Literature and the Theater in Shakespeare`s Day, Robert C. Evans
Автор: Lacoue-Labarthe Philippe Название: Poetics of History: Rousseau and the Theater of Originary Mimesis ISBN: 0823282333 ISBN-13(EAN): 9780823282333 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25910.00 T Наличие на складе: Нет в наличии. Описание:
Rousseau’s opposition to the theater is well known: Far from purging the passions, it serves only to exacerbate them, and to render them hypocritical. But is it possible that Rousseau’s texts reveal a different conception of theatrical imitation, a more originary form of mimesis? Over and against Heidegger’s dismissal of Rousseau in the 1930s, and in the wake of classic readings by Jacques Derrida and Jean Starobinski, Lacoue-Labarthe asserts the deeply philosophical importance of Rousseau as a thinker who, without formalizing it as such, established a dialectical logic that would determine the future of philosophy: an originary theatricality arising from a dialectic between “nature” and its supplements. Beginning with a reading of Rousseau’s Discourse on Inequality, Lacoue-Labarthe brings out this dialectic in properly philosophical terms, revealing nothing less than a transcendental thinking of origins. For Rousseau, the origin has the form of a “scene”—that is, of theater. On this basis, Rousseau’s texts on the theater, especially the Letter to d’Alembert, emerge as an incisive interrogation of Aristotle’s Poetics. This can be read not in the false and conventional interpretation of this text that Rousseau had inherited, but rather in relation to its fundamental concepts, mimesis and katharsis, and in Rousseau’s interpretation of Greek theater itself. If for Rousseau mimesis is originary, a transcendental structure, katharsis is in turn the basis of a dialectical movement, an Aufhebung that will translate the word itself (for, as Lacoue-Labarthe reminds us, Aufheben translates katharein). By reversing the facilities of the Platonic critique, Rousseau inaugurates what we could call the philosophical theater of the future.
Автор: Ospovat Kirill Название: Terror and Pity: Aleksandr Sumarokov and the Theater of Power in Elizabethan Russia ISBN: 1618114727 ISBN-13(EAN): 9781618114723 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 158710.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Situated on the intersection of comparative literary criticism, political history and theory, and cultural analysis, Terror and Pity offers an in-depth reading of early Russian tragedy as a political genre. Addressing half-forgotten texts and events, this study engages with literary and cultural theory from Walter Benjamin to Foucault and "new historicism".
Автор: Lacoue-Labarthe Philippe Название: Poetics of History: Rousseau and the Theater of Originary Mimesis ISBN: 0823282341 ISBN-13(EAN): 9780823282340 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 87780.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Rousseau’s opposition to the theater is well known: Far from purging the passions, it serves only to exacerbate them, and to render them hypocritical. But is it possible that Rousseau’s texts reveal a different conception of theatrical imitation, a more originary form of mimesis? Over and against Heidegger’s dismissal of Rousseau in the 1930s, and in the wake of classic readings by Jacques Derrida and Jean Starobinski, Lacoue-Labarthe asserts the deeply philosophical importance of Rousseau as a thinker who, without formalizing it as such, established a dialectical logic that would determine the future of philosophy: an originary theatricality arising from a dialectic between “nature” and its supplements. Beginning with a reading of Rousseau’s Discourse on Inequality, Lacoue-Labarthe brings out this dialectic in properly philosophical terms, revealing nothing less than a transcendental thinking of origins. For Rousseau, the origin has the form of a “scene”—that is, of theater. On this basis, Rousseau’s texts on the theater, especially the Letter to d’Alembert, emerge as an incisive interrogation of Aristotle’s Poetics. This can be read not in the false and conventional interpretation of this text that Rousseau had inherited, but rather in relation to its fundamental concepts, mimesis and katharsis, and in Rousseau’s interpretation of Greek theater itself. If for Rousseau mimesis is originary, a transcendental structure, katharsis is in turn the basis of a dialectical movement, an Aufhebung that will translate the word itself (for, as Lacoue-Labarthe reminds us, Aufheben translates katharein). By reversing the facilities of the Platonic critique, Rousseau inaugurates what we could call the philosophical theater of the future.
