Critical Survey of Drama, 8 Volume Set, Carl Rollyson
Автор: McConachie Bruce Название: Evolution, Cognition, and Performance ISBN: 1107463459 ISBN-13(EAN): 9781107463455 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Culture and cognition work together dynamically every time a spectator interprets meaning during a performance. In this study, Bruce McConachie examines the biocultural basis of all performance, from its origins and the cognitive processes that facilitate it, to what keeps us coming back for more.
Автор: Carl Rollyson Название: Critical Survey of Drama: Overview Essays ISBN: 1682176304 ISBN-13(EAN): 9781682176306 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 127510.00 T Наличие на складе: Невозможна поставка. Описание: The new fourth edition of The Critical Survey of Drama contains over 650 new and updated essays—over 550 discuss individual dramatists and nearly 100 cover important overview topics that are critical to the study of drama as a whole. This new edition is newly arranged by World Region and essay type to further enhance its ability to help students and researchers expand their study of dramatists around the globe. This edition includes new coverage of contemporary playwrights who have recently come to be regarded as established figures in the theater—Jez Butterworth, Martin McDonough, Patrick Marber, Marshall Napier, Mark Ravenhill and N.F. Simpson—to name a few. In addition to the entirely new author profiles, many have been updated and revised to include the authors’ new works and achievements, new productions, publications, honors and awards, as well as personal developments. Bibliographies have also been updated and annotated. In addition, these updated essays provide analyses of significant new works. Each dramatist essay provides such ready-reference material as birth and death dates, and a list of the author’s major dramatic works (with dates of first production and publication). Each essay opens with a brief survey of the author’s publications in literary forms other than drama, a summary of the writer’s professional achievements and awards, an extended biographical sketch that centers on the writer’s development as a dramatist, and an extensive critical analysis of the writer’s major dramatic works. Following this discussion is an annotated bibliography of critical works about the author.Overview essays, which are arranged under broad subject headings in Volume 8, cover dramatic traditions in the United States, the British Isles, Europe, Africa, Asia, and other parts of the world, as well as various genres and techniques. The nearly 100 Overview Essays provide thoughtful insight into the study of African American Drama, American Regional Theater, Asian Drama, Australian Drama, Chinese Drama, Deaf Theater, Experimental Theater, Feminist Theater, French Drama Since the 1600’s, Irish Drama, LGBTQ Theater, Melodrama, Musical Drama, Native American Drama, Political Theater, Southeast Asian Drama and much more. The set also contains a listing of major dramatic awards, a time line of drama history, a glossary, and bibliography. Five helpful features can be found at the end of each volume: a Glossary; a Category List that groups authors by genre, country, gender, and ethnic identity; an Author Index that lists all authors covered in the set along with their works; a Title Index of all works covered in the set; and a Geographical List which groups the authors by country.
Автор: GONZALES Название: Critical survey of world literature / ISBN: 1682176150 ISBN-13(EAN): 9781682176153 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 417170.00 T Наличие на складе: Невозможна поставка. Описание: A unique combination of biography and critical analysis, covering major writers from outside the United States and their significant works in fiction, drama, poetry, and nonfiction. A companion to the award-winning Critical Survey of American Literature, this comprehensive, six-volume set profiles major authors of fiction, drama, poetry, and essays, each with sections on biography, general analysis, and analysis of the author’s most important works—novels, short stories, poems, and works of nonfiction. The completely updated edition covers 400 writers at the heart of literary studies, and now, volumes will be arranged by world region.This edition includes new coverage of contemporary authors from around the globe. Among the new authors profiled in this set are such well-known authors as Chimamanda Ngozi Adichie, Aravind Adiga, Reinaldo Arenas, J.G. Ballard, Alberto Fuguet, Marlon James, Yann Martel, Patrick Modiano, Orhan Pamuk, Will Self and Jorge Volpi. The literary scope of this reference work is remarkable. Plus, many original essays have been revised. The Biography, Analysis, and Summary sections are updated to include recent developments, and essays have newly updated bibliographies to provide readers with the latest information on the author’s works and sources for further consultation.All essays include Discussion Topics, provocative questions that will prompt classroom debates on the writer’s body of work, specific works, or life as it relates to his or her literature. Aimed at students, teachers, and members of reading groups, they can be used as paper topics or conversation points. In addition, phonetic pronunciation is provided for an author’s foreign-language or unusual last name, and a Pronunciation Key appears at the beginning of all six volumes. Five helpful features can be found at the end of each volume: a Glossary; a Category List that groups authors by genre, country, gender, and ethnic identity; an Author Index that lists all authors covered in the set along with their works; a Title Index of all works covered in the set; and a Geographical List which groups the authors by country.
