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Playing God: The Bible on the Broadway Stage, Henry Bial


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Автор: Henry Bial
Название:  Playing God: The Bible on the Broadway Stage
ISBN: 9780472072927
Издательство: Mare Nostrum (Eurospan)
Классификация:




ISBN-10: 0472072927
Обложка/Формат: Hardcover
Страницы: 240
Вес: 0.83 кг.
Дата издания: 30.09.2015
Серия: Arts
Язык: English
Иллюстрации: 15 black & white photographs, 1 figure
Размер: 231 x 150 x 25
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: Theatre studies,Christianity
Подзаголовок: The bible on the broadway stage
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Поставляется из: Англии
Описание: Biblical texts have inspired more than 100 Broadway plays and musicals. What happens when a culture`s most sacred text enters its most commercial performance venue? Playing God focuses on eleven financially and/or critically successful productions, as well as a few notable Broadway flops that highlight the difficulties in adapting the Old and New Testaments for the stage.

From Gods to God: How the Bible Debunked, Suppressed, or Changed Ancient Myths and Legends

Автор: Shinan Avigdor, Zakovitch Yair
Название: From Gods to God: How the Bible Debunked, Suppressed, or Changed Ancient Myths and Legends
ISBN: 0827609086 ISBN-13(EAN): 9780827609082
Издательство: Wiley EDC
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Цена: 24010.00 T
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Описание:

The ancient Israelites believed things that the writers of the Bible wanted them to forget: myths and legends from a pre-biblical world that the new monotheist order needed to bury, hide, or reinterpret.
 
Ancient Israel was rich in such literary traditions before the Bible reached the final form that we have today. These traditions were not lost but continued, passed down through the ages. Many managed to reach us in post-biblical sources: rabbinic literature, Jewish Hellenistic writings, the writings of the Dead Sea sect, the Aramaic, Greek, Latin, and other ancient translations of the Bible, and even outside the ancient Jewish world in Christian and Islamic texts. The Bible itself sometimes alludes to these traditions, often in surprising contexts.
 
Written in clear and accessible language, this volume presents thirty such traditions. It voyages behind the veil of the written Bible to reconstruct what was told and retold among the ancient Israelites, even if it is “not what the Bible tells us.”
 

The Story of God, the Story of Us: Getting Lost and Found in the Bible

Автор: Gladding Sean
Название: The Story of God, the Story of Us: Getting Lost and Found in the Bible
ISBN: 0830836322 ISBN-13(EAN): 9780830836321
Издательство: Неизвестно
Цена: 22060.00 T
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Описание: Travel with Sean Gladding between the lines of the Scriptures to listen to the conversations of people wrestling with the Story of God for the first time. Whether by campfire in Babylon, at table in Asia Minor or by candlelight in Rome, you`ll hear a tale that is at once familiar and surprising.

Showtime: A History of the Broadway Musical Theater

Автор: Stempel Larry
Название: Showtime: A History of the Broadway Musical Theater
ISBN: 0393067157 ISBN-13(EAN): 9780393067156
Издательство: Wiley
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Цена: 42230.00 T
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Описание: The definitive history of the Broadway musical: the shows, the stars, the movers, and the shakers.

Class Divisions on the Broadway Stage

Автор: Schwartz Michael
Название: Class Divisions on the Broadway Stage
ISBN: 113735304X ISBN-13(EAN): 9781137353047
Издательство: Springer
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Цена: 55890.00 T
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Описание: Examining twenty-five years of theatre history, this book covers the major plays that feature representations of the Industrial Workers of the World. American class movement and class divisions have long been reflected on the Broadway stage and here Michael Schwartz presents a fresh look at the conflict between labor and capital.

The Bible on the Shakespearean Stage : Cultures of Interpretation in Reformation England

Автор: Thomas Fulton, Kristen Poole
Название: The Bible on the Shakespearean Stage : Cultures of Interpretation in Reformation England
ISBN: 1107194237 ISBN-13(EAN): 9781107194236
Издательство: Cambridge Academ
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Цена: 99270.00 T
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Описание: Shakespeare`s audience was not simply well-versed in the Bible`s content - they were also informed in biblical exegesis, modes of interpretation such as typology and harmonizing, and on the polemics of literal versus figurative reading. This is the first volume to consider how this interpretive knowledge shaped Shakespeare`s plays.


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