The Legacy of Opera: Reading Music Theatre as Experience and Performance,
Автор: Fuhrmann Название: Foreign Opera at the London Playhouses ISBN: 1107022215 ISBN-13(EAN): 9781107022218 Издательство: Cambridge Academ Рейтинг: Цена: 95040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses. This is the first comprehensive study of these adaptations. Christina Fuhrmann reveals how integral these operas are to our understanding of early nineteenth-century theatre, opera and canon formation.
Автор: Gregory Название: Boy Bands and the Performance of Pop Masculinity ISBN: 1138647322 ISBN-13(EAN): 9781138647329 Издательство: Taylor&Francis Рейтинг: Цена: 45930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Boy Bands and the Performance of Pop Masculinity provides a history of the boy band from The Beatles to One Direction, placing the modern male pop/dance/vocal harmony group within the context of other related examples drawn from twentieth century popular music culture.
Автор: Clayton Martin Название: Experience and Meaning in Music Performance ISBN: 0199811318 ISBN-13(EAN): 9780199811311 Издательство: Oxford Academ Рейтинг: Цена: 42230.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book explores how the immediate experience of musical sound relates to processes of meaning construction and discursive mediation. A unique multi-authored work that both draws on and contributes to current debates in ethnomusicology, musicology, psychology, and cognitive science, it presents a novel and productive view of how cultural practice relates to the experience and meaning of musical performance.
Автор: Susan Bennett Название: Theory for Theatre Studies: Sound ISBN: 1474246478 ISBN-13(EAN): 9781474246477 Издательство: Bloomsbury Academic Рейтинг: Цена: 16890.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Sound provides a lively and engaging overview of relevant critical theory for students and researchers in theatre and performance studies. Addressing sound across history and through progressive developments in relevant technologies, the volume opens up the study of theatrical production and live performance to understand conceptual and pragmatic concerns about the sonic. By way of developed case studies (including Aristophanes's The Frogs, Shakespeare's The Tempest, Cocteau's The Human Voice, and Rimini Protokoll's Situation Rooms), readers can explore new methodologies and approaches for their own work on sound as a performance component. In an engagement with the burgeoning interdisciplinary field of sound studies, this book samples exciting new thinking relevant to theatre and performance studies.
Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Sound provides a balance of essential background information and new scholarship, and is grounded in detailed examples that illuminate and equip readers for their own sonic explorations. Volumes follow a consistent three-part structure: a historical overview of how the term has been understood within the discipline; more recent developments illustrated by substantive case studies; and emergent trends and interdisciplinary connections. Volumes are supported by further online resources including chapter overviews, illustrative material and guiding questions. Online resources to accompany this book are available at: https: //bloomsbury.com/uk/theory-for-theatre-studies-sound-9781474246460/
Автор: Susan Bennett Название: Theory for Theatre Studies: Sound ISBN: 147424646X ISBN-13(EAN): 9781474246460 Издательство: Bloomsbury Academic Рейтинг: Цена: 63360.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Sound provides a lively and engaging overview of relevant critical theory for students and researchers in theatre and performance studies. Addressing sound across history and through progressive developments in relevant technologies, the volume opens up the study of theatrical production and live performance to understand conceptual and pragmatic concerns about the sonic. By way of developed case studies (including Aristophanes's The Frogs, Shakespeare's The Tempest, Cocteau's The Human Voice, and Rimini Protokoll's Situation Rooms), readers can explore new methodologies and approaches for their own work on sound as a performance component. In an engagement with the burgeoning interdisciplinary field of sound studies, this book samples exciting new thinking relevant to theatre and performance studies.
Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Sound provides a balance of essential background information and new scholarship, and is grounded in detailed examples that illuminate and equip readers for their own sonic explorations. Volumes follow a consistent three-part structure: a historical overview of how the term has been understood within the discipline; more recent developments illustrated by substantive case studies; and emergent trends and interdisciplinary connections. Volumes are supported by further online resources including chapter overviews, illustrative material and guiding questions.
Online resources to accompany this book are available at: https: //bloomsbury.com/uk/theory-for-theatre-studies-sound-9781474246460/
Автор: Christina Fuhrmann Название: Foreign Opera at the London Playhouses: From Mozart to Bellini ISBN: 1108722113 ISBN-13(EAN): 9781108722117 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses. This is the first comprehensive study of these adaptations. Christina Fuhrmann reveals how integral these operas are to our understanding of early nineteenth-century theatre, opera and canon formation.
