Aproaches to Teaching Baudelaire`s Prose Poems, Cheryl Krueger
Автор: Cheryl Krueger Название: Approaches to Teaching Baudelaire`s Prose Poems ISBN: 1603292713 ISBN-13(EAN): 9781603292719 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 44350.00 T Наличие на складе: Невозможна поставка. Описание: A prolific poet, art critic, essayist, and translator, Charles Baudelaire is best known for his volumes of verse and prose poems. This volume explores his prose poems, which depict Paris during the Second Empire and offer compelling and fraught representations of urban expansion, social change, and modernity.
Baudelaire's Media Aesthetics situates Charles Baudelaire in the midst of 19th-century media culture. It offers a thorough study of the role of newspapers, photography, and precinematic devices in Baudelaire's writings, while also discussing the cultural history of these media generally. The book reveals that Baudelaire was not merely inspired by the new media, but that he played with them, using them as frames of perception and ways of experiencing the world. His writings demonstrate how different media respond to one another and how the conventions of one medium can be paraphrased in another medium. Accordingly, Baudelaire's Media Aesthetics argues that Baudelaire should be seen merely as an advocate of "pure poetry," but as a poet in a media saturated environment. It shows that mediation, montage, and movement are features that are central to Baudelaire's aesthetics and that his modernist aesthetics can be conceived of, to a large degree, as a media aesthetics.
Highlighting Baudelaire's interaction with the media of his age, Baudelaire's Media Aesthetics discusses the ways in which we respond to new media technology, drawing on perspectives from Walter Benjamin and Giorgio Agamben. Combining detailed research with contemporary theory, the book opens up new perspectives on Baudelaire's writings, the figure of the flaneur, and modernist aesthetics.
Автор: Marit Gr?tta Название: Baudelaire`s Media Aesthetics: The Gaze of the Fl?neur and 19th-Century Media ISBN: 1501326449 ISBN-13(EAN): 9781501326448 Издательство: Bloomsbury Academic Рейтинг: Цена: 40120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Baudelaire's Media Aesthetics situates Charles Baudelaire in the midst of 19th-century media culture. It offers a thorough study of the role of newspapers, photography, and precinematic devices in Baudelaire's writings, while also discussing the cultural history of these media generally. The book reveals that Baudelaire was not merely inspired by the new media, but that he played with them, using them as frames of perception and ways of experiencing the world. His writings demonstrate how different media respond to one another and how the conventions of one medium can be paraphrased in another medium. Accordingly, Baudelaire's Media Aesthetics argues that Baudelaire should be seen merely as an advocate of "pure poetry, +? but as a poet in a media saturated environment. It shows that mediation, montage, and movement are features that are central to Baudelaire's aesthetics and that his modernist aesthetics can be conceived of, to a large degree, as a media aesthetics.
Highlighting Baudelaire's interaction with the media of his age, Baudelaire's Media Aesthetics discusses the ways in which we respond to new media technology, drawing on perspectives from Walter Benjamin and Giorgio Agamben. Combining detailed research with contemporary theory, the book opens up new perspectives on Baudelaire's writings, the figure of the flaneur, and modernist aesthetics.
Barbara Spackman here examines the ways in which decadent writers adopted the language of physiological illness and alteration as a figure for psychic otherness. By means of an ideological and rhetorical analysis of scientific as well as literary texts, she shows how the rhetoric of sickness provided the male decadent writer with an alibi for the occupation and appropriation of the female body.
Автор: Baudelaire Charles Название: My Heart Laid Bare: & Other Texts ISBN: 1940625211 ISBN-13(EAN): 9781940625218 Издательство: Неизвестно Цена: 22990.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
In My Heart Laid Bare, an apodictic work of aphorism, maxim, note, and extended reflection, we encounter a fierce dandy who revolts against utilitarianism: to be useful, Baudelaire gibes, is to be hideous. Yet, contrarily, it is not dissolution that this po te maudit praises or celebrates. Although he rejects Progress, he prizes what he calls true progress, for him moral, the work of the individual alone. The dandy is not disaffected, but a rigorous spectator that burrows into the heart of reality itself; situated at the center of the world, yet hidden from it, this incognito figure tears back the flesh of humanity like a devilish surgeon. Through this act of absorption, observation, and analysis, like Rimbaud's Supreme Scientist, Baudelaire's dandy acquires "a subtle understanding of the entire moral mechanism of this world." Here we have the poet as philosopher king and transvaluator of values; here we have the disciplined fl neur. Baudelaire the keen symptomatologist who escapes "the nightmare of Time" via Pleasure or Work. If Pleasure is consumptive for him, Work is fortifying, that is, not the work of a profession, -- curs d thing, -- but the work of poiesis. A kind of poetic Marcus Aurelius forging his inner citadel, Baudelaire's dandy-fl neur does not retreat into a monastic cell, but situates himself amidst society: poet as vast mirror, poet as thinking kaleidoscope. To Nietzsche, My Heart Laid Bare contains "invaluable psychological observations relating to decadence of the kind in which Schopenhauer's and Byron's case has been burned."
Reflecting on the conceivable potency of his proposed book when writing to his mother, Baudelaire avowed that in it he would accumulate all his rage. "Ah " he exulted, "if ever that sees the light of day, J-J's Confessions will seem pale." This po te maudit does not however offer us a heart laid bare in terms of some quotidian, memoir-like spewing of his bios; rather, it is the baring of l'esprit, a crystallization of his mind, hence the most genuine revelation of his self. In this unfinished but dense, pressurized, and magnetic work of chaotic enumeration, we have Baudelaire's meditations.
