonathan Swift, and Mark Twain, and ending with the mediated entertainment of modern wags like Stephen Colbert. Lindvall finds that there is a method to the madness of these mockers: true satire, he argues, is at its heart moral outrage expressed in laughter. But there are remarkable differences in how these religious satirists express their outrage.The changing costumes of religious satirists fit their times. The earthy coarse language of Martin Luther and Sir Thomas More during the carnival spirit of the late medieval period was refined with the enlightened wit of Alexander Pope. The sacrilege of Monty Python does not translate well to the ironic voices of Soren Kierkegaard. The religious satirist does not even need to be part of the community of faith. All he needs is an eye and ear for the folly and chicanery of religious poseurs. To follow the paths of the satirist, writes Lindvall, is to encounter the odd and peculiar treasures who are God's mouthpieces. In God Mocks, he offers an engaging look at their religious use of humor toward moral ends.
Автор: Derek C. Maus, James J. Donahue Название: Post-Soul Satire: Black Identity after Civil Rights ISBN: 1617039977 ISBN-13(EAN): 9781617039973 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 61910.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle`s Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity.
Автор: Derek C. Maus, James J. Donahue Название: Post-Soul Satire: Black Identity after Civil Rights ISBN: 1496804562 ISBN-13(EAN): 9781496804563 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 29260.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip-hop albums, this satirical impulse has found a receptive audience both within and outside the black community.Such works have been variously called ""post-black,"" ""post-soul,"" and examples of a ""New Black Aesthetic."" Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness.Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Tour?, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community.
Автор: Gilmore, John T. (university Of Warwick, Uk) Название: Satire ISBN: 0415480825 ISBN-13(EAN): 9780415480826 Издательство: Taylor&Francis Рейтинг: Цена: 28570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Combining thematic, theoretical and historical approaches, John Gilmore introduces and investigates the tradition of satire from classical models through to the present day.
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