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Music and Identity Politics, Ian Biddle


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в Мои желания

Автор: Ian Biddle
Название:  Music and Identity Politics
ISBN: 9781409430384
Издательство: Taylor&Francis
Классификация:

ISBN-10: 1409430383
Обложка/Формат: Hardcover
Страницы: 548
Вес: 1.25 кг.
Дата издания: 19.10.2012
Серия: The library of essays on music, politics and society
Язык: English
Размер: 244 x 169
Ключевые слова: Rock & Pop music, MUSIC / Ethnomusicology
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Поставляется из: Европейский союз
Описание: Brings together book chapters, articles and position pieces from the debates on music and identity, which seek to answer classic questions such as: how has music shaped the ways in which we understand our identities and those of others? In what ways has scholarly writing about music dealt with identity politics since the Second World War?

Music and Identity in Ireland and Beyond

Автор: Fitzgerald Mark
Название: Music and Identity in Ireland and Beyond
ISBN: 1472409663 ISBN-13(EAN): 9781472409669
Издательство: Taylor&Francis
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Цена: 153120.00 T
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Описание: This is interdisciplinary volume of essays contemplates whether `music in Ireland` can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland and Music that give rise to multiple sites of identification. Arranged in interweaving sections of `Historical Perspectives`.

Sound of the Border: Music and Identity of Korean Minority in China

Автор: Frederick Lau, Sunhee Koo
Название: Sound of the Border: Music and Identity of Korean Minority in China
ISBN: 0824889592 ISBN-13(EAN): 9780824889593
Издательство: Mare Nostrum (Eurospan)
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Цена: 32340.00 T
Наличие на складе: Нет в наличии.
Описание: Using ethnographic data collected in China and South Korea between 2004 and 2011, Sunhee Koo provides a comprehensive view of the music of Koreans in China (Chaoxianzu), from its time as manifestation of a displaced culture to its return home after more than a century of amalgamation and change in China.

How Music Works

Автор: Byrne David
Название: How Music Works
ISBN: 0857862529 ISBN-13(EAN): 9780857862525
Издательство: Canongate
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Цена: 18800.00 T
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Описание: David Byrne`s internationally bestselling magnum opus on the subject of music

Music and Youth Culture in Latin America: Identity Construction Processes from New York to Buenos Aires

Автор: Vila Pablo
Название: Music and Youth Culture in Latin America: Identity Construction Processes from New York to Buenos Aires
ISBN: 0199986282 ISBN-13(EAN): 9780199986286
Издательство: Oxford Academ
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Цена: 31670.00 T
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Описание: This book examines the ways in which music is used to advance identity claims in several Latin American countries and among Latinos in the US. Drawing on a vast array of fields including popular music studies, ethnomusicology, sociology, and history it sheds new light on the complex ways in which music provides people from different countries and social sectors with both enjoyment and tools for understanding who they are in terms of nationality, region, race,ethnicity, class, gender, and migration status.

Narratives of Identity in Alban Berg`s Lulu

Автор: dos Santos Silvio J.
Название: Narratives of Identity in Alban Berg`s Lulu
ISBN: 1580464831 ISBN-13(EAN): 9781580464833
Издательство: Wiley
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Цена: 84480.00 T
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Описание: This book explores the crossroads between autobiographical narratives and musical composition in Alban Berg`s Lulu, unveiling aspects of encoded social customs, gender identity, and personal experiences within musical structures.

Alban Berg

Автор: Floros Constantin
Название: Alban Berg
ISBN: 363164597X ISBN-13(EAN): 9783631645970
Издательство: Peter Lang
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Цена: 92290.00 T
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Описание: The central point of this book is the realization that the creative work of Alban Berg, which in recent years has moved to the forefront of scholarly interest, is largely rooted in autobiography, so that therefore one can gain access to the music by studying the inner biography of its creator. Accordingly, the first of the three parts of this volume outlines a character portrait of this great composer. Part two considers the conditions relevant to a deeper understanding of Berg and of the Second Viennese School generally. In part three, then, Berg’s key works will be analyzed and semantically deciphered in terms of his inner biography. The study is based not only on the sources in print but also on the rich unpublished material. Alban Berg was incapable of composing without a program. He needed an extra-musical stimulus. With him, personal experience was the indispensable condition of the creative process: the autobiographic reference was all-important for composing.