Автор: Floros, Constantin Название: Gyoergy ligeti ISBN: 3631654995 ISBN-13(EAN): 9783631654996 Издательство: Peter Lang Рейтинг: Цена: 66470.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This monograph is an authoritative study of the ?uvre of one of the most important composers of our time. For the first time, Ligeti’s key works are presented in the context of their drafts and sketches. His personal and artistic development is set forth and illuminated, and his principal compositions are analyzed and reinterpreted, based on detailed studies of the scores and drafts, as well as on personal conversations with the composer. In addition, numerous questions concerning today’s composing are raised and discussed. Music does not have to be puristic: Ligeti’s spheres of interest are close to universal, embracing history, natural science, and visual arts, as well as music of diverse eras and ethnicities. This expanded world of the musical comprises not just tones and sounds, speech and music, the vocal and the instrumental: Ligeti conceives music as a cosmos of acoustic form.
Автор: Locke Ralph P. Название: Music and the Exotic from the Renaissance to Mozart ISBN: 1108448410 ISBN-13(EAN): 9781108448413 Издательство: Cambridge Academ Рейтинг: Цена: 46470.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: During the years 1500-1800, Europeans became increasingly aware of ethnic Otherness. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke demonstrates Western culture`s rich response to this burgeoning awareness. His insights into the period`s major works and genres are supported by numerous music examples and rare illustrations.
Автор: Peattie Thomas Название: Gustav Mahler`s Symphonic Landscapes ISBN: 1108456545 ISBN-13(EAN): 9781108456548 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Thomas Peattie provides a richly interdisciplinary account of Gustav Mahler`s music, considering the theatrical dimension of his symphonies and situating these works in the context of the musical, theatrical, and aesthetic traditions of the Austrian fin de siecle.
This Must Be The Place is the first architectural history of popular music performance space, describing its beginnings, its different typologies, and its development into a distinctive genre of building design. It examines the design and form of popular music architecture and charts how it has been developed in ad-hoc ways by non-professionals such as building owners, promoters, and the musicians themselves as well as professionally by architects, designers, and construction specialists. With a primary focus on Europe and North America (and excursions to Australia, the Far East and South America), it explores audience experience and how venues have influenced the development of different musical scenes.
From music halls and Vaudeville in the 1800s, via the seminal clubs and theatres of the 20th century, to the large-scale multi-million-dollar arena concerts of today, this book explores the impact that the use of private and public space for performance has on our cities' urban identity, and, to a lesser extent, how rural space is perceived and used. Like architecture, popular music is neither static nor standardized; it continuously develops and has multiple strands. This Must Be The Place describes the factors that have determined the development of music venue architecture, focusing on both famous and less well-known examples from the smallest bar room music space to the largest stadium-filling rock set.
Автор: Hood Название: Interpreting Chopin: Analysis and Performance ISBN: 1138247871 ISBN-13(EAN): 9781138247871 Издательство: Taylor&Francis Рейтинг: Цена: 54090.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Music theory is often seen as independent from - even antithetical to - performance. While music theory is an intellectual enterprise, performance requires an intuitive response to the music. But this binary opposition is a false one, which serves neither the theorist nor the performer. In Interpreting Chopin Alison Hood brings her experience as a performer to bear on contemporary analytical models. She combines significant aspects of current analytical approaches and applies that unique synthetic method to selected works by Chopin, casting new light on the composer’s preludes, nocturnes and barcarolle. An extension of Schenkerian analysis, the specific combination of five aspects distinguishes Hood’s method from previous analytical approaches. These five methods are: attention to the rhythms created by pitch events on all structural levels; a detailed accounting of the musical surface; 'strict use' of analytical notation, following guidelines offered by Steve Larson; a continual concern with what have been called 'strategies' or 'premises'; and an exploration of how recorded performances might be viewed in terms of analytical decisions, or might even shape those decisions. Building on the work of such authors as William Rothstein, Carl Schachter and John Rink, Hood’s approach to Chopin’s oeuvre raises interpretive questions of central interest to performers.
Название: Cambridge encyclopedia of historical performance in music ISBN: 110710808X ISBN-13(EAN): 9781107108080 Издательство: Cambridge Academ Рейтинг: Цена: 160510.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: An accessible yet scholarly resource for students, teachers and performers, providing a vital reference tool for enabling the understanding and practice of period performance. This ground breaking Encyclopedia covers the development of style, technique and instruments, as well as the work of performers, scholars, composers and theorists.
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