New Essays on Clint Eastwood, Leonard Engel

Автор: Robert E. Kapsis, Kathie Coblentz
Название: Clint Eastwood: Interviews, Revised and Updated
ISBN: 1617036625 ISBN-13(EAN): 9781617036620
Издательство: Mare Nostrum (Eurospan)
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Цена: 66530.00 T
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Описание: These interviews range over the more than four decades of Clint Eastwood`s directorial career, with an emphasis on practical filmmaking issues and his philosophy as a filmmaker. Nearly a third are from European sources -several appearing here in English for the first time.

Автор: Street Joe
Название: Dirty Harry`s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash
ISBN: 0813061679 ISBN-13(EAN): 9780813061672
Издательство: Mare Nostrum (Eurospan)
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Цена: 62660.00 T
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Описание: Clint Eastwood’s Dirty Harry became the prototype for a new kind of movie cop—an antihero in pursuit of his own vision of justice. The Dirty Harry series helped cement Eastwood and his character, Harry Callahan, as central figures in 1970s and 1980s Hollywood cinema.In Dirty Harry’s America, Joe Street argues that the series sheds critical light on the culture and politics of the post-1960s era and locates San Francisco as the symbolic cultural battleground of the time. Street maintains that through referencing real events and political struggles, the films themselves became active participants in the culture wars, paying particular attention to the films’ representation of crime, family and community, sexuality, and race.Unapologetic carrier of right and might, Harry Callahan becomes America’s Ur-conservative: “unbending, moral, incorruptible, and most important, always right.” Long after the series, Callahan’s legacy remains strong in American political discourse, cinema, and pop culture, and he continues to shape Eastwood’s later political and cinematic career.

Автор: Clint Burnham
Название: Fredric Jameson and The Wolf of Wall Street
ISBN: 1501308335 ISBN-13(EAN): 9781501308338
Издательство: Bloomsbury Academic
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Цена: 79200.00 T
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Описание:

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Fredric Jameson and The Wolf of Wall Street offers a concise introduction to Jameson in jargon-free language and shows how his Marxist theories can be deployed to interpret Martin Scorsese's critically acclaimed 2013 film The Wolf of Wall Street.

Beginning with a detailed account of Jameson's extensive writings on Marxist theory and how they have been deployed in the analysis of film writings, Clint Burnham then illustrates how Jameson's theory can help to make sense of The Wolf of Wall Street, a film that shows in all its glory the excesses, lunacies, and inner workings of 1990s finance capitalism. As Jameson has influentially argued, films like The Wolf of Wall Street are both complicit in and critical of their historical subject: Scorsese's film is not about the richest stockbrokers, but the Long Island penny traders who made it big. As a narrative of American success, it is also a film about failure. Clint Burnham's reading of Jameson and The Wolf of Wall Street is a book about a contemporary film, and contemporary events, and contemporary theory.