Blackface Nation: Race, Reform, and Identity in American Popular Music, 1812-1925

Автор: Roberts Brian
Название: Blackface Nation: Race, Reform, and Identity in American Popular Music, 1812-1925
ISBN: 022645164X ISBN-13(EAN): 9780226451640
Издательство: Wiley
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Цена: 27450.00 T
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Описание: As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in `Blackface Nation`, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast`s most popular middle-class singing group during the mid-nineteenth century, are perhaps the best example of the first strain of music. The group`s songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women`s rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America`s consumer culture while the Hutchinsons` songs were increasingly regarded as old-fashioned.

Adapting idols: authenticity, identity and performance in a global television format

Автор: Bruin, Joost De
Название: Adapting idols: authenticity, identity and performance in a global television format
ISBN: 1409441695 ISBN-13(EAN): 9781409441694
Издательство: Taylor&Francis
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Цена: 163330.00 T
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Описание: This volume brings together original studies from international scholars to identify and evaluate the productive dimensions of Idols. As one of the world`s most successful television formats, Idols offers a unique case for the study of cultural globalization.

Music, emotion and identity in ulster marching bands

Автор: Ramsey, Gordon
Название: Music, emotion and identity in ulster marching bands
ISBN: 303430742X ISBN-13(EAN): 9783034307420
Издательство: Peter Lang
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Цена: 79860.00 T
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Описание: Presents an ethnography of three County Antrim flute bands from the very different genres of `part-music`, `melody` and `blood and thunder`. This book explores the emotional rewards of communal music-making and the way that identities are formed through the acquisition of tastes, and competences and skills within specific communal contexts.

Gustav mahler. visionary and despot

Автор: Floros, Constantin
Название: Gustav mahler. visionary and despot
ISBN: 3631624328 ISBN-13(EAN): 9783631624326
Издательство: Peter Lang
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Цена: 66070.00 T
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Описание: Gustav Mahler. Visionary and Despot

Gyoergy ligeti

Автор: Floros, Constantin
Название: Gyoergy ligeti
ISBN: 3631654995 ISBN-13(EAN): 9783631654996
Издательство: Peter Lang
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Цена: 66470.00 T
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Описание: This monograph is an authoritative study of the ?uvre of one of the most important composers of our time. For the first time, Ligeti’s key works are presented in the context of their drafts and sketches. His personal and artistic development is set forth and illuminated, and his principal compositions are analyzed and reinterpreted, based on detailed studies of the scores and drafts, as well as on personal conversations with the composer. In addition, numerous questions concerning today’s composing are raised and discussed. Music does not have to be puristic: Ligeti’s spheres of interest are close to universal, embracing history, natural science, and visual arts, as well as music of diverse eras and ethnicities. This expanded world of the musical comprises not just tones and sounds, speech and music, the vocal and the instrumental: Ligeti conceives music as a cosmos of acoustic form.

Music and irish identity

Автор: Smyth, Gerry
Название: Music and irish identity
ISBN: 1472442725 ISBN-13(EAN): 9781472442727
Издательство: Taylor&Francis
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Цена: 158230.00 T
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Описание:

Music and Irish Identity represents the latest stage in a life-long project for Gerry Smyth, focusing here on the ways in which music engages with particular aspects of Irish identity. The nature of popular music and the Irish identity it supposedly articulates have both undergone profound change in recent years: the first as a result of technological and wider industrial changes in the organisation and dissemination of music as seen, for example, with digital platforms such as YouTube, Spotify and iTunes. A second factor has been Ireland's spectacular fall from economic grace after the demise of the "Celtic Tiger," and the ensuing crisis of national identity. Smyth argues that if, as the stereotypical association would have it, the Irish have always been a musical race, then that association needs re-examination in the light of developments in relation to both cultural practice and political identity. This book contributes to that process through a series of related case studies that are both scholarly and accessible. Some of the principal ideas broached in the text include the (re-)establishment of music as a key object of Irish cultural studies; the theoretical limitations of traditional musicology; the development of new methodologies specifically designed to address the demands of Irish music in all its aspects; and the impact of economic austerity on musical negotiations of Irish identity. The book will be of seminal importance to all those interested in popular music, cultural studies and the wider fate of Ireland in the twenty-first century.



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