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Australian Art and Artists in London, 1950–1965: An Antipodean Summer, Simon Pierse


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Автор: Simon Pierse
Название:  Australian Art and Artists in London, 1950–1965: An Antipodean Summer
ISBN: 9781409420545
Издательство: Taylor&Francis
Классификация:

ISBN-10: 140942054X
Обложка/Формат: Hardcover
Страницы: 316
Вес: 0.95 кг.
Дата издания: 28.01.2012
Язык: English
Размер: 251 x 173 x 23
Читательская аудитория: General (us: trade)
Ключевые слова: Theory of art, ART / History / Modern (late 19th Century to 1945)
Подзаголовок: An antipodean summer
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Поставляется из: Европейский союз
Описание: Explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the `Swinging Sixties`. This book traces the key influences of Sir Kenneth Clark, Bernard Smith and Bryan Robertson in their various (and varying) roles as patrons, ideologues, and entrepreneurs for Australian art.

Imperial Culture in Antipodean Cities, 1880-1939

Автор: Griffiths John
Название: Imperial Culture in Antipodean Cities, 1880-1939
ISBN: 1137385723 ISBN-13(EAN): 9781137385727
Издательство: Springer
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Цена: 93160.00 T
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Описание: Drawing on a wealth of primary and secondary sources, this book explores how far imperial culture penetrated antipodean city institutions. It argues that far from imperial saturation, the city `Down Under` was remarkably untouched by the Empire.

Identity, Community & Australian Artists, 1890-1914: Paris, London and Further Afield

Автор: Kate R. Robertson
Название: Identity, Community & Australian Artists, 1890-1914: Paris, London and Further Afield
ISBN: 1501332848 ISBN-13(EAN): 9781501332845
Издательство: Bloomsbury Academic
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Цена: 137280.00 T
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Описание:

An irresistible call lured Australian artists abroad between 1890 and 1914, a transitional period immediately pre- and post-federation. Travelling enabled an extension of artistic frontiers, and Paris - the centre of art - and London - the heart of the Empire - promised wondrous opportunities. These expatriate artists formed communities based on their common bond to Australia, enacting their Australian-ness in private and public settings.

Yet, they also interacted with the broader creative community, fashioning a network of social and professional relationships. They joined ateliers in Paris such as the Acad mie Julian, clubs like the Chelsea Arts Club in London and visited artist colonies including St Ives in England and taples in France. Australian artists persistently sought a sense of belonging, negotiating their identity through activities such as plays, balls, tableaux, parties, dressing-up and, of course, the creation of art. While individual biographies are integral to this study, it is through exploring the connections between them that it offers new insights.

Through utilising extensive archival material, much of which has limited or no publication history, this book fills a gap in existing scholarship. It offers a vital exploration re-consideration of the fluidity of identity, place and belonging in the lives and work of Australian artists in this juncture in British-Australian history.



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