Nothing Has Been Done Before: Seeking the New in 21st-Century American Popular Music, Robert Loss

Автор: Cashmore Ellis
Название: Kardashian Kulture: How Celebrities Changed Life in the 21st Century
ISBN: 1787437078 ISBN-13(EAN): 9781787437074
Издательство: Emerald
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Цена: 19700.00 T
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Описание: Using the royal family of celebrity culture, the Kardashians, as a lens through which to scrutinize early 21st century culture, this book examines the worlds of business, politics, technology and entertainment, to show how celebrity has fundamentally changed the way we live.

Автор: Hull Geoffrey P., Hull Geoffrey, Hutchison Thomas
Название: The Music Business and Recording Industry: Delivering Music in the 21st Century
ISBN: 0415875609 ISBN-13(EAN): 9780415875608
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание: The Music Business and Recording Industry is a comprehensive music business textbook focused on the three income streams in the music industry: music publishing, live entertainment, and recordings. The book provides a sound foundation for understanding key issues, while presenting the latest research in the field.

Автор: Von Appen, Dr. Ralf Doehring, Dr. Andre Moore, Professor Allan F.
Название: Song interpretation in 21st-century pop music
ISBN: 1472428005 ISBN-13(EAN): 9781472428004
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание: Existing books on the analysis of popular music focus on theory and methodology, and normally discuss parts of songs briefly as examples. The impression often given is that songs are being chosen simply to illuminate and exemplify a theoretical position. In this book the obverse is true: songs take centre stage and are given priority. The authors analyse and interpret them intensively from a variety of theoretical positions that illuminate the song. Thus, methods and theories have to prove their use value in the face of a heterogeneous, contemporary repertoire. The book brings together researchers from very different cultural backgrounds and encourages them to compare their different hearings and to discuss the ways in which they make sense of specific songs. All songs analysed are from the new millennium, most of them not older than three years. Because the most widely popular styles are too often ignored by academics, this book aims to shed light on how million sellers work musically. Therefore, it encompasses a broad palette, highlighting mainstream pop (Lady Gaga, Ke$ha, Lucenzo, Amy McDonald), but also accounting for critically acclaimed ’indie’ styles (Fleet Foxes, Death Cab for Cutie, PJ Harvey), R&B (Destiny’s Child, Janelle Monae), popular hard rock (Kings of Leon, Rammstein), and current electronic music (Andres, BjA¶rk). By concentrating on 13 well-known songs, this book offers some model analyses that can very easily be studied at home or used in seminars and classrooms for students of popular music at all academic levels.

Автор: Brackett David
Название: Categorizing Sound: Genre and Twentieth-Century Popular Music
ISBN: 0520291611 ISBN-13(EAN): 9780520291614
Издательство: Wiley
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Цена: 26400.00 T
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Описание: Addresses the relationship between categories of music and categories of people, particularly how certain ways of organizing sounds becomes integral to how we perceive ourselves and how we feel connected to some people and disconnected from others.

Автор: Harper Ryan P.
Название: The Gaithers and Southern Gospel: Homecoming in the Twenty-First Century
ISBN: 1496810902 ISBN-13(EAN): 9781496810908
Издательство: Mare Nostrum (Eurospan)
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Цена: 91960.00 T
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Описание: In The Gaithers and Southern Gospel, Ryan P. Harper examines songwriters Bill and Gloria Gaither’s Homecoming video and concert series—a gospel music franchise that, since its beginning in 1991, has outperformed all Christian and much secular popular music on the American music market.The Homecomings represent “southern gospel.” Typically that means a musical style popular among white evangelical Christians in the American South and Midwest, and it sometimes overlaps in style, theme, and audience with country music. The Homecomings’ nostalgic orientation—their celebration of “traditional” kinds of American Christian life—harmonize well with southern gospel music, past and present. But amidst the backward gazes, the Homecomings also portend and manifest change. The Gaithers’ deliberate racial integration of their stages, their careful articulation of a relatively inclusive evangelical theology, and their experiments with an array of musical forms demonstrate that the Homecoming is neither simplistically nostalgic, nor solely “southern.”Harper reveals how the Gaithers negotiate a tension between traditional and changing community norms as they seek simultaneously to maintain and expand their audience as well as to initiate and respond to shifts within their fan base. Pulling from hisfield work at Homecoming concerts, behind the scenes with the Gaithers, and with numerous Homecoming fans, Harper reveals the Homecoming world to be a dynamic, complicated constellation in the formation of American religious identity.

Автор: Nina Goss, Eric Hoffman
Название: Tearing the World Apart: Bob Dylan and the Twenty-First Century
ISBN: 1496813324 ISBN-13(EAN): 9781496813329
Издательство: Mare Nostrum (Eurospan)
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Цена: 91960.00 T
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Описание: Contributions by Alberto Brodesco, James Cody, Andrea Cossu, Anne Margaret Daniel, Jesper Doolard, Nina Goss, Jonathan Hodgers, Jamie Lorentzen, Fahri ? z, Nick Smart, and Thad WilliamsonBob Dylan is many things to many people. Folk prodigy. Rock poet. Quiet gentleman. Dionysian impresario. Cotton Mather. Stage hog. Each of these Dylan creations comes with its own accessories, including a costume, a hairstyle, a voice, a lyrical register, a metaphysics, an audience, and a library of commentary. Each Bob Dylan joins a collective cast that has made up his persona for over fifty years.No version of Dylan turns out uncomplicated, but the postmillennial manifestation seems peculiarly contrary—a tireless and enterprising antiquarian; a creator of singular texts and sounds through promiscuous poaching; an artist of innovation and uncanny renewal. This is a Dylan of persistent surrender from and engagement with a world he perceives as broken and enduring, addressing us from a past that is lost and yet forever present.Tearing the World Apart participates in the creation of the postmillennial Bob Dylan by exploring three central records of the twenty-first century—“Love and Theft” (2001), Modern Times (2006), and Tempest (2012)—along with the 2003 film Masked and Anonymous, which Dylan helped write and in which he appears as an actor and musical performer.The collection of essays does justice to this difficult Bob Dylan by examining his method and effects through a disparate set of viewpoints. Readers will find a variety of critical contexts and cultural perspectives as well as a range of experiences as members of Dylan’s audience. The essays in Tearing the World Apart illuminate, as a prism might, its intransigent subject from enticing and intersecting angles.

Автор: Jeffrey J. Lange
Название: Smile When You Call Me a Hillbilly: Country Music`s Struggle for Respectability, 1939-1954
ISBN: 082035256X ISBN-13(EAN): 9780820352565
Издательство: Mare Nostrum (Eurospan)
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Цена: 79470.00 T
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Описание: In his analysis of changing performance styles and alterations in the lifestyles of listeners, Jeffrey Lange illuminates the acculturation of country music and its audience into the American mainstream. Dividing country music into six subgenres (progressive country, western swing, postwar traditional, honky-tonk, country pop, and country blues), Lange discusses the music`s expanding appeal.

Автор: Mabilat
Название: Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts
ISBN: 1138276057 ISBN-13(EAN): 9781138276055
Издательство: Taylor&Francis
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Цена: 54090.00 T
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Описание: Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.

Автор: Ament Suzanne
Название: Sing to Victory!: Song in Soviet Society During World War II
ISBN: 1618118390 ISBN-13(EAN): 9781618118394
Издательство: Mare Nostrum (Eurospan)
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Цена: 96090.00 T
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Описание: Depicts the relationship between song and society during WWII in the USSR. Chapter topics range from the creation and distribution of the songs to how the public received and shaped them. The body of song that came out of that era created a true cultural legacy.

Автор: Elida Dakoli
Название: Aleksander Peci: Albanian Music Before and After the Iron Curtain
ISBN: 1680530674 ISBN-13(EAN): 9781680530674
Издательство: Mare Nostrum (Eurospan)
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Цена: 121050.00 T
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Описание: Unveils a critical period of Albanian music history, creating a new form for discussing the topic of Communism and understanding the culture and style of all contemporary European musicians and composers. This book analyses the life, musical style, and compositions of one of the most important figures of Albanian contemporary classical music.

Автор: Owen W. Gilman
Название: The Hell of War Comes Home: Imaginative Texts from the Conflicts in Afghanistan and Iraq
ISBN: 1496815769 ISBN-13(EAN): 9781496815767
Издательство: Mare Nostrum (Eurospan)
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Цена: 91960.00 T
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Описание: Owen W. Gilman Jr. stresses the US experience of war in the twenty-first century and argues that wherever and whenever there is war, there will be imaginative responses to it, especially the recent wars in Afghanistan and Iraq. Since the trauma of September 11, the experience of Americans at war has been rendered honestly and fully in a wide range of texts?creative nonfiction and journalism, film, poetry, and fiction. These responses, Gilman contends, have packed a lot of power and measure up even to World War II’s literature and film. Like few other books, Gilman’s volume studies these new texts – among them Kevin Powers’s debut novel The Yellow Birds and Phil Klay’s short stories Redeployment, along with the films The Hurt Locker, American Sniper, and Billy Lynn’s Long Halftime Walk. For perspective, Gilman also looks at some touchstones from the Vietnam War. Compared to a few of the big Vietnam books and films, this new material has mostly been read and watched by small audiences and generated less discussion. Gilman exposes the circumstances in American culture currently preventing literature and film of our recent wars from making a significant impact. He contends that Americans’ inclination to demand distraction limits learning from these compelling responses to war in the past decade. According to Gilman, where there should be clarity and depth of knowledge, we instead face misunderstanding and the anguish endured by veterans betrayed by war and our lack of understanding.

Автор: Martha J. Cutter, Cathy J. Schlund-Vials
Название: Redrawing the Historical Past: History, Memory, and Multiethnic Graphic Novels
ISBN: 0820352004 ISBN-13(EAN): 9780820352008
Издательство: Mare Nostrum (Eurospan)
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Цена: 33270.00 T
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Описание: Redrawing the Historical Past examines how multiethnic graphic novels portray and revise U.S. history. This is the first collection to focus exclusively on the interplay of history and memory in multiethnic graphic novels. Such interplay enables a new understanding of the past. The twelve essays explore Mat Johnson and Warren Pleece’s Incognegro, Gene Luen Yang’s Boxers and Saints, GB Tran’s Vietnamerica, Cristy C. Road's Spit and Passion, Scott McCloud’s The New Adventures of Abraham Lincoln, Art Spiegelman’s post-Maus work, and G. Neri and Randy DuBurke’s Yummy: The Last Days of a Southside Shorty, among many others.The collection represents an original body of criticism about recently published works that have received scant scholarly attention. The chapters confront issues of history and memory in contemporary multiethnic graphic novels, employing diverse methodologies and approaches while adhering to three main guidelines. First, using a global lens, contributors reconsider the concept of history and how it is manifest in their chosen texts. Second, contributors consider the ways in which graphic novels, as a distinct genre, can formally renovate or intervene in notions of the historical past. Third, contributors take seriously the possibilities and limitations of these historical revisions with regard to envisioning new, different, or even more positive versions of both the present and future. As a whole, the volume demonstrates that graphic novelists use the open and flexible space of the graphic narrative page—in which readers can move not only forward but also backward, upward, downward, and in several other directions—to present history as an open realm of struggle that is continually being revised.