Автор: Daniel Apollon, Claire Belisle, Philippe Regnier Название: Digital Critical Editions ISBN: 0252082567 ISBN-13(EAN): 9780252082566 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25080.00 T Наличие на складе: Невозможна поставка. Описание:
Provocative yet sober, Digital Critical Editions examines how transitioning from print to a digital milieu deeply affects how scholars deal with the work of editing critical texts. On one hand, forces like changing technology and evolving reader expectations lead to the development of specific editorial products, while on the other hand, they threaten traditional forms of knowledge and methods of textual scholarship.
Using the experiences of philologists, text critics, text encoders, scientific editors, and media analysts, Digital Critical Editions ranges from philology in ancient Alexandria to the vision of user-supported online critical editing, from peer-directed texts distributed to a few to community-edited products shaped by the many. The authors discuss the production and accessibility of documents, the emergence of tools used in scholarly work, new editing regimes, and how the readers' expectations evolve as they navigate digital texts. The goal: exploring questions such as, What kind of text is produced? Why is it produced in this particular way?
Digital Critical Editions provides digital editors, researchers, readers, and technological actors with insights for addressing disruptions that arise from the clash of traditional and digital cultures, while also offering a practical roadmap for processing traditional texts and collections with today's state-of-the-art editing and research techniques thus addressing readers' new emerging reading habits.
The first book to focus specifically on the late German artist Christoph Schlingensief's theatre work, it subversively merges art, politics and everyday life to imbue his productions both inside and outside the theatre with a re-energized concept of the political in art.
Scheer traces Schlingensief's artistic lineage as a filmmaker with no formal training in theatre, whose work does not correspond to theoretical frameworks such as postdramatic theatre, Regietheater, or established categories of political theatre such as Brechtian, community, and agit-prop theatre. She explores how his work instead draws upon the highly performative gestures of the historical and post-Cold War avant-gardes as well the happenings and event-based practices of the sixties. Comprehensive case studies of six diverse theatrical and activist events are offered to demonstrate both the immediacy of Schlingensief's response to contemporary social and political events and his use of a range of artistic influences and different genres: Rocky Dutschke '68 (1996), Save Capitalism: Throw the Money Away (1999) The Berlin Republic - or the Ring in Africa (1999) Hamlet (2001), Atta Atta - Art Has Broken Out (2003) and the Church of Fear (2003).
Key questions such as how his theatre functions as a provocation, and how an artist can insert themselves into the powerful flows of imagery produced by the perpetual global news cycle, form a coherent line of enquiry throughout each of the chapters. The significance of Schlingensief's artistic legacy of politicized theatre-making that pioneers new modes of active, aesthetic and public engagement in the political realm remains pertinent to topical socio-political debates and is of relevance to an international audience across a diversity of disciplines.
Автор: Liz Brewster, Sarah McNicol Название: Bibliotherapy ISBN: 1783303425 ISBN-13(EAN): 9781783303427 Издательство: Facet Рейтинг: Цена: 190080.00 T Наличие на складе: Невозможна поставка. Описание: This book draws on the latest international practical and theoretical developments in bibliotherapy to explore how libraries can best support the health and wellbeing of their communities.
