This book examines the writing of David Foster Wallace, hailed as the voice of a generation on his death. Critics have identified horror of solipsism, obsession with sincerity and a corresponding ambivalence regarding postmodern irony, and detailed attention to contemporary culture as the central elements of Wallace's writing. Clare Hayes-Brady draws on the evolving discourses of Wallace studies, focusing on the unifying anti-teleology of his writing, arguing that that position is a fundamentally political response to the condition of neo-liberal America.
She argues that Wallace's work is most unified by its resistance to closure, which pervades the structural, narrative and stylistic elements of his writing. Taking a broadly thematic approach to the numerous types of 'failure', or lack of completion, visible throughout his work, the book offers a framework within which to read Wallace's work as a coherent whole, rather than split along the lines of fiction versus non-fiction, or pre- and post-Infinite Jest, two critical positions that have become dominant over the last five years. While demonstrating the centrality of 'failure', the book also explores Wallace's approach to sincere communication as a recurring response to what he saw as the inane, self-absorbed commodification of language and society, along with less explored themes such as gender, naming and heroism.
Situating Wallace as both a product of his time and an artist sui generis, Hayes-Brady details his abiding interest in philosophy, language and the struggle for an authentic self in late-twentieth-century America.
Between 1880 and 1930, the British Empire's vast infrastructural developments facilitated the incorporation of large parts of the globe into not only its imperial rule, but also the capitalist world-system. Throughout this period, colonial literary fiction, in recording this vast expansion, repeatedly cited these imperial infrastructures to make sense of the various colonial landscapes in which they were set. Physical embodiments of empire proliferate in this writing. Railways and trains, telegraph wires and telegrams, roads and bridges, steamships and shipping lines, canals and other forms of irrigation, cantonments, the colonial bungalow, and other kinds of colonial urban infrastructure - all of these infrastructural lines broke up the landscape and gave shape to the literary depiction and production of colonial space.
By developing a methodology called infrastructural reading , the author shows how a focus on the infrastructural networks that circulate through colonial fiction are almost always related to some form of anti-imperial resistance that manifests spatially within their literary, narrative and formal elements. This subversive reading strategy - which is applied in turn to writers as varied as H. Rider Haggard, Olive Schreiner and John Buchan in South Africa, and Flora Annie Steel, E.M. Forster and Edward Thompson in India - demonstrates that these mostly pro-imperial writings can reveal an array of ideological anxieties, limitations and silences as well as more direct objections to and acts of violent defiance against imperial control and capitalist accumulation.
Автор: Park Josphine Nock Название: Cold War Friendships: Korea, Vietnam, and Asian American Literature ISBN: 0190257679 ISBN-13(EAN): 9780190257675 Издательство: Oxford Academ Рейтинг: Цена: 28500.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Drawing on epochal films such as The Manchurian Candidate and Samuel Fuller`s Steel Helmet, in addition to landmark literature by the likes of Richard Kim, Chang-rae Lee, Susan Choi, Le Ly Hayslip, and Maxine Hong Kingston, Cold War Friendships explores the plight of the Asian ally of the American wars in Korea and Vietnam.
Автор: Ryu, Youngju Название: Writers of the winter republic ISBN: 0824879376 ISBN-13(EAN): 9780824879372 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 31410.00 T Наличие на складе: Невозможна поставка. Описание: Park Chung Hee`s dictatorship was a time of political oppression. It was also a time of unprecedented economic development. Against this backdrop, Youngju Ryu charts the growing activism of Korean writers who interpreted literature`s traditional autonomy as a clarion call to action, an imperative to intervene politically in the name of art.
Interviews from the Edge presents a selection of conversations, drawn from 50 years of the international journal New Orleans Review, that dive head-first into the most enduring aesthetic and social concerns of the last half century.
From reflections on the making of literature and films to personal accounts of writing inside racial divides and working against capital punishment, the writers, poets, and activists featured in this book offer not only a fresh perspective on our present struggles but also perhaps a way through them-for writers and readers alike. "I think it's frightfully important, and this is really much more difficult than it sounds, only to say what you absolutely believe." - Christopher Isherwood "Most American writers probably do not think of their writing as a kind of activism. And it shouldn't have to be-I don't think we can impose that on writers-but it can be. I think for many writers, the ones I admire-it is." - Viet Thanh Nguyen "Do you become a writer because you desire to become famous and make a lot of money? Or do you become a writer because there's something you discovered, this spark, this flash, that you want to share with other human beings knowing that they can enter into the words too?" - Sister Helen Prejean "The hardest part of developing a style is that you have to learn to trust your voice. If I thought of my style, I'd be crippled. Somebody else said to me a long time ago in France, 'Find out what you can do, and then don't do it.'" - James Baldwin "As I have grown older, I have come to see that the romantic notion of the outsider in love with death doesn't solve a thing. It only makes life worse. We have to find ways to create communities." - Valerie Martin
Казахстан, 010000 г. Астана, проспект Туран 43/5, НП2 (офис 2) ТОО "Логобук" Тел:+7 707 857-29-98 ,+7(7172) 65-23-70 www.logobook.kz