Автор: Gezen Ela E. Название: Brecht, Turkish Theater, and Turkish-German Literature ISBN: 1640140247 ISBN-13(EAN): 9781640140240 Издательство: Boydell & Brewer Рейтинг: Цена: 84480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Uncovers the central role of Brecht reception in Turkish theater and Turkish-German literature, examining interactions between Turkish and German writers, texts, and contexts.
Автор: Siobhan Keenan Название: Acting Companies and their Plays in Shakespeare`s London ISBN: 1408146673 ISBN-13(EAN): 9781408146675 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Siobhan Keenan`s comprehensive survey of the key acting companies of the early modern period offers undergraduates and scholars a new perspective on how their demands effected the sort of plays being written and the multiple factors which fostered and formed the theatre of renaissance England.
Автор: Mayer, Jean-christophe Название: Shakespeare`s early readers ISBN: 1107138337 ISBN-13(EAN): 9781107138339 Издательство: Cambridge Academ Рейтинг: Цена: 95040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is the first dedicated account of the ways in which Shakespeare`s texts were read in the two centuries after they were produced. A close examination of rare, often unpublished material offers a reconsideration of the role of readers in the history of Shakespeare`s rise to fame.
Shakespeare’s two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term “embarrassment” didn’t enter the language until the late seventeenth century. To embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of criticism, blame, or accusation. “To embarrass” is literally to “embar”: to put up a barrier or deny access. The bar of embarrassment may be raised by unpleasant experiences. It may also be raised when people are denied access to things, persons, and states of being they desire or to which they feel entitled. The Venetian plays represent embarrassment not merely as a condition but as a weapon and as the wound the weapon inflicts. Characters in The Merchant of Venice and Othello devote their energies to embarrassing one another. But even when the weapon is sheathed, it makes its presence felt, as when Desdemona means to praise Othello and express her love for him: “I saw Othello’s visage in his mind” (1.3.253). This suggests, among other things, that she didn’t see it in his face.
In Networking Print in Shakespeare's England, Blaine Greteman uses new analytical tools to examine early English print networks and the systemic changes that reshaped early modern literature, thought, and politics. In early modern England, printed books were a technology that connected people--not only readers and writers, but an increasingly expansive community of printers, publishers, and booksellers--in new ways. By pairing the methods of network analysis with newly available digital archives, Greteman aims to change the way we usually talk about authorship, publication, and print.
As Greteman reveals, network analysis of the nearly 500,000 books printed in England before 1800 makes it possible to speak once again of a print revolution, identifying a sudden tipping point at which the early modern print network became a small world where information could spread in new and powerful ways. Along with providing new insights into canonical literary figures like Milton and Shakespeare, data analysis also uncovers the hidden histories of key figures in this transformation who have been virtually ignored. Both a primer on the power of network analysis and a critical intervention in early modern studies, the book is ultimately an extended meditation on agency and the complexity of action in context.
In Networking Print in Shakespeare's England, Blaine Greteman uses new analytical tools to examine early English print networks and the systemic changes that reshaped early modern literature, thought, and politics. In early modern England, printed books were a technology that connected people--not only readers and writers, but an increasingly expansive community of printers, publishers, and booksellers--in new ways. By pairing the methods of network analysis with newly available digital archives, Greteman aims to change the way we usually talk about authorship, publication, and print.
As Greteman reveals, network analysis of the nearly 500,000 books printed in England before 1800 makes it possible to speak once again of a print revolution, identifying a sudden tipping point at which the early modern print network became a small world where information could spread in new and powerful ways. Along with providing new insights into canonical literary figures like Milton and Shakespeare, data analysis also uncovers the hidden histories of key figures in this transformation who have been virtually ignored. Both a primer on the power of network analysis and a critical intervention in early modern studies, the book is ultimately an extended meditation on agency and the complexity of action in context.