Applied Practice: Evidence and Impact in Theatre, Music and Art engages with a diversity of contexts, locations and arts forms - including theatre, music and fine art - and brings together theoretical, political and practice-based perspectives on the question of 'evidence' in relation to participatory arts practice in social contexts. This collection is a unique contribution to the field, focusing on one of the vital concerns for a growing and developing set of arts and research practices. It asks us to consider evidence not only in terms of methodology but also in the light of the ideological, political and pragmatic implications of that methodology. In Part One, Matthew Reason and Nick Rowe reflect on evidence and impact in the participatory arts in relation to recurring conceptual and methodological motifs. These include issues of purpose and obliquity; the relationship between evidence and knowledge; intrinsic and instrumental impacts, and the value of participatory research. Part Two explores the diversity of perspectives, contexts and methodologies in examining what it is possible to know, say and evidence about the often complex and intimate impact of participatory arts. Part Three brings together case studies in which practitioners and practice-based researchers consider the frustrations, opportunities and successes they face in addressing the challenge to produce evidence for the impact of their practice.
Название: Culture, democracy and the right to make art ISBN: 1350094889 ISBN-13(EAN): 9781350094888 Издательство: Bloomsbury Academic Рейтинг: Цена: 35890.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Based on the words and experiences of the people involved, this book tells the story of the community arts movement in the UK, and, through a series of essays, assesses its influence on present day participatory arts practices. Part I offers the first comprehensive account of the movement, its history, rationale and modes of working in England, Northern Ireland, Scotland and Wales; Part II brings the work up to the present, through a scholarly assessment of its influence on contemporary practice that considers the role of technologies and networks, training, funding, commissioning and curating socially engaged art today.
The community arts movement was a well-known but little understood and largely undocumented creative revolution that began as part of the counter-cultural scene in the late 1960s. A wide range of art forms were developed, including large processions with floats and giant puppets, shadow puppet shows, murals and public art, events on adventure playgrounds and play schemes, outdoor events and fireshows. By the middle of the 1980s community arts had changed and diversified to the point where its fragmentation meant that it could no longer be seen as a coherent movement. Interviews with the early pioneers provide a unique insight into the arts practices of the time.
Culture, Democracy and the Right to Make Art is not simply a history because the legacy and influence of the community arts movement can be seen in a huge range of diverse locations today. Anyone who has ever encountered a community festival or educational project in a gallery or museum or visited a local arts centre could be said to be part of the on-going story of the community arts.
This book is open access and available on www.bloomsburycollections.com . It is funded by the University of Manchester.
Автор: Schulze Daniel Название: Authenticity in Contemporary Theatre and Performance ISBN: 1350086657 ISBN-13(EAN): 9781350086654 Издательство: Bloomsbury Academic Рейтинг: Цена: 36950.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates to theatre and establishes a theoretical framework for analysis. Daniel Schulz argues that authenticity is sought out and marked by the individual and springs from a culture that is perceived as inherently fake and lacking depth. The study examines three types of performances that exemplify this structure of feeling: intimate theatre seen in Forced Entertainment productions such as Quizoola (1996, 2015), as well as one-on-one performances, such as Oentroerend Goed's Internal (2009); immersive theatres as illustrated by Punchdrunk's shows The Masque of the Red Death (2007) and The Drowned Man (2013) which provide a visceral, sensate understanding for audiences; finally, the study scrutinises the popular category of documentary theatre through various examples such as Robin Soan's Talking to Terrorists (2005), David Hare's Stuff Happens (2004), Edmund Burke's Black Watch (2007) and Dennis Kelly's pseudo-documentary play Taking Care of Baby (2007). It is specifically the value of the document that lends such performances their truth-value and consequently their authenticity.
The study analyses how the success of these disparate categories of performance can be explained through a common concern with notions of truth and authenticity. It argues that this hunger for authentic, unmediated experience is characteristic of a structure of feeling that has superseded postmodernism and that actively seeks to resignify artistic and cultural practices of the everyday.
This new book from the author of Scenes for Teens is a collection of 60 original comedy and drama scripts for younger actors. The dialogues feature clean language and family-friendly, real-life scenarios. They are ideal for teaching, rehearsing, and auditioning for stage and screen. All scenes are gender-neutral, allowing every role in every scene to be performed by both male and female acting students.
