On the Authorship Controversy: Evidence That Christopher Marlowe Wrote the Poems and Plays of William Shakespeare, Robert U. Ayres
Автор: Marlowe, Christopher Название: Doctor faustus and other plays "tamburlaine " parts i and ii, "doctor faustus " a and b texts, the "jew of malta ", "edward ii " ISBN: 0199537062 ISBN-13(EAN): 9780199537068 Издательство: Oxford Academ Рейтинг: Цена: 11610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Christopher Marlowe (1564-1593), a man of extreme passions and a playwright of immense talent, is the most important of Shakespeare`s contemporaries. This edition offers his five major plays, which show the radicalism and vitality of his writing in the few years before his violent death.
Автор: Taylor Gary Название: New Oxford Shakespeare: Authorship Companion ISBN: 0199591164 ISBN-13(EAN): 9780199591169 Издательство: Oxford Academ Рейтинг: Цена: 190080.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This companion volume to The New Oxford Shakespeare: The Complete Works concentrates on the issues of canon and chronology. This major work in attribution studies presents in full the evidence behind the choices made in The Complete Works about which works Shakespeare wrote, in whole or part.
Автор: George Kane Название: Piers Plowman: The Evidence for Authorship ISBN: 1472509005 ISBN-13(EAN): 9781472509000 Издательство: Bloomsbury Academic Рейтинг: Цена: 147840.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The major edition of the three versions of Piers Plowman which the Athlone Press is in the process of publishing and of which Professor Kane is the general editor was not planned to include discussion of the authorship of the poem. The editors were agreed at the outset in believing that no real case for multiple authorship had been established in the course of the debate initiated by J. M. Manley in 1906, and they felt that a majority of Middle English scholars would support this view. They were satisfied that the hypothesis of single authorship was the best hypothesis to account for all aspects of the relation between the versions of the poem. However, the recent appearance of a book comparing the A and B versions in the belief that they were not written by the same man led Professor Kane to make a survey of the arguments advanced in support of multiple authorship and to examine again the evidence for single authorship. This re-assessment was originally undertaken without specific reference to the new edition of the three versions, but the unexpectedly positive character of Professor Kane’s findings has a bearing on the edition by materially reducing the hypothetical element in the editorial position. The results of the inquiry are therefore published as a supplementary volume to the text edition and in an identical format.
Автор: Martin Название: Tragedy and Trauma in the Plays of Christopher Marlowe ISBN: 1472431561 ISBN-13(EAN): 9781472431561 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Contending that criticism of Marlowe`s plays has been limited by humanist conceptions of tragedy, this book engages with trauma theory, especially psychoanalytic trauma theory, to offer a fresh critical perspective within which to make sense of the tension in Marlowe`s plays between the tragic and the traumatic.
Автор: Melnikoff Kirk Название: Christopher Marlowe, Theatrical Commerce, and the Book Trade ISBN: 1107126207 ISBN-13(EAN): 9781107126206 Издательство: Cambridge Academ Рейтинг: Цена: 95040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Presents the first exploration of Christopher Marlowe`s complex place in the canon both bibliographically and theatrically. The collection considers Marlowe`s deliberate engagement with page and stage, the textual transmission of his work, and the reception of `Marlowe` as style, perspective, and author.