Автор: Pangallo Matteo A. Название: Playwriting Playgoers in Shakespeare`s Theater ISBN: 0812249410 ISBN-13(EAN): 9780812249415 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 58480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Among the dramatists who wrote for the professional playhouses of early modern London was a small group of writers who were neither members of the commercial theater industry writing to make a living nor aristocratic amateurs dipping their toes in theatrical waters for social or political prestige. Instead, they were largely working- and middle-class amateurs who had learned most of what they knew about drama from being members of the audience. Using a range of familiar and lesser-known print and manuscript plays, as well as literary accounts and documentary evidence, Playwriting Playgoers in Shakespeare's Theater shows how these playgoers wrote and revised to address what they assumed to be the needs of actors, readers, and the Master of the Revels; how they understood playhouse materials and practices; and how they crafted poetry for theatrical effects. The book also situates them in the context of the period's concepts of, and attitudes toward, playgoers' participation in the activity of playmaking. Plays by playgoers such as the rogue East India Company clerk Walter Mountfort or the highwayman John Clavell invite us into the creative imaginations of spectators, revealing what certain audience members wanted to see and how they thought actors might stage it. By reading Shakespeare's theater through these playgoers' works, Matteo Pangallo contributes a new category of evidence to our understanding of the relationships between the early modern stage, its plays, and its audiences. More broadly, he shows how the rise of England's first commercialized culture industry also gave rise to the first generation of participatory consumers and their attempts to engage with mainstream culture by writing early modern "fan fiction."
Автор: Mary Mazzilli Название: Gao Xingjian`s Post-Exile Plays: Transnationalism and Postdramatic Theatre ISBN: 1472591607 ISBN-13(EAN): 9781472591609 Издательство: Bloomsbury Academic Рейтинг: Цена: 116160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Awarded the Nobel Prize for Literature in 2000, Gao Xingjian is the first Chinese writer to be so lauded for his prose and plays. Since relocating to France in 1987, in a voluntary exile from China, he has assembled a body of dramatic work that has best been understood neither as expressly Chinese nor French, but as transnational.
In this comprehensive study of his post-exile plays, Mary Mazzilli explores Gao's plays as examples of postdramatic transnationalism: a transnational artistic and theatrical trend that is fluid, flexible and full of variety of styles and influences. As such this innovative interdisciplinary investigation offers fresh insights on contemporary theatre.
Whereas other publications have considered Gao's work as a cultural and artistic phenomenon, Gao Xingjian's Post-Exile Plays: Transnationalism and Postdramatic Theatre is the first study to relate his plays to postdramatic theatre and toprovide close textual and dramatic analysis that will help readers to better understand his complex work, and also to see it in the context of the work of contemporary playwrights such as Martin Crimp, Peter Handke, and Elfriede Jelinek.
Among the plays discussed are: The Other Shore, written just before he left China in 1987; Between Life and Death (1991) - compared in detail to Martin Crimp's Attempts on her life; Dialogue and Rebuttal (1992), and its relationship to Beckett's Happy Days; Nocturnal Wanderer (1993), Weekend Quartet (1995), and the latest plays Snow in August (1997), DeathCollector (2000) and Ballade Nocturne (2010).
Автор: Miller, J.scott Название: Historical dictionary of modern japanese literature and theater ISBN: 081085810X ISBN-13(EAN): 9780810858107 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 112640.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: With the Meiji Restoration in 1868, Japan opened its doors to the West and underwent remarkable changes as it sought to become a modern nation. Accompanying the political changes that Western trade ushered in were widespread social and cultural changes. Newspapers, novels, poems, and plays from the Western world were soon adapted and translated into Japanese. The combination of the rich storytelling tradition of Japan with the realism and modernism of the West produced some of the greatest literature of the modern age. Historical Dictionary of Modern Japanese Literature and Theater presents a broad perspective on the development and history of literature-narrative, poetry, and drama-in modern Japan. This book offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Japanese literature.
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