Also included in this volume are other texts of Baudelaire's such as the Consoling Maxims on Love, the equally burning Flares, his notes for a projected magazine, The Philosopher Owl, and select pieces from his cahiers as well as an introduction by the translator.
Автор: Baudelaire Charles Название: Selected Poems from Les Fleurs du mal ISBN: 1908376406 ISBN-13(EAN): 9781908376404 Издательство: Неизвестно Рейтинг: Цена: 17920.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Jan Owen`s masterly translation captures all of Baudelaire`s passion and anguish in a selection that includes many of Baudelaire`s best known poems - including those banned from 1857 edition - as well as some less familiar ones, with the volume leading up to his great long poem, `The Voyage`, and finishing with the much-loved sonnet `Meditation`.
Автор: Leakey Название: Baudelaire: Les Fleurs du mal ISBN: 0521369371 ISBN-13(EAN): 9780521369374 Издательство: Cambridge Academ Рейтинг: Цена: 25350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Les Fleurs du mal owes its `landmark` status to the sheer aesthetic quality of its verses. Professor Leakey provides a comprehensive guide to understanding the poems and their context and a detailed account of Le Cygne.
Автор: Burton Название: Baudelaire in 1859 ISBN: 0521114144 ISBN-13(EAN): 9780521114141 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book is an intensive study of what was by far the most productive year in Baudelaire`s literary career. It combines biographical investigation with detailed textual analysis in order to locate the sources of the extraordinary `explosion` (Baudelaires` own word) of poetic creativity that he experienced during that year.
Автор: Evans Margery A. Название: Baudelaire and Intertextuality ISBN: 0521365082 ISBN-13(EAN): 9780521365086 Издательство: Cambridge Academ Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In this 1993 reading of Baudelaire`s Le Spleen de Paris Margery Evans proposes that Baudelaire`s text serves to question the conventions of prose forms such as the novel and the moral fable. She shows how the text probes the fundamental tension between individuality and conformity, powerfully symbolized by the giant metropolis.
Автор: Abbott Helen Название: Baudelaire in Song: 1880-1930 ISBN: 019879469X ISBN-13(EAN): 9780198794691 Издательство: Oxford Academ Рейтинг: Цена: 68640.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book looks at a key 50-year period (1880-1930) in France and Europe, to see how and why Baudelaire`s poetry has been set to music in classical music, how composers have completely manipulated the texts, which poems they have chosen and why.
Автор: Joseph Acquisto Название: The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy ISBN: 162892652X ISBN-13(EAN): 9781628926521 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Joseph Acquisto examines literary writers and critical theorists who employ theological frameworks, but who divorce that framework from questions of belief and thereby remove the doctrine of salvation from their considerations. Acquisto claims that Baudelaire inaugurates a new kind of amodern modernity by canceling the notion of salvation in his writing while also refusing to embrace any of its secular equivalents, such as historical progress or redemption through art. Through a series of “interhistorical” readings that put literary and critical writers from the last 150 years in dialogue, Acquisto shows how these authors struggle to articulate both the metaphysical and esthetic consequences of attempting to move beyond a logic of salvation. Putting these writers into dialogue with Baudelaire highlights the way both literary and critical approaches attempt to articulate a third option between theism and atheism that also steers clear of political utopianism and Nietzschean estheticism. In the concluding section, Acquisto expands metaphysical and esthetic concerns to account also for the ethics inherent in the refusal of the logic of salvation, an ethics which emerges from, rather than seeking to redeem or cancel, a certain kind of nihilism.
Автор: Mills Kathryn Oliver Название: Formal Revolution in the Work of Baudelaire and Flaubert ISBN: 1611494923 ISBN-13(EAN): 9781611494921 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 61950.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In Formal Revolution in the Work of Baudelaire and Flaubert, Kathryn Oliver Mills argues that despite the enduring celebrity of Baudelaire and Flaubert, their significance to modern art has been miscast and misunderstood. To date, literary criticism has paid insufficient attention to these authors' literary form and their socio-cultural context. In addition, critical literature has not always adequately integrated individual works to each author's broader oeuvre: on the one hand critics do not often maintain rigorous distinctions among texts when discussing Baudelaire and Flaubert, and on the other hand scholars of Baudelaire and Flaubert have not consistently considered the relationship of individual texts to either writer's corpus. Furthermore, critical focus has been on the modernity of Les Fleurs du mal, Madame Bovary, and L'Education Sentimentale. Addressing these lacunae in scholarship, Mills puts forth the argument that Baudelaire's collection of prose poems, Le Spleen de Paris, and Flaubert's short, poetic tales, Trois contes, best embody the modern aesthetic that Baudelaire develops in Le Peintre de la vie moderne and that Flaubert elaborates in his correspondence. Formal Revolution places these relatively less well-known but last published works in relationship with the artistic goals of their authors, showing that Baudelaire and Flaubert were both acutely aware of the need to launch a new form of literature in order to literally "come to terms with" the dramatic changes transforming the nineteenth-century into the Modern Age. More specifically, Formal Revolution demonstrates that for Baudelaire and Flaubert the formal project of fusing prose with poetry--as poetic prose in the case of Flaubert, as poetry in prose in the case of Baudelaire--was crucial to their mission of "painting modern life." This work concludes that experimentation with literary form represents these two seminal writers' major legacy to modernity; suggests that the twentieth-century might have gone too far down that road; and speculates about the future direction of literature. The modernity of Baudelaire and Flaubert, still relevant today but often taken for granted, needs to be reexamined in light of the cultural, formal, and contextual considerations that inform Formal Revolution in the Work of Baudelaire and Flaubert.
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