The scripts are varied, with shorter and longer selections, comical and more serious topics, and conversational dialogue intended to develop rapid-fire comedic timing, listening and reacting skills, and vocal variety. Overall, the emphasis is on straightforward, realistic interaction to build and solidify the one-on-one relationship between acting scene partners. Many scenes are educational, as well, modeling and reinforcing positive attitudes and behaviors for our youth.
With a heartfelt foreword by Disney's Anita Barone, and a clear, concise introduction to acting by the author, Acting Scenes for Kids and Tweens is a simple - but effective - training tool for teachers, parents, libraries, schools, and drama clubs, and acting coaches.
This book offers a no-nonsense, practical approach for training young actors, and can be applied immediately in the home and classroom. Positive imagery, social relevance, and civic-mindedness are written into many scenes as subtext.
Название: Christoph Schlingensief: Staging Chaos, Performing Politics and Theatrical Phantasmagoria (Anna Teresa Scheer) ISBN: 1350001058 ISBN-13(EAN): 9781350001053 Издательство: Bloomsbury Academic Рейтинг: Цена: 105600.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The first book to focus specifically on the late German artist Christoph Schlingensief's theatre work, it subversively merges art, politics and everyday life to imbue his productions both inside and outside the theatre with a re-energized concept of the political in art.
Scheer traces Schlingensief's artistic lineage as a filmmaker with no formal training in theatre, whose work does not correspond to theoretical frameworks such as postdramatic theatre, Regietheater, or established categories of political theatre such as Brechtian, community, and agit-prop theatre. She explores how his work instead draws upon the highly performative gestures of the historical and post-Cold War avant-gardes as well the happenings and event-based practices of the sixties. Comprehensive case studies of six diverse theatrical and activist events are offered to demonstrate both the immediacy of Schlingensief's response to contemporary social and political events and his use of a range of artistic influences and different genres: Rocky Dutschke '68 (1996), Save Capitalism: Throw the Money Away (1999) The Berlin Republic - or the Ring in Africa (1999) Hamlet (2001), Atta Atta - Art Has Broken Out (2003) and the Church of Fear (2003).
Key questions such as how his theatre functions as a provocation, and how an artist can insert themselves into the powerful flows of imagery produced by the perpetual global news cycle, form a coherent line of enquiry throughout each of the chapters. The significance of Schlingensief's artistic legacy of politicized theatre-making that pioneers new modes of active, aesthetic and public engagement in the political realm remains pertinent to topical socio-political debates and is of relevance to an international audience across a diversity of disciplines.
Автор: Alison Jeffers, Gerri Moriarty Название: Culture, Democracy and the Right to Make Art: The British Community Arts Movement ISBN: 1474258352 ISBN-13(EAN): 9781474258357 Издательство: Bloomsbury Academic Рейтинг: Цена: 105600.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Based on the words and experiences of the people involved, this book tells the story of the community arts movement in the UK, and, through a series of essays, assesses its influence on present day participatory arts practices. Part I offers the first comprehensive account of the movement, its history, rationale and modes of working in England, Northern Ireland, Scotland and Wales; Part II brings the work up to the present, through a scholarly assessment of its influence on contemporary practice that considers the role of technologies and networks, training, funding, commissioning and curating socially engaged art today. The community arts movement was a well-known but little understood and largely undocumented creative revolution that began as part of the counter-cultural scene in the late 1960s. A wide range of art forms were developed, including large processions with floats and giant puppets, shadow puppet shows, murals and public art, events on adventure playgrounds and play schemes, outdoor events and fireshows. By the middle of the 1980s community arts had changed and diversified to the point where its fragmentation meant that it could no longer be seen as a coherent movement. Interviews with the early pioneers provide a unique insight into the arts practices of the time. Culture, Democracy and the Right to Make Art is not simply a history because the legacy and influence of the community arts movement can be seen in a huge range of diverse locations today. Anyone who has ever encountered a community festival or educational project in a gallery or museum or visited a local arts centre could be said to be part of the on-going story of the community arts. This book is open access and available on www.bloomsburycollections.com . It is funded by the University of Manchester.
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