Contemporary Sino-French Cinemas: Absent Fathers, Banned Books, and Red Balloons, Michelle E. Bloom
Автор: Gateward, Frances K (Editor), Pomerance, Murray (E Название: Sugar, Spice, and Everything Nice: Cinemas of Girlhood ( Contemporary Film and Television Series ) ISBN: 0814329187 ISBN-13(EAN): 9780814329184 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25070.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In examining the construction of girlhood from many angles, this collection of essays attempts to capture the richness of meaning behind "girl films", but also explores the recent resurgence of youth-orientated cinema and the relationship of young female viewers to that medium.
Автор: Dolores Tierney Название: New Transnationalisms in Contemporary Latin American Cinemas ISBN: 1474431135 ISBN-13(EAN): 9781474431132 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Through a textual analysis of six filmmakers (Alejandro Gonzalez Inarritu, Alfonso Cuaron, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan Jose Campanella), this book brings a new perspective to the films of Latin America`s transnational auteurs.
Автор: Griseldis Kirsch Название: Contemporary Sino-Japanese Relations on Screen: A History, 1989-2005 ISBN: 1472572386 ISBN-13(EAN): 9781472572387 Издательство: Bloomsbury Academic Рейтинг: Цена: 137280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Japan and China look back on a history of friendship as well as friction, particularly in recent decades. As the People’s Republic of China’s economy began to grow in the 1990s, so did its political weight within Asia and its economical relevance for Japan. Covering the years from 1989 to 2005, this book looks at Sino-Japanese relations through film and television drama in the crucial time of China’s ascent to an economic superpower in opposition to Japan’s own ailing economy. It provides an overview of how Japan views China through its visual media, offers explanations as to how oppositions between the two countries came to exist, and how and why certain myths about China have been conveyed. Griseldis Kirsch argues that the influence of visual media within society cannot be underestimated, nor should their value be lessened by them being perceived as part of ‘popular culture’. Drawing on examples from a crucial 16 years in the history of post-war Japan and China, she explores to what extent these media were influenced by the political discourse of their time. In doing so, she adds another layer to the on-going debate on Sino-Japanese relations, bringing together disciplines such as media studies, history and area studies and thus filling a gap in existing research.
Ecology and Contemporary Nordic Cinemas challenges the traditional socio-political rhetoric of national cinema by providing an ecocritical examination of Nordic cinema. The author uses a range of analytical approaches to interrogate how the national paradigm can be rethought through ecosystemic concerns, by exploring a range of Nordic films as national and transnational, regional and local texts, all with significant global implications. By synergizing transnational theories with ecological approaches, the study considers the planetary implications of nation-based cultural production.
Автор: Pietari K??p? Название: Ecology and Contemporary Nordic Cinemas: From Nation-building to Ecocosmopolitanism ISBN: 1501308602 ISBN-13(EAN): 9781501308604 Издательство: Bloomsbury Academic Рейтинг: Цена: 40120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Ecology and Contemporary Nordic Cinemas uses a range of analytical approaches to interrogate how the traditional socio-political rhetoric of national cinema can be rethought through ecosystemic concerns, by exploring a range of Nordic films as national and transnational, regional and local texts--all with significant global implications. By synergizing transnational theories with ecological approaches, the study considers the planetary implications of nation-based cultural production.
Автор: Tierney, Dolores Название: New transnationalisms in contemporary latin american cinemas ISBN: 074864573X ISBN-13(EAN): 9780748645732 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book incorporates the Latin America/Hollywood and Indiewood vector of filmmaking into its study of the region`s transnationalized filmmaking, using textual analysis and industrial case studies.
Автор: Mayumi Itoh Название: The Origins of Contemporary Sino-Japanese Relations ISBN: 1137570393 ISBN-13(EAN): 9781137570390 Издательство: Springer Рейтинг: Цена: 88500.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book presents a comprehensive and in-depth examination of Zhou Enlai`s childhood in Japan, where he learned about Marxism. Itoh analyzes primary sources to demonstrate how Zhou`s experiences in Japan gave him a profound understanding of Japanese people and society that would become the foundation for contemporary Sino-Japanese relations.
Автор: Griseldis Kirsch Название: Contemporary Sino-Japanese Relations on Screen: A History, 1989-2005 ISBN: 135001415X ISBN-13(EAN): 9781350014152 Издательство: Bloomsbury Academic Рейтинг: Цена: 40120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Japan and China look back on a history of friendship as well as friction, particularly in recent decades. As the People’s Republic of China’s economy began to grow in the 1990s, so did its political weight within Asia and its economical relevance for Japan. Covering the years from 1989 to 2005, this book looks at Sino-Japanese relations through film and television drama in the crucial time of China’s ascent to an economic superpower in opposition to Japan’s own ailing economy. It provides an overview of how Japan views China through its visual media, offers explanations as to how oppositions between the two countries came to exist, and how and why certain myths about China have been conveyed. Griseldis Kirsch argues that the influence of visual media within society cannot be underestimated, nor should their value be lessened by them being perceived as part of ‘popular culture’. Drawing on examples from a crucial 16 years in the history of post-war Japan and China, she explores to what extent these media were influenced by the political discourse of their time. In doing so, she adds another layer to the on-going debate on Sino-Japanese relations, bringing together disciplines such as media studies, history and area studies and thus filling a gap in existing research.
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