Автор: Crewe Jonathan Название: Trials of Authorship: Anterior Forms and Poetic Reconstruction from Wyatt to Shakespeare ISBN: 0520303288 ISBN-13(EAN): 9780520303287 Издательство: Wiley Цена: 35910.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: For more than a decade, the English Renaissance has been the focus of intense interpretive activity. It has been a scene of trial for the critical methodologies of deconstruction, feminism, new historicism, psychoanalytic poststructuralism, and cultural studies. Jonathan Crewe's new book extends and challenges this theoretically informed criticism. Crewe argues that the commitment to innovation, transgression, and radical change has increasingly obscured some powerfully resistant elements both in Renaissance culture and in these critical discourses themselves. He calls for a recognition of defensive, perverse, and self-limiting trends in Renaissance writing, and also of the conservative investment by critics in the Renaissance as a cultural epoch. Crewe focusses on the relatively stable poetic and cultural forms operative in the Renaissance. He argues that these established forms, which shape poetic composition, social interaction, and individual identity, are subject to only limited reconstruction by English authors in the sixteenth century. They facilitate and limit literary and social expression and result in more sharply conflicted literary production than current critics have been willing to acknowledge. Moreover, Crewe argues that while this literary production is dominantly masculinist, it nevertheless reveals the stresses of negotiating complex structures of class and gender, history and culture. The literary results are accordingly varied and do not lend themselves to uniform interpretation. Trials of Authorship presents a consecutive reading of English Renaissance authors from Wyatt to Shakespeare and redraws the existing picture of the English Renaissance in the sixteenth century. It does so by concentrating on authors whose canonical status is somewhat precarious, namely the poets Wyatt, Surrey, and Gascoigne, and the "non-literary" authors of two Tudor prose biographies. The book makes a case for the continuing signi?cance of all the texts in question, while its emphasis on them also constitutes an intentional shift away from the Elizabethan period towards that of Henry VIII. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
Автор: Cheney, Patrick (pennsylvania State University) Название: English authorship and the early modern sublime ISBN: 1107049628 ISBN-13(EAN): 9781107049628 Издательство: Cambridge Academ Рейтинг: Цена: 95040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Studying the sublime in late sixteenth- and early seventeenth-century writing, this book advances our understanding of Renaissance literature as a field in the arts and humanities today. Above all, the chapters feature a model of creative excellence and social liberty that explains the greatness of the English literary Renaissance.
Автор: Munson Deats, Professor Sara Название: Placing the plays of christopher marlowe ISBN: 0754662047 ISBN-13(EAN): 9780754662044 Издательство: Taylor&Francis Рейтинг: Цена: 153120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Focusing upon Marlowe the playwright as opposed to Marlowe the man, this work features essays that position the dramatist`s plays within the dramaturgical, ethical, and sociopolitical matrices of his own era. It also examines the controversies of the early modern period `such as the anti-theatrical debate, and the discourse of addiction.
Автор: Christopher Crosbie Название: Revenge Tragedy and Classical Philosophy on the Early Modern Stage ISBN: 1474440266 ISBN-13(EAN): 9781474440264 Издательство: Bloomsbury Academic Рейтинг: Цена: 105600.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Examines the influence of classical philosophy on revenge narratives by Shakespeare and his contemporaries
This book discovers within early modern revenge tragedy the surprising shaping presence of a wide array of classical philosophies not commonly affiliated with the genre. By recovering the pervasive influence of Aristotelian faculty psychology on The Spanish Tragedy, Aristotelian ethics on Titus Andronicus, Lucretian atomism on Hamlet, Galenic pneumatics on Antonio's Revenge and Epictetian Stoicism on The Duchess of Malfi, Crosbie reveals how the very atmospheres and ontological assumptions of revenge tragedy exert their own kind of conditioning dramaturgical force. The book also revitalises our understanding of how the Renaissance stage, even at its most lurid, functions as a unique space for the era's practical, vernacular engagement with received philosophy.
Key Features
Analyzes the twentieth-century development of revenge tragedy as a genre, and diagnoses the roots of modern criticism's tendency to treat most philosophy as estranged from the violent work of revenge
Provides fresh readings of five plays central to the revenge tragedy genre, paying close attention to the conditioning influence of classical philosophy on their narratives of retribution
Reveals how revenge tragedy's distinctive 'moods' or 'atmospheres' emerge from fully-realized sets of ontological assumptions which help shape reception of retribution on the early modern stage
Develops new reception histories for five classical philosophical doctrines, revealing their currency and, what's more, radical adaptability within early modern England
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