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The Classical Hollywood Reader, Steve Neale


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Автор: Steve Neale
Название:  The Classical Hollywood Reader
ISBN: 9780415576727
Издательство: Taylor&Francis
Классификация:

ISBN-10: 0415576725
Обложка/Формат: Hardback
Страницы: 496
Вес: 1.02 кг.
Дата издания: 24.04.2012
Язык: English
Иллюстрации: 13 tables, black and white
Размер: 248 x 171
Читательская аудитория: Undergraduate
Ключевые слова: Media studies, PERFORMING ARTS / Film & Video / History & Criticism,SOCIAL SCIENCE / Media Studies
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Поставляется из: Европейский союз
Описание: The Classical Hollywood Reader brings together essential readings to provide a history of Hollywood from the 1910s to the mid 1960s. Following on from a Prologue that discusses the aesthetic characteristics of Classical Hollywood films, Part 1 covers the period between the 1910s and the mid-to-late 1920s. It deals with the advent of feature-length films in the US and the growing national and international dominance of the companies responsible for their production, distribution and exhibition. In doing so, it also deals with film making practices, aspects of style, the changing roles played by women in an increasingly business-oriented environment, and the different audiences in the US for which Hollywood sought to cater. Part 2 covers the period between the coming of sound in the mid 1920s and the beginnings of the demise of the `studio system` in late 1940s. In doing so it deals with the impact of sound on films and film production in the US and Europe, the subsequent impact of the Depression and World War II on the industry and its audiences, the growth of unions, and the roles played by production managers and film stars at the height of the studio era. Part 3 deals with aspects of style, censorship, technology, and film production. It includes articles on the Production Code, music and sound, cinematography, and the often neglected topic of animation. Part 4 covers the period between 1946 and 1966. It deals with the demise of the studio system and the advent of independent production. In an era of demographic and social change, it looks at the growth of drive-in theatres, the impact of television, the advent of new technologies, the increasing importance of international markets, the Hollywood blacklist, the rise in art house imports and in overseas production, and the eventual demise of the Production Code. Designed especially for courses on Hollywood Cinema, the Reader includes a number of newly researched and written chapters and a series of introductions to each of its parts. It concludes with an epilogue, a list of resources for further research, and an extensive bibliography.

Schoenberg and hollywood modernism

Автор: Marcus, Kenneth H. (university Of La Verne, California)
Название: Schoenberg and hollywood modernism
ISBN: 1107652499 ISBN-13(EAN): 9781107652491
Издательство: Cambridge Academ
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Цена: 40130.00 T
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Описание: Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. Kenneth H. Marcus shows that, contrary to this perception, Schoenberg was deeply involved in the cultural and intellectual environment in which he found himself, and had multiple connections in Hollywood as well as within academia.

Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture

Автор: Blanke
Название: Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture
ISBN: 3319769855 ISBN-13(EAN): 9783319769851
Издательство: Springer
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Цена: 74530.00 T
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Описание:

This book uses the long and profitable career of Cecil B. DeMille to track the evolution of Classical Hollywood and its influence on emerging mass commercial culture in the US. DeMille’s success rested on how well his films presumed a broad consensus in the American public—expressed through consumer hedonism, faith, and an “exceptional” national history—which merged seamlessly with the efficient production methods developed by the largest integrated studios. DeMille’s sudden mid-career shift away from spectator perversity to corporate propagandist permanently tarnished the director’s historical standing among scholars, yet should not overshadow the profound links between his success and the rise and fall of mid-century mass culture.

Classical Hollywood Comedy

Название: Classical Hollywood Comedy
ISBN: 1138148628 ISBN-13(EAN): 9781138148628
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание: Applies the recent `return to history` in film studies to the genre of classical Hollywood comedy as well as broadening the definition of those works considered central in this field.

Classical hollywood film cycles

Автор: Wallin, Zoe
Название: Classical hollywood film cycles
ISBN: 036719953X ISBN-13(EAN): 9780367199531
Издательство: Taylor&Francis
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Цена: 163330.00 T
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Описание: This book explores the ways in which Hollywood film cycles from the 1930s to the 1960s were shaped by their surrounding industrial contexts and market environments, to build an inclusive conception of the form, operation, and function of film cycles.

Death of the Moguls: The End of Classical Hollywood

Автор: Dixon Wheeler W.
Название: Death of the Moguls: The End of Classical Hollywood
ISBN: 0813553776 ISBN-13(EAN): 9780813553771
Издательство: Mare Nostrum (Eurospan)
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Цена: 27720.00 T
Наличие на складе: Нет в наличии.
Описание: Death of the Moguls is a detailed assessment of the last days of the ""rulers of film."" Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios' collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn't reign supreme.Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theatres; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command.Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative on the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to colour, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.

Schoenberg and Hollywood Modernism

Автор: Marcus
Название: Schoenberg and Hollywood Modernism
ISBN: 1107064996 ISBN-13(EAN): 9781107064997
Издательство: Cambridge Academ
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Цена: 115110.00 T
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Описание: Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. Kenneth H. Marcus shows that, contrary to this perception, Schoenberg was deeply involved in the cultural and intellectual environment in which he found himself, and had multiple connections in Hollywood as well as within academia.

