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We Remember Differently: Race, Memory, Imagination, Jyoti Mistry, Jordache A. Ellapen


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Автор: Jyoti Mistry, Jordache A. Ellapen
Название:  We Remember Differently: Race, Memory, Imagination
ISBN: 9781868886937
Издательство: Mare Nostrum (Eurospan)
Классификация:
ISBN-10: 186888693X
Обложка/Формат: Paperback
Страницы: 202
Вес: 0.00 кг.
Дата издания: 30.09.2012
Серия: Arts
Язык: English
Читательская аудитория: Professional and scholarly
Ключевые слова: Films, cinema
Поставляется из: Англии
Описание: Using the short film <em>we remember differently</em> (2005) as a focal point, this collection of essays addresses the conditions of cultural production in post-apartheid South Africa. Art practice in an apartheid context was strongly motivated as ‘struggle art’; but in an environment more consciously informed – by revisiting history and excavating the past – the imagination must feature strongly to exercise the breath of freedom made possible in a democratic South Africa. This invitation ‘to imagine’ is not free from the context of history and it is the central aspect of rethinking history that informs the making of the film. Each of the creative contributors in the making of the film reflects on the creative process and how history and memory informs their creative choices. <br><br> The book also steps away from the reflexive process of producing the film as described by the cultural collaborators and shifts the focus to also address issues of reception and interpretation of the film. In offering analysis these commentators describe how the imagination is still at work in hermeneutic processes but always subject to history and memory.

Memory and Imagination in Film

Автор: P. Lombardo
Название: Memory and Imagination in Film
ISBN: 1349317438 ISBN-13(EAN): 9781349317431
Издательство: Springer
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Цена: 71730.00 T
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Описание: Inspired by Baudelaire`s art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema as well as of other media.


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