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Media and Popular Music, Peter Mills


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в Мои желания

Автор: Peter Mills
Название:  Media and Popular Music
ISBN: 9780748627493
Издательство: Bloomsbury Academic
Классификация:




ISBN-10: 0748627499
Обложка/Формат: Hardcover
Страницы: 192
Вес: 0.34 кг.
Дата издания: 16.05.2012
Серия: Media topics
Язык: English
Размер: 141 x 220 x 16
Читательская аудитория: Professional and scholarly
Ключевые слова: Film theory & criticism,Film production: technical & background skills,Music: styles & genres,Popular culture,Media studies
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Поставляется из: Англии
Описание: A study of the relationships between music and contemporary media.

Enchanting David Bowie: Space/Time/Body/Memory

Автор: Toija Cinque, Christopher Moore, Sean Redmond
Название: Enchanting David Bowie: Space/Time/Body/Memory
ISBN: 1628923040 ISBN-13(EAN): 9781628923049
Издательство: Bloomsbury Academic
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Цена: 147840.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

A longstanding, successful and frequently controversial career spanning more than four decades establishes David Bowie as charged with contemporary cultural relevance. That David Bowie has influenced many lives is undeniable to his fans. He requisitions and challenges his audiences, through frequently indirect lyrics and images, to critically question sanity, identity and essentially what it means to be 'us' and why we are here.

Enchanting David Bowie explores David Bowie as an anti-temporal figure and argues that we need to understand him across the many media platforms and art spaces he intersects with including theatre, film, television, the web, exhibition, installation, music, lyrics, video, and fashion. This exciting collection is organized according to the key themes of space, time, body, and memory - themes that literally and metaphorically address the key questions and intensities of his output.


Popular music and retro culture in the digital era

Автор: Hogarty, Jean
Название: Popular music and retro culture in the digital era
ISBN: 1138676705 ISBN-13(EAN): 9781138676701
Издательство: Taylor&Francis
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Цена: 163330.00 T
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Описание:

This book explores the trend of retro and nostalgia within contemporary popular music culture. Using empirical evidence obtained from a case study of fans' engagement with older music, the book argues that retro culture is the result of an inseparable mix of cultural and technological changes, namely, the rise of a new generation and cultural mood along with the encouragement of new technologies. Retro culture has become a hot topic in recent years but this is the first time the subject has been explored from an academic perspective and from the fans' perspective. As such, this book promises to provide concrete answers about why retro culture dominates in contemporary society.

For the first time ever, this book provides an empirically grounded theory of popular music, retro culture and its intergenerational audience in the twenty-first century. It will appeal to advanced students of popular music studies, cultural studies, media studies, sociology and music.


Playing to the Crowd: Musicians, Audiences, and the Intimate Work of Connection

Автор: Baym Nancy K.
Название: Playing to the Crowd: Musicians, Audiences, and the Intimate Work of Connection
ISBN: 1479821586 ISBN-13(EAN): 9781479821587
Издательство: Mare Nostrum (Eurospan)
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Цена: 30090.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explains what happened to music--for both artists and fans--when music went online.

Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something closer to friendship or family. Through in-depth interviews with musicians such as Billy Bragg and Richie Hawtin, as well as members of the Cure, UB40, and Throwing Muses, Baym reveals how new media has facilitated these connections through the active, and often required, participation of the artists and their devoted, digital fan base.

Before the rise of social sharing and user-generated content, fans were mostly seen as an undifferentiated and unidentifiable mass, often mediated through record labels and the press. However, in today's networked era, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving fans a new sense of intimacy and offering artists unparalleled information about their audiences. However, this comes at a price. For audiences, meeting their heroes can kill the mystique. And for artists, maintaining active relationships with so many people can be both personally and financially draining, as well as extremely labor intensive.

Drawing on her own rich history as an active and deeply connected music fan, Baym offers an entirely new approach to media culture, arguing that the work musicians put in to create and maintain these intimate relationships reflect the demands of the gig economy, one which requires resources and strategies that we must all come to recognize and appreciate.

Playing to the Crowd: Musicians, Audiences, and the Intimate Work of Connection

Автор: Baym Nancy K.
Название: Playing to the Crowd: Musicians, Audiences, and the Intimate Work of Connection
ISBN: 1479896160 ISBN-13(EAN): 9781479896165
Издательство: Mare Nostrum (Eurospan)
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Цена: 74410.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explains what happened to music--for both artists and fans--when music went online.

Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something closer to friendship or family. Through in-depth interviews with musicians such as Billy Bragg and Richie Hawtin, as well as members of the Cure, UB40, and Throwing Muses, Baym reveals how new media has facilitated these connections through the active, and often required, participation of the artists and their devoted, digital fan base.

Before the rise of social sharing and user-generated content, fans were mostly seen as an undifferentiated and unidentifiable mass, often mediated through record labels and the press. However, in today's networked era, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving fans a new sense of intimacy and offering artists unparalleled information about their audiences. However, this comes at a price. For audiences, meeting their heroes can kill the mystique. And for artists, maintaining active relationships with so many people can be both personally and financially draining, as well as extremely labor intensive.

Drawing on her own rich history as an active and deeply connected music fan, Baym offers an entirely new approach to media culture, arguing that the work musicians put in to create and maintain these intimate relationships reflect the demands of the gig economy, one which requires resources and strategies that we must all come to recognize and appreciate.

Popular Music and Society

Автор: Brian Longhurst
Название: Popular Music and Society
ISBN: 0745653642 ISBN-13(EAN): 9780745653648
Издательство: Wiley
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Цена: 68640.00 T
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Описание: The third edition of Popular Music and Society is fully revised and updated, deftly exploring the study of popular music in the context of wider debates in sociology and media and cultural studies. Astute and accessible, it continues to set the agenda for research and teaching in this area.

Understanding Popular Music Culture

Автор: Shuker Roy
Название: Understanding Popular Music Culture
ISBN: 1138907855 ISBN-13(EAN): 9781138907850
Издательство: Taylor&Francis
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Цена: 39800.00 T
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Описание:

This extensively revised and expanded fifth edition of Understanding Popular Music Culture provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music, and the debates that surround popular culture and popular music.

Reflecting the continued proliferation of popular music studies, the new music industry in a digital age, and the emergence of new stars, this new edition has been reorganized and extensively updated throughout, making for a more coherent and sequenced coverage of the field. These updates include:

  • two new chapters entitled 'The Real Thing': Authenticity, covers and the canon and 'Time Will Pass You By': Histories and popular memory
  • new case studies on artists including The Rolling Stones, Lorde, One Direction and Taylor Swift
  • further examples of musical texts, genres, and performers throughout including additional coverage of Electronic Dance Music
  • expanded coverage on the importance of the back catalogue and the box set; reality television and the music biopic
  • greater attention to the role and impact of the internet and digital developments in relation to production, dissemination, mediation and consumption; including the role of social network sites and streaming services
  • each chapter now has its own set of expanded references to facilitate further investigation.

Additional resources for students and teachers can also be found on the companion website (www.routledge.com/cw/shuker), which includes additional case studies, links to relevant websites and a discography of popular music metagenres.


Music/Video: Histories, Aesthetics, Media

Автор: Gina Arnold, Daniel Cookney, Kirsty Fairclough-Isa
Название: Music/Video: Histories, Aesthetics, Media
ISBN: 1501313908 ISBN-13(EAN): 9781501313905
Издательство: Bloomsbury Academic
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Цена: 116160.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is a lively, comprehensive and timely reader on the music video, capitalising on cross-disciplinary research expertise, which represents a substantial academic engagement with the music video, a mediated form and practice that still remains relatively under-explored in a 21st century context. The music video has remained suspended between two distinct poles. On the one hand, the music video as the visual sheen of late capitalism, at the intersection of celebrity studies and postmodernism. On the other hand, the music video as art, looking to a prehistory of avant-garde film-making while perpetually pushing forward the digital frontier with a taste for anarchy, controversy, and the integration of special effects into a form designed to be disseminated across digital platforms. In this way, the music video virally re-engenders debates about high art and low culture. This collection presents a comprehensive account of the music video from a contemporary 21st century perspective. This entails revisiting key moments in the canonical history of the music video, exploring its articulations of sexuality and gender, examining its functioning as a form of artistic expression between music, film and video art, and following the music video’s dissemination into the digital domain, considering how digital media and social media have come to re-invent the forms and functions of the music video, well beyond the limits of “music television”.

Music/Video: Histories, Aesthetics, Media

Автор: Gina Arnold, Daniel Cookney, Kirsty Fairclough-Isa
Название: Music/Video: Histories, Aesthetics, Media
ISBN: 1501313916 ISBN-13(EAN): 9781501313912
Издательство: Bloomsbury Academic
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Цена: 27450.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is a lively, comprehensive and timely reader on the music video, capitalising on cross-disciplinary research expertise, which represents a substantial academic engagement with the music video, a mediated form and practice that still remains relatively under-explored in a 21st century context. The music video has remained suspended between two distinct poles. On the one hand, the music video as the visual sheen of late capitalism, at the intersection of celebrity studies and postmodernism. On the other hand, the music video as art, looking to a prehistory of avant-garde film-making while perpetually pushing forward the digital frontier with a taste for anarchy, controversy, and the integration of special effects into a form designed to be disseminated across digital platforms. In this way, the music video virally re-engenders debates about high art and low culture. This collection presents a comprehensive account of the music video from a contemporary 21st century perspective. This entails revisiting key moments in the canonical history of the music video, exploring its articulations of sexuality and gender, examining its functioning as a form of artistic expression between music, film and video art, and following the music video’s dissemination into the digital domain, considering how digital media and social media have come to re-invent the forms and functions of the music video, well beyond the limits of “music television”.


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