John Williams`s Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style

Автор: Audissino Emilio
Название: John Williams`s Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style
ISBN: 0299297349 ISBN-13(EAN): 9780299297343
Издательство: Mare Nostrum (Eurospan)
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Цена: 31410.00 T
Наличие на складе: Невозможна поставка.
Описание: John Williams is one of the most renowned film composers in history. He has penned unforgettable scores for Star Wars, the Indiana Jones series, E.T. the Extra-Terrestrial, Jaws, Superman, and countless other films. Fans flock to his many concerts, and with forty-eight Academy Award nominations as of 2013, he is the second-most Oscar-nominated person after Walt Disney. Yet despite such critical acclaim and prestige, this is the first book in English on Williams’s work and career.Combining accessible writing with thorough scholarship, and rigorous historical accounts with insightful readings, John Williams’s Film Music explores why Williams is so important to the history of film music. Beginning with an overview of music from Hollywood’s Golden Age (1933–58), Emilio Audissino traces the turning points of Williams’s career and articulates how he revived the classical Hollywood musical style. This book charts each landmark of this musical restoration, with special attention to the scores for Jaws and Star Wars, Williams’s work as conductor of the Boston Pops Orchestra, and a full film/music analysis of Raiders of the Lost Ark. The result is a precise, enlightening definition of Williams’s “neoclassicism” and a grounded demonstration of his lasting importance, for both his compositions and his historical role in restoring part of the Hollywood tradition.

Projecting the World: Representing the  "Foreign " in Classical Hollywood

Автор: Meeuf Russell, Cooper Anna
Название: Projecting the World: Representing the "Foreign " in Classical Hollywood
ISBN: 0814343066 ISBN-13(EAN): 9780814343067
Издательство: Mare Nostrum (Eurospan)
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Цена: 30930.00 T
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Описание: The classical Hollywood films that were released between the 1930s and 1960s were some of the most famous products of global trade, crisscrossing borders and rising to international dominance. In analysing a series of Hollywood films that illustrate moments of nuanced transnational engagement with the "foreign," Projecting the World: Representing the "Foreign" in Classical Hollywood enriches our understanding of mid-twentieth-century Hollywood cinema as a locus of imaginative geographies that explore the United States’ relationship with the world. While previous scholarship has asserted the imperialism and racism at the core of classical Hollywood cinema, Anna Cooper and Russell Meeuf’s collection delves into the intricacies—and sometimes disruptions—of this assumption, seeing Hollywood films as multivalent and contradictory cultural narratives about identity and politics in an increasingly interconnected world.Projecting the World illustrates how Hollywood films negotiate shifting historical contexts of internationalisation through complex narratives about transnational exchange—a topic that has thus far been neglected in scholarship on classical Hollywood. The essays analyse the "foreign" with topics such as the 1930s island horror film, the 1950s Mexico-set bullfighting film, Hollywood’s projection of "exoticism" on Argentina, and John Wayne’s film sets in Africa. Against the backdrop of expanding consumer capitalism and the growth of U.S. global power, Hollywood films such as Tarzan and Anatahan, as well as musicals about Paris, offered resonant images and stories that dramatised America’s international relationships in complicated ways.A fascinating exploration of an oft-overlooked aspect of classical Hollywood films, Projecting the World offers a series of striking new analyses that will entice cinema lovers, film historians, and those interested in the history of American neocolonialism.

Cinematic Flashes: Cinephilia and Classical Hollywood

Автор: Richards Rashna Wadia
Название: Cinematic Flashes: Cinephilia and Classical Hollywood
ISBN: 0253006929 ISBN-13(EAN): 9780253006929
Издательство: Wiley EDC
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Цена: 14860.00 T
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Описание: Cinematic Flashes challenges popular notions of a uniform Hollywood style by disclosing uncanny networks of incongruities, coincidences, and contingencies at the margins of the cinematic frame. In an agile demonstration of "cinephiliac" historiography, Rashna Wadia Richards extracts intriguing film fragments from their seemingly ordinary narratives in order to explore what these unexpected moments reveal about the studio era. Inspired by Walter Benjamin's preference for studying cultural fragments rather than composing grand narratives, this unorthodox history of the films of the studio system reveals how classical Hollywood emerges as a disjointed network of accidents, excesses, and coincidences.

Death in Classical Hollywood Cinema

Автор: B. Hagin
Название: Death in Classical Hollywood Cinema
ISBN: 1349314390 ISBN-13(EAN): 9781349314393
Издательство: Springer
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Цена: 60550.00 T
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Описание: Boaz Hagin carries out a philosophical examination of the issue of death as it is represented and problematized in Hollywood cinema of the classical era (1920s-1950s) and in later mainstream films, looking at four major genres: the Western, the gangster film, melodrama and the war film.

Death of the Moguls: The End of Classical Hollywood

Автор: Dixon Wheeler Winston
Название: Death of the Moguls: The End of Classical Hollywood
ISBN: 0813553768 ISBN-13(EAN): 9780813553764
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 87780.00 T
Наличие на складе: Нет в наличии.
Описание: Death of the Moguls is a detailed assessment of the last days of the ""rulers of film."" Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios' collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn't reign supreme.Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theatres; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command.Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative on the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to colour, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.

The Dynamic Frame: Camera Movement in Classical Hollywood

Автор: Keating Patrick
Название: The Dynamic Frame: Camera Movement in Classical Hollywood
ISBN: 0231190514 ISBN-13(EAN): 9780231190510
Издательство: Wiley
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Цена: 31680.00 T
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Описание: Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style. In careful readings of dozens of films, he explores how major figures like F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes.


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