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From Goodwill to Grunge: A History of Secondhand Styles and Alternative Economies, Jennifer Le Zotte


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Автор: Jennifer Le Zotte
Название:  From Goodwill to Grunge: A History of Secondhand Styles and Alternative Economies
ISBN: 9781469631899
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 146963189X
Обложка/Формат: Hardcover
Страницы: 344
Вес: 0.71 кг.
Дата издания: 30.01.2017
Серия: Studies in united states culture
Язык: English
Иллюстрации: 24 halftones
Размер: 234 x 156 x 24
Ключевые слова: Industrialisation & industrial history,Popular culture,Fashion & society, BUSINESS & ECONOMICS / Corporate & Business History,SOCIAL SCIENCE / Popular Culture
Подзаголовок: A history of secondhand styles and alternative economies
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Поставляется из: Англии
Описание: In this surprising new look at how clothing, style, and commerce came together to change American culture, Jennifer Le Zotte examines how secondhand goods sold at thrift stores, flea markets, and garage sales came to be both profitable and culturally influential. Initially, selling used goods in the United States was seen as a questionable enterprise focused largely on the poor. But as the twentieth century progressed, multimillion-dollar businesses like Goodwill Industries developed, catering not only to the needy but increasingly to well-off customers looking to make a statement. Le Zotte traces the origins and meanings of secondhand style and explores how buying pre-owned goods went from a signifier of poverty to a declaration of rebellion.

Considering buyers and sellers from across the political and economic spectrum, Le Zotte shows how conservative and progressive social activists--from religious and business leaders to anti-Vietnam protesters and drag queens--shrewdly used the exchange of secondhand goods for economic and political ends. At the same time, artists and performers, from Marcel Duchamp and Fanny Brice to Janis Joplin and Kurt Cobain, all helped make secondhand style a visual marker for youth in revolt.

Дополнительное описание: Popular culture|Industrialisation and industrial history|Cultural studies: dress and society


From Goodwill to Grunge: A History of Secondhand Styles and Alternative Economies

Автор: Jennifer Le Zotte
Название: From Goodwill to Grunge: A History of Secondhand Styles and Alternative Economies
ISBN: 1469631903 ISBN-13(EAN): 9781469631905
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 33400.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this surprising new look at how clothing, style, and commerce came together to change American culture, Jennifer Le Zotte examines how secondhand goods sold at thrift stores, flea markets, and garage sales came to be both profitable and culturally influential. Initially, selling used goods in the United States was seen as a questionable enterprise focused largely on the poor. But as the twentieth century progressed, multimillion-dollar businesses like Goodwill Industries developed, catering not only to the needy but increasingly to well-off customers looking to make a statement. Le Zotte traces the origins and meanings of ""secondhand style"" and explores how buying pre-owned goods went from a signifier of poverty to a declaration of rebellion.

Considering buyers and sellers from across the political and economic spectrum, Le Zotte shows how conservative and progressive social activists--from religious and business leaders to anti-Vietnam protesters and drag queens--shrewdly used the exchange of secondhand goods for economic and political ends. At the same time, artists and performers, from Marcel Duchamp and Fanny Brice to Janis Joplin and Kurt Cobain, all helped make secondhand style a visual marker for youth in revolt.

Grunge: Music and Memory

Автор: Strong
Название: Grunge: Music and Memory
ISBN: 1138268577 ISBN-13(EAN): 9781138268579
Издательство: Taylor&Francis
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Цена: 58170.00 T
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Описание: This book explores how grunge has been remembered by the fans who grew up with it, and asks how memory is both formed by and forms popular culture. It looks at the relationship between media, memory and music fans and demonstrates how different groups can use and shape memory as part of an ongoing struggle for